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Beyond El Dorado
In ancient Colombia, people did not use gold as currency or desire it for its economic value. Gold was revered instead for its symbolic association and transformative properties. This sacred metal was used to create some of the most visually dramatic and technically sophisticated works of art found anywhere in the Americas before European contact. Drawing on the spectacular collections of the Museum del Oro in Bogota and the British Museum, this beautiful book features over 100 masterpieces fashioned exquisitely in gold and its alloy tumbaga, including small votive figures, decorative nose rings and earrings, vessels, pectorals and masks. These are presented alongside an array of other highly valued objects textiles, ceramic figurines, shells, colourful stone beads which also played a significant part in daily and ritual contexts. -- Publisher's blurb.
Moctezuma and the Aztecs
Under Moctezuma the mighty Aztec empire reached the height of its power; under Moctezuma, the Aztec empire met its ultimate downfall. The Aztecs ruled from the island metropolis of Tenochtitlan which, by the fifteenth century, stretched from the Gulf Coast to the Pacific Ocean. Focusing on their last elected leader, Moctezuma II, this informative and beautifully illustrated little book explores the world of the Aztecs. It looks at their origins, the founding of their capital city Tenochtitlan, the structure of their society, their religious beliefs and ceremonies, their military prowess, their art and architecture, and their network of long-distance trade and tribute. The dramatic death of Moctezuma at the hands of the Spanish is also recounted. Moctezuma and the Aztecs not only offers a concise portrait of this famous, semi-divine figure but offers a wonderful introduction to a remarkable, sophisticated civilization.
Arte americano
Papers presented during the 3rd Meeting of Art History celebrated in Valparaiso in 2006 and where for the first time Pre-Columbian art was included as one of the main categories. The central topic of this edition was dedicated to the spectator and the perception of art with papers centered in the analysis of morphological and iconographic elements to reconstruct how artwork was perceived in the past and the multiple views of the present. Presentations are divided into the follwing catelgories: Arte Precolombino; Arte Virreinal; Arte en el siglo XIX; arte contemporáneo.
Green Revolution
"In the mid-1960s, rural India passed through a period of rapid technological and social change known as the Green Revolution. It was the transition from basically subsistence peasant farming at a low technological level to expensive commercial farming with modern technology. Five major sociotechnological innovations were basic to the Green Revolution: the development of high-yielding varieties of food grains, especially wheat and rice; land consolidation; private tubewell irrigation; mechanization; and the use of factory fertilizers and pesticides. New sources of energy, electricity and the internal combustion engine, which replaced bullock power, and the financial infrastructure that enabl...
Dumbarton Oaks
Dumbarton Oaks houses the extraordinary art collection begun by Mildred and Robert Woods Bliss. In this book the museum publishes the specialist collections in Byzantine and Pre-Columbian art, along with examples from the Blisses' superb European collection, for the first time. When Robert Bliss recalled handling a jade Olmec figurine in 1913, he said, "That day, the collector's microbe took root in--it must be confessed--very fertile soil." The Blisses' passion for art bore fruit in a remarkably diverse collection: Flemish tapestries, Renaissance furniture, and paintings by the likes of El Greco, Renoir, and Degas. The celebrated Byzantine collection includes floor mosaics from late antique...
Golden Kingdoms
This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only...
Historical Dictionary of Shamanism
A remarkable array of people have been called shamans, while the phenomena identified as shamanism continues to proliferate. This second edition of the Historical Dictionary of Shamanism contains with examples from antiquity up to today, and from Siberia (where the term “shaman” originated) to Amazonia, South Africa, Chicago and many other places. Many claims about shamans and shamanism are contentious and all are worthy of discussion. In the most widespread understandings, terms seem to refer particularly to people who alter states of consciousness or enter trances in order to seek knowledge and help from powerful other-than-human persons, perhaps “spirits”. But this says only a lit...
Renaissance Ethnography and the Invention of the Human
Giants, cannibals and other monsters were a regular feature of Renaissance illustrated maps, inhabiting the Americas alongside other indigenous peoples. In a new approach to views of distant peoples, Surekha Davies analyzes this archive alongside prints, costume books and geographical writing. Using sources from Iberia, France, the German lands, the Low Countries, Italy and England, Davies argues that mapmakers and viewers saw these maps as careful syntheses that enabled viewers to compare different peoples. In an age when scholars, missionaries, native peoples and colonial officials debated whether New World inhabitants could – or should – be converted or enslaved, maps were uniquely suited for assessing the impact of environment on bodies and temperaments. Through innovative interdisciplinary methods connecting the European Renaissance to the Atlantic world, Davies uses new sources and questions to explore science as a visual pursuit, revealing how debates about the relationship between humans and monstrous peoples challenged colonial expansion.
Jewelry
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} As an art form, jewelry is defined primarily through its connection to and interaction with the body—extending it, amplifying it, accentuating it, distorting it, concealing it, or transforming it. Addressing six different modes of the body—Adorned, Divine, Regal, Transcendent, Alluring, and Resplendent—this artfully designed catalogue illustrates how these various definitions of the body give meaning to the jewelry that adorns and enhances it. Essays on topics spanning a wide range of times and cultures establish how jewelry was used as a symbol of power, status, and identity, from earflares of warrior heroes in Pre-Colombian...
Elisenda
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