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El gato y su cubanía: José Agustín Goytisolo, embajador de la poesía cubana en la España del tardofranquismo
Es posible que estemos familiarizados con los estudios en torno a la poesía del escritor catalán José Agustín Goytisolo (1928-1999), así como de su generación del cincuenta; que sepamos de su posicionamiento político como intelectual de izquierdas y de su compromiso con diferentes causas sociales y políticas, situación que plasmó no solo en su activismo sino también en sus letras. No obstante, ¿cuánto ignoramos de su interés por América latina, su historia y sus letras; y particularmente de su relación con la Cuba revolucionaria y su poesía?, ¿cuánto desconocemos de la relación intelectual y editorial-profesional que tuvo con diferentes figuras; así como de sus labores d...
Feminizid in Recht Und Literatur
This study examines the crime of femicide in the Latin American context in the novels of Diego Zúñiga (Chile), Laura Restrepo (Colombia), and Fernanda Melchor (Mexico). It reveals how these literary texts shed light on the systematic and intersectional dimensions of femicide and its impunity. Analyses of the novels draw out the ambivalences of juristic frameworks and legal practice.
Migrant and Tourist Encounters
Migrant and Tourist Encounters: The Ethics of Im/mobility in 21st Century Dominican and Cuban Cultures analyzes the effects of clashing flows of voluntary and involuntary travelers to and from these countries due to an increase in migration and tourism during the last three decades. I compare the ways in which literary works and films reflect on and critique the power relations and ethics of im/mobility and encounter, both on the islands and in destinations abroad. The works draw attention to the interconnectedness of migration, tourism, and other forms of travel as well as immobility, and portray growing local and global inequalities through characters’ disparate access to free, voluntary movement. I consider how the works respond to the question of the moral potential of encounters produced by im/mobilities and the possibility of connection across differences. I argue that Dominican and Cuban artists not only critique neo-colonial paradigms of power and im/mobility, but envision and enact strategies for belonging and, in some cases, suggest a path toward de-colonial cosmopolitanism.
Being La Dominicana
Rachel Afi Quinn investigates how visual media portray Dominican women and how women represent themselves in their own creative endeavors in response to existing stereotypes. Delving into the dynamic realities and uniquely racialized gendered experiences of women in Santo Domingo, Quinn reveals the way racial ambiguity and color hierarchy work to shape experiences of identity and subjectivity in the Dominican Republic. She merges analyses of context and interviews with young Dominican women to offer rare insights into a Caribbean society in which the tourist industry and popular media reward, and rely upon, the ability of Dominican women to transform themselves to perform gender, race, and class. Engaging and astute, Being La Dominicana reveals the little-studied world of today's young Dominican women and what their personal stories and transnational experiences can tell us about the larger neoliberal world.
Medicine, Power, and the Authoritarian Regime in Hispanic Literature
This book offers a substantial examination of how contemporary authors deal with the complex legacies of authoritarian regimes in various Spanish-speaking countries. It does so by focusing on works that explore an under-studied aspect: the reliance of authoritarian power on medical notions for political purposes. From the Porfirian regime in Mexico to Castro’s Cuba, this book describes how such regimes have sought to seize medical knowledge to support propagandistic ideas and marginalize their opponents in ways that transcend specific pathologies, political ideologies, and geographical and temporal boundaries. Medicine, Power, and the Authoritarian Regime in Hispanic Literature brings together the work of literary scholars, cultural critics, and historians of medicine, arguing that contemporary authors have actively challenged authoritarian narratives of medicine and disease. In doing so, they continue to re-examine the place of these regimes in the collective memory of Latin America and Spain.
National Identity in 21st-Century Cuban Cinema
National Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures—the monster, the child, the historic icon, and the recluse—in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba. Exploring films chosen to convey a recent diversification of subject matters, genres, and approaches, it depicts a changing industrial landscape in which the national film institute (ICAIC) coexists with international co-producers and small, ‘independent’ production companies. By tracing the reappearance, reconfiguration, and recycling of national identity in recent fiction feature films, the book demonstrates that the spectre of the national haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen—both hiding and revealing—a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world.
Diálogos entre literatura, memória e estilo
Diálogos entre literatura, memória e estilo nasceu de debates críticos e teóricos levantados na disciplina Literatura e questões historiográficas ministrada no segundo semestre de 2023 no Programa de pós-graduação em Letras da Universidades Estadual do Piauí(UESPI). Mas além de jovens pesquisadores, este compêndio reúne ainda acadêmicos experientes que combinam uma visão ampla e interdisciplinar tanto sobre textos consolidados no campo da historiografia literária como obras mais recentes e inovadoras em várias línguas. Como resultado, as discussões aqui colecionadas devem interessar igualmente pesquisadores, leitores e aficionados em literatura e crítica literária.
The Routledge Companion to Literary Urban Studies
Over the past decades, the growing interest in the study of literature of the city has led to the development of literary urban studies as a discipline in its own right. The Routledge Companion to Literary Urban Studies provides a methodical overview of the fundamentals of this developing discipline and a detailed outline of new directions in the field. It consists of 33 newly commissioned chapters that provide an outline of contemporary literary urban studies. The Companion covers all of the main theoretical approaches as well as key literary genres, with case studies covering a range of different geographical, cultural, and historical settings. The final chapters provide a window into new ...
Wrestling with the Violence of God
The prevalence of evil and violence in the world is a growing focus of scholarly attention, especially violence done in the name of religion and violence found within the pages of the Old Testament. Many atheists consider this reason enough to reject the notion of a supreme deity. Some Christians attempt to exonerate God by reinterpreting problematic passages or by prioritizing portrayals of God’s nonviolence. Other Christians have begun to respond to violence in the Old Testament by questioning the nature of the text itself, though not rejecting belief in a good God. Wrestling with the Violence of God: Soundings in the Old Testament is a response to these challenging issues. The chapters ...
Unwriting Maya Literature
Unwriting Maya Literature provides an important decolonial framework for reading Maya texts that builds on the work of Maya authors and intellectuals such as Q’anjob’al Gaspar Pedro González and Kaqchikel Irma Otzoy. Paul M. Worley and Rita M. Palacios privilege the Maya category ts’íib over constructions of the literary in order to reveal how Maya peoples themselves conceive of artistic creation. This offers a decolonial departure from theoretical approaches that remain situated within alphabetic Maya linguistic and literary creation. As ts’íib refers to a broad range of artistic production from painted codices and textiles to works composed in Latin script, as well as plastic ar...
