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Are there pyramids in the Canary Islands? World-famous explorer Thor Heyerdahl thought so, and created a tourist park around them. Other investigators have found identical structures in Sicily, Mauritius, and the Azores. Step pyramids, made of lava stones, on islands thousands of miles apart... Who built these monuments? When did they build them, and why? To answer these questions, investigative reporter Cornel M.A. van Strijp takes you on a trip along the volcanic islands where the so-called 'black pyramids' can be found. During this voyage of discovery, you will encounter many controversial ideas and passionate beliefs about mysterious structures. You will also find completely disregarded ...
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Natural hazards punctuate the history of European towns, moulding their shape and identity: this book is devoted to the artistic representation of those calamities, from the late Middle Ages to the 20th century. It contains nine case studies which discuss, among others, the relationship between biblical imagery and the realistic depiction of urban disasters; the religious, political and ritual meanings of “destruction subjects” in early modern painting; the image of fire in Renaissance treatises on architecture; the first photographic campaigns documenting earthquakes’ damages; the role of contemporary art in the elaboration of a cultural memory of urban destructions. Thus, this book intends to address one of the main issues of Western civilization: the relationship of European towns with their own past and its discontinuities. Contributors are Alessandro Del Puppo, Isabella di Lenardo, Marco Folin, Sophie Goetzmann, Emanuela Guidoboni, Philippe Malgouyres, Olga Medvedkova, Fabrizio Nevola, Monica Preti and Tiziana Serena.
In the early hours of Monday 28th December 1908, a girl steals through the garden of Villa Mazzini. Lilla is on her way to meet Enzo and together they intend to leave on a steamship for a new life in America. First though, they must evade his father’s spies, for Don Carmelo believes the daughter of a fisherman unworthy of his son’s affections; and second, they must survive the greatest earthquake in the city’s long history. In July 1943, Mira receives a visit from Lieutenant Aldo de la Grascia at her family home in the village of Ganzirri. Mira is fond of the officer and without his continuous gift of provisions, her café would have closed long ago. However, the war has already made h...
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Since 1971, the International Congress for Neo-Latin Studies has been organised every three years in various cities in Europe and North America. In August 2009, Uppsala in Sweden was the venue of the fourteenth Neo-Latin conference, held by the International Association for Neo-Latin Studies. The proceedings of the Uppsala conference have been collected in this volume under the motto Litteras et artes nobis traditas excolere Reception and Innovation. Ninety-nine individual and five plenary papers spanning the period from the Renaissance to the present offer a variety of themes covering a range of genres such as history, literature, philology, art history, and religion. The contributions will be of relevance not only for scholarly readers, but also for an interested non-professional audience.
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This volume contains a selection of the proceedings of a conference on European problems of identity titled Europe and its Others, which was held in St Andrews in July 2007. It looks at some of the histories and stories that connect the European margins to an imagined or imaginary centre of this complex continent as seen mostly from within, and with self-reflective insights from literary, socio-historical and cinematic perspectives. By following the marginal route created by the essays, the volume juxtaposes, as in a mosaic, a range of artistic discourses produced in many European languages. Each of these discourses highlights a different perception of belonging or not belonging to Europe; and each of these discourses brings to the fore in its respective society a fresh perspective on new European territories seen not as 'the other' but rather as contiguous tiles in a mosaic of idiosyncrasies. Lying one next to the other, these territories engage in dialogue poetically - harmoniously or dissonantly - in an attempt to create through their juxtaposition an enigmatic poetic discourse of the margins.
Includes entries for maps and atlases.
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