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The Sepulchrum Domini Through the Ages
TABLE OF CONTENTSPreface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VIII. REPRESENTATIONS OF THE HOLY SEPULCHREIntroduction. . . . . . . . . . . . . . . . . . 3A. The Holy Sepulchre as a Separate Church Building. . . . . 71. Constantine the Great's Church of the Holy Sepulchre . 72. Churches of the Holy Sepulchre in Western Europe. 12a. Background . . . . . . . . 12b. The pilgrimage period . . . . . . . . 14c. The period of the Crusades. . . . . . 25B. The Holy Sepulchre in the Interior of the Church 451. Background . . . . . . . . . . . . . . . . . . 452. Holy Sepulchres Modelled on the Anastasis Tomb in Church Interiors . . . . . . . . . . . . . . . . . . . . . . . . . . ...
The Modern Pilgrim
This book is the product of a relatively long history of pilgrimage research in a Dutch theological setting. It is intended as a report for an international audience on this long-running programme. Two lines are followed in the book. The first is the track of liturgical studies, in which an historical, European ethnological and anthropological approach has predominated. The second is a social science track, with specific content coming from psychology of religion. The combination of these two lines has been extremely fruitful. In addition to results of various surveys of contemporary pilgrimage practice and the expansion of research into ritual and cultural context in which modern pilgrims find themselves, special attention is also bestowed on historiographic issues involved in orienting pilgrimage research, and its theoretical and methodological aspects. The places of pilgrimage examined here are Wittem, Dokkum and Amsterdam in The Netherlands, Banneux in Belgium, Lourdes and La Salette in France, and Santiago de Compostela in Spain. The central question which informs the whole study is to what extent one can perhaps speak of a new type of pilgrim today, the "modern pilgrim".
Liturgical Catechesis of Sunday Celebrations in the Absence of a Priest
The number of Catholic communities with no priest available to celebrate Sunday Eucharist has increased steadily over 60 years. For many, other forms of Sunday celebration are the statistical norm. This dramatic development coincides with Vatican II's insistence on liturgical catechesis: for the baptised the main source of their Christian spirit comes from active participation in the liturgy, especially the Sunday Eucharist. Celebrating the liturgy in all its symbolic fullness leads to inner participation in the mystery. A more profound appropriation of this living relationship with Christ comes about through well-celebrated rites and reflection on personal experience of the rites. Yet, litu...
The Generation of Meaning in Liturgical Songs
This book is about the meaning of liturgical songs. Everybody who sings liturgical songs knows what a liturgical song is and also what it eans. But when we start to talk about them, things become confused. We know too much and there are too many languages in which we can express what we think their meaning is. And what is worse, other people seem not to understand what we say and immediately reply that we may know a lot but not what they know. Then the discussion turns into a quarrel amongst people who know too much and connot communicate what they know. A wise person may enter into the quarrel and say that communication about liturgical songs can only succeed when we sing together. Then we ...
Liturgical Music as Ritual Symbol
In this book, Sister Kubicki uses Jacques Berthier's Taize music to explore the nature of liturgical music as ritual symbol. She carries out a hermeneutical analysis of Berthier's chants and examines biographical and historical data related to the creator's of Taize music and the founding of the Taize community. The author draws on five areas of study to interpret the Taize chants as ritual symbol - symbol theory, semiotics, theologies of symbol, ritual theory, and perfomative language theory. The final chapter explores potential ecclesial meanings which may be mediated in the Taize liturgy and the role of Berthier's chants in mediating that meaning. The study concludes that it is music's symbolic property that enables it to be both ministerial and integral to the liturgy. As symbolic activity, music-making evokes participation, negotiates relationships, and enables the assembly to orient themselves and to find their identity and place within their world. Furthermore, music-making provides the illocutionary force to "do something" in the act of singing. Thus it is that as part of a complexus of ritual symbols, music interacts with other symbols, in mediating the liturgy's meaning.
Toward the Origins of Christmas
Christmas exerts an enormous attraction today even apart from its Christian character as a celebration of the incarnation of God in the Person of Jesus. Even marginal or indifferent Christians crowd the churches on Christmas Eve and in highly commercialized and technologized Western societies the Christmas season is celebrated with enthousiasm. Yet Christmas entered the calendar of feasts relatively late, by 336 C.E., and the reason for its introduction and quick spread remain speculative and based on fragmentary evidence. Towards the Origins of Christmas addresses both the contemporary Western celebration of Christmas, and its deep historical roots in the church of the fourth century. The b...
Vested Angels
Mc Namee's detailed and well illustrated new study is about eucharistic symbolism in Early Netherlandish painting. It focuses on the pervading presence of the vested angel in this school of painting and its eucharistic significance. These angels, dressed in every possible variation of the vestements of the subministers of the traditional Solemn High Mass, are represented as serving the Christ in each episode of His life. The history of the vested angel is traced through numerous paintings representing scenes from the life of Christ' from the Annunciation through the Last Judgement. The theological basis of this study is offered in a discussion of Maurice de la Taille's Mysterium Fidei, a theory of Mass that best parallels the concept of Eucharistic symbolism in Early Netherlandish painting. Colour illustrations and over a hundred photographs of the original paintings help the reader to follow this fascinating analysis.
Exaltation of the Cross
The origin, development and spread of the feast of the Exaltation of the Cross is traced on the basis of liturgical sources, and through a careful examination of the liturgical textual material, the meaning of the feast is analyzed with respect to its content. Among the important points receiving attention in this analysis are the place, function and significance of the Cross relic, and the theology of the Cross, or the process whereby the understanding of the Cross was shaped, as that was invested in the feast. The research is based on sources of Western liturgy from the early Middle Ages, and therefore has bearing on the period in the West in which a multiform liturgy, celebrated according...
Presence
In about 25 BC tribesmen of the kingdom of Meroe placed a bronze head of Augustus, cut from a full-length statue, beneath the steps of a temple of victory: the decapitated head of the Emperor was thus regularly trampled underfoot. Two millennia later, during the second Gulf War, Iraqis 'insulted' a toppled bronze statue of Saddam Hussein by beating it with their shoes. Do these chronologically distant but apparently related examples of the defamation of images imply that the persons represented were regarded by their detractors as in some way 'present' in the images? Presence: The Inherence of the Prototype within Images and Other Objects reconsiders the notion of 'presence' in objects. The ...
Material Eucharist
This work surveys and identifies the most important liturgical and theological texts from the biblical, Patristic, medieval, Reformation, and modern periods in order to understand how the Eucharist has shaped, and been shaped by, texts, ritual, and doctrine.
