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This volume brings together essays that, individually and collectively, address the force of the literary text with regard to problematic identities. They work out of shared concerns with literary representations of this issue in different regions, nations and communities that often prove divided; they pursue questions related to textual identity, where the literary text itself is contested internally, or in its generic and historical relations. In sum, these studies actively test identity, as social or literary concept, discovering in difference the very condition of a useful, if paradoxical, sense of personal or textual coherence. What happens to us when we move between different cultures ...
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Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importanc...
The present volume focusses on regional and national aspects of literatures in English, and in particular on the literatures of Scotland, England and Ireland in the nineteenth and twentieth centuries. Other parts of Terranglia, from Wales to the United States and from Australia to Nigeria, are covered as well. Approaches oriented towards comparison, intertextuality and translation enable the inclusion of literatures in languages other than English. Gender is a central area of interest, as is postcolonialism. The volume as a whole illustrates the large variety of ways in which territoriality can be constructed and theorized.
The dismantling of "Understanding Canada"—an international program eliminated by Canada's Conservative government in 2012—posed a tremendous potential setback for Canadianists. Yet Canadian writers continue to be celebrated globally by popular and academic audiences alike. Twenty scholars speak to the government's diplomatic and economic about-face and its implications for representations of Canadian writing within and outside Canada's borders. The contributors to this volume remind us of the obstacles facing transnational intellectual exchange, but also salute scholars' persistence despite these obstacles. Beyond "Understanding Canada" is a timely, trenchant volume for students and scholars of Canadian literature and anyone seeking to understand how Canadian literature circulates in a transnational world. Contributors: Michael A. Bucknor, Daniel Coleman, Anne Collett, Pilar Cuder-Domínguez, Ana María Fraile-Marcos, Jeremy Haynes, Cristina Ivanovici, Milena Kaličanin, Smaro Kamboureli, Katalin Kürtösi, Vesna Lopičić, Belén Martín-Lucas, Claire Omhovère, Lucia Otrísalová, Don Sparling, Melissa Tanti, Christl Verduyn, Elizabeth Yeoman, Lorraine York
Edwin Morgan is Scotland's major living poet, and Inventions of Modernity is the first book-length study of his work. Since the 1940s Morgan's poetry has been carving out an alternative to the conventional evolutions from Modernism to Postmodernism, creating instead a substantial body ofwriting that ranges from the sublime to the hilarious. Morgan develops radical and libertarian poetics in an encyclopaedia of forms; from Anglo-Saxon meter through sonnet-sequences to concrete poems, and including gay poetry, science fiction verse, and prize-winning translations into both Englishand Scots from numerous languages.
The essays in the present volume are dedicated and written in tribute to Professor Mária Kurdi upon celebrating her 70th birthday. As a multifaceted scholar, Mária is known for her enduring contribution to the wide field of literary studies, her main research areas being modern American and British drama, drama theory, and comparative literary studies. An internationally renowned scholar of modern Irish literature and culture, she is also well known for the many ways in which she has promoted Irish studies in Hungary. This is the third volume in the SPECHEL e-ditions series.
“Mr. Pepys and The Turk” is SPECHEL’s first inroad into publication. In line with the mission embodied in its name, this book and subsequent publications will be available in ebook and print-on-demand form, making it considerably more accessible than if it were solely a physical object. “Mr Pepys and Turk” tells of English popular notions of the “Turk” through history, centring upon the diary entries of civil servant Samuel Pepys (1633-1703) and the street ballads which he loved to collect. The author’s fascination with this subject stems from his dual life as an academic/folk singer, but also from having lived and worked most of his adult life in Hungary’s only city with t...
This book explores the different trends and the various changes in the representational history of femmes fatales within twentieth century American culture. While providing precedents, discussing the Western cultural history of this iconic female figure, as well as presenting the cultural and theoretical debates surrounding ‘her,’ the major focus lies in Maurine Dallas Watkins’s story entitled Chicago and how its diachronic and transmedial revivals contributed to this debate and what kind of an interpretation it provided of the lethal woman. Through a cultural, historical, literary and cinematic excavation this book argues that the story of Chicago produces a unique kind of deathly wom...