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A cultural history of the shipping container as a crucible of globalization and a cultural paradigm. We live in a world organized around the container. Standardized twenty- and forty-foot shipping containers carry material goods across oceans and over land; provide shelter, office space, and storage capacity; inspire films, novels, metaphors, and paradigms. Today, TEU (Twenty Foot Equivalent Unit, the official measurement for shipping containers) has become something like a global currency. A container ship, sailing under the flag of one country but owned by a corporation headquartered in another, carrying auto parts from Japan, frozen fish from Vietnam, and rubber ducks from China, offers a...
Many objects are beautiful; and many creations are functional. But only few achieve enduring status. The "Design Classics" series presents such select products that have set standards in form, function and brand communication. Each monograph is a richly illustrated essay and product portrait, from conception to production, from prototype to collectors' item.
This book explores the entangled relationship between marching and political ceremonies in schools for the consolidation of the nation-state in Germany and Japan in the nineteenth and twentieth centuries. Through addressing the relationship between the individual marching body, gymnastics classes in schools, and political ceremonies in public spaces, this book aims to crystalize the ways in which the authorities choreographed the ideal gait, transmitted it to students and deployed it in political ceremonies. By analyzing archived sources written in German and Japanese, Ami Kobayashi investigates the transnational character of the marching ceremony and the knowledge transfers behind it. She explores the process of nation-state building primarily in terms of cultural performance, arguing that the collective upright gait was a form of political choreography orchestrated by political authorities and performed by youth.
Embodied wisdom tells us that we have a great capacity to change brain function through proper movement. But powerful culture pressures dictate the way we move and underlies some of our personal failures, our aches and pains, and our feelings of apathy when it comes to changing our lives"--Page 3 of cover.
The astronomer’s observing chair as both image and object, and the story it tells about a particular kind of science and a particular view of history. The astronomer’s chair is a leitmotif in the history of astronomy, appearing in hundreds of drawings, prints, and photographs from a variety of sources. Nineteenth-century stargazers in particular seemed eager to display their observing chairs—task-specific, often mechanically adjustable observatory furniture designed for use in conjunction with telescopes. But what message did they mean to send with these images? In The Astronomer’s Chair, Omar W. Nasim considers these specialized chairs as both image and object, offering an original ...
This Handbook is a collection of contributions of more than 300 researchers who have worked to grasp the Anthropocene, this new geological epoch characterised by a modification of the conditions of habitability of the Earth for all living things, in its biogeophysical and socio-political reality. These researchers also sought to define a historical and prospective anthropology that integrates social, economic, cultural and political issues as well as, of course, environmental ones. What are the anthropological changes needed to ensure that our human adventure will be able to continue in the Anthropocene? And what are the educational and political issues involved? Anthropocene is fast becomin...
By clothing the Word with her flesh, the Virgin Mary made God visible, manifesting Christ as a perfect “image” of the Father. By virtue of this archetypal “artistry” of Incarnation, Mary mediates the tradition of Christian image-making. This volume explores images of the Mother of God in early modern devotion, piety, and power. The book is divided into four sections, the first three of which link the subjects thematically and geographically in Europe, while the last one follows Mary’s legacy. Contributors include: Elliott D. Wise, Anna Dlabačová, James Clifton, Kim Butler Wingfield, Barbara Baert, Steven Ostrow, Barbara Haeger, Shelley Perlove, Cristina Cruz González, and Mehreen Chida-Razvi.
This collection reflects on the development of disability studies in German-speaking Europe and brings together interdisciplinary perspectives on disability in German, Austrian, and Swiss history and culture. Ableism remains the most socially acceptable form of intolerance, with pejoratives referencing disability - and intellectual disability in particular - remaining largely unquestioned among many. Yet the understanding, depiction, and representation of disability is also clearly in a process of transformation. This volume analyzes that transformation, taking a close look at attitudes toward disability in historical and contemporary German-speaking contexts. The volume begins with an overv...
Essays by international bestselling author Edward Tenner that explore both the negative and positive surprises of human ingenuity How did the addition of lifeboats after the Titanic shipwreck contribute to another tragedy in Chicago harbor three years later? How efficient are wild animals as investors, and how do dog breeds become national symbols? Why have scientific breakthroughs so often originated in the study of shadows? How did the file card prepare scholarship and commerce for the rise of electronic data processing, and why did the visual metaphor of the tab survive into today’s graphic interfaces? Why have Amish artisans played an important role in manufacturing advanced technology...
Der theoretische Impetus dieser Arbeit geht in zwei Richtungen. Erstens schlägt sie eine allgemeine und präzise Definition des Begriffs Medium vor, wobei sie die generische Funktion der Präsentierung in den Vordergrund rückt, von der aus dann Spezialleistungen wie Repräsentation, Information oder Kommunikation spezifizierbar werden. Begriffe wie Erscheinung oder 'es gibt' erweisen sich als Nachbarbegriffe zu Präsenz. Zweitens wird konsequent versucht, Medien als materielle Realitäten zu beschreiben und zu analysieren, wobei die Medienphysiken von Aristoteles und von Fritz Heider, aber auch die Mediologie von Régis Debray als Vorbilder herangezogen werden. Die historische Perspektive folgt weniger einem Evolutionismus, wie er bei McLuhan, Flusser oder auch Luhmann dominiert, sondern eher einem 'Anachronismus': Gleichzeitigkeit der Ungleichaltrigen. Die Arbeit mündet in eine systematische Perspektive, in welcher Kosmologie und Anthropologie eine spannungsvolle, von der Machtfrage in Unruhe gehaltene Einheit suchen.