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Why I Became a Psychotherapist
Mentoring intersects with memoir in this volume, as 31 psychotherapists share the origins of their professional ambitions and, mixing authority with levity, describe their professional odysseys. The psychotherapists include Martin A. Schulman, Jeffrey Seinfeld and Martha Stark.
The Human Context
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Being-in-the-world
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Psychoanalysis Globally Networked
This enlightening volume examines the origins and development of the International Federation of Psychoanalytic Societies (IFPS). It investigates how its structure and concept differed from other societies, and how the autonomy of IFPS members has remained fundamental from its inception up to the present day.
Report
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Mary Wigman
This book considers dancer, teacher, and choreographer Mary Wigman, a leading innovator in Expressionist dance whose radical explorations of movement and dance theory are credited with expanding the scope of dance as a theatrical art. Now reissued, this book combines: a full account of Wigman’s life and work an analysis of her key ideas detailed discussion of her aesthetic theories, including the use of space as an "invisible partner" and the transcendent nature of performance a commentary on her key works, including Hexentanz and The Seven Dances of Life an extensive collection of practical exercises designed to provide an understanding of Wigman’s choreographic principles and her uniquely immersive approach to dance. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Domaine humain
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On Friendship and Freedom
On Friendship and Freedom contains the first published collection of correspondence between Silone and his longtime friend the philanthropist and art collector Marcel Fleischmann
Ecstasy and the Demon
Mary Wigman, Germany’s premier dancer between the two world wars, envisioned the performer in the thrall of ecstatic and demonic forces. Widely hailed as an innovator of dance modernism, she never acknowledged her complex relationship with National Socialism. In Ecstasy and the Demon, Susan Manning advances a sociological explanation for the collaboration between German modern dancers and National Socialism. She models methods for dance studies that contextualize choreography in relation to changing sociopolitical conditions, bringing dance scholarship into conversation with intellectual trends across the humanities. The introduction to this second edition brings Manning’s groundbreaking work to bear on dance studies today and reconsiders Wigman’s career from the perspective of queer theory and globalization, further illuminating the interplay of dance and politics in the twentieth century. Susan Manning is professor of English, theater, and performance studies at Northwestern University.
