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Mama Mudu's Children
The community of Edladleni strives to come to terms with itself in post-freedom South Africa as they swim against the tide of the survival imperative and myriad of thwarted expectations. The journeys of characters embody a tussle with the slide from deprivation” xenophobia, crime, disintegration of the family unit, alienation from self and community, negativity, and self-corroding bitterness. Yet even in the depths of despair redemption remains possible in the resort to Ubuntu-human values, community spirit and environmental activism.
Let My People Play!
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African Theatre in Development
First title in the African Theatre series with accounts of Theatre for Development workshops and critical discussions of the theme which continues to be a major area of endeavour in African theatre. North America: Indiana University Press
New Creative Community
An inspiring, foundational book that defines the burgeoning field of community cultural development. An inspiring, foundational book that defines the burgeoning field of community cultural development. Through personal stories, rousing accounts, detailed observation and histories, Arlene Goldbard describes how communities express and develop themselves via the creative arts. This comprehensive, photographically-illustrated book, which covers community-based arts such as theater grounded in oral history and murals celebrating cultural heritage, will appeal to the curious non-specialist reader as well as the practitioner and student. Author Arlene Goldbard is one of the best-known authors on community cultural development. Her seminal books and essays are widely read in the US and other English-speaking countries -- among them, Community, Culture and Globalization and this book's antecedent, Creative Community.
A History of Theatre in Africa
This book aims to offer a broad history of theatre in Africa. The roots of African theatre are ancient and complex and lie in areas of community festival, seasonal rhythm and religious ritual, as well as in the work of popular entertainers and storytellers. Since the 1950s, in a movement that has paralleled the political emancipation of so much of the continent, there has also grown a theatre that comments back from the colonized world to the world of the colonists and explores its own cultural, political and linguistic identity. A History of Theatre in Africa offers a comprehensive, yet accessible, account of this long and varied chronicle, written by a team of scholars in the field. Chapters include an examination of the concepts of 'history' and 'theatre'; North Africa; Francophone theatre; Anglophone West Africa; East Africa; Southern Africa; Lusophone African theatre; Mauritius and Reunion; and the African diaspora.
Explorations in Southern African Drama, Theatre and Performance
In spite of the rich repertoire of artistic traditions in Southern Africa, particularly in the areas of drama, theatre and performance, there seems to be a lack of a corresponding robust academic engagement with these subjects. While it can be said that some of the racial groups in the region have received substantial attention in terms of scholarly discussions of their drama and theatre performances, the same cannot be said of the black African racial group. As such, this collection of thirteen chapters represents a compendium of critical and intellectual discourses on black African drama, theatre and performance in Botswana, Lesotho, South Africa, and Swaziland. The topics covered in the b...
Contemporary Dance
African dance is discussed here in its global as well as local contexts as a powerful vehicle of aesthetic and cultural exchange and influence.
Watoto Wamama Mudu
The community of Edladleni strives to come to terms with itself in post-freedom South Africa as they swim against the tide of the survival imperative and myriad of thwarted expectations. The journeys of characters embody a tussle with the slide from deprivation” xenophobia, crime, disintegration of the family unit, alienation from self and community, negativity, and self-corroding bitterness. Yet even in the depths of despair redemption remains possible in the resort to Ubuntu-human values, community spirit and environmental activism.
