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Entre Direito E Literatura: Caminhos Outros
Passemos ao corpo. Passamos sempre pelo. O corpo que é uma estrada que margeia, que é composta de vários acostamentos, um espaço feito para se andar descalço ouvindo as palavras que não foram ditas, o som do próprio grito da escuta da subjetividade que perpetrou e que é tão urgente. Um desejo puro, que nos atravessa e pelo qual somos atravessados. O desejo que mesmo que latente não faz milagres, mas sempre nos leva a ir além, desfrutar dimensões incógnitas, nos permite transgredir, sair das rotinas e do padrão, nos torna aptos a recusar o raso e o superficial de nossas vidas. Porque o viver carece de uma certa porção de assombro, de uma ânsia, de uma pulsão. O que este text...
Open Veins of Latin America
[In this book, the author's] analysis of the effects and causes of capitalist underdevelopment in Latin America present [an] account of ... Latin American history. [The author] shows how foreign companies reaped huge profits through their operations in Latin America. He explains the politics of the Latin American bourgeoisies and their subservience to foreign powers, and how they interacted to create increasingly unequal capitalist societies in Latin America.-Back cover.
Interwoven Globe
Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.
The Future of the Law of the Sea
This book is open access under a CC BY-NC 4.0 license. It explores the diverse phenomena which are challenging the international law of the sea today, using the unique perspective of a simultaneous analysis of the national, individual and common interests at stake. This perspective, which all the contributors bear in mind when treating their own topic, also constitutes a useful element in the effort to bring today’s legal complexity and fragmentation to a homogenous vision of the sustainable use of the marine environment and of its resources, and also of the international and national response to maritime crimes.The volume analyzes the relevant legal frameworks and recent developments, focusing on the competing interests which have influenced State jurisdiction and other regulatory processes. An analysis of the competing interests and their developments allows us to identify actors and relevant legal and institutional contexts, retracing how and when these elements have changed over time.
Constructing Early Modern Empires
The role of proprietorships or ‘private’ colonies in imperial development has not received the attention it deserves, notwithstanding recent scholarly emphasis on ‘state-building’. The continued use of these ‘private’ devices, even as early modern European nation-states grew more potent, is not only interesting, but is indeed normative though invariably missing from modern studies of empire. This collection provides in-depth analyses of the workings of the proprietorships themselves (rather than proprietary colonies) and in studies ranging from South Carolina to Nieuw Nederland to French West Africa to Brasil, broadens this discussion beyond British North America. Contributors include: Mickaël Augeron, Kenneth Banks, Sarah Barber, Philip Boucher, Olivier Caporossi, Leslie Choquette, David Dewar, Jaap Jacobs, Maxine N. Lurie, Debra A. Meyers, L.H. Roper, James O’Neil Spady, Bertrand Van Ruymbeke, Cécile Vidal, and Laurent Vidal.
Computational Processing of the Portuguese Language
This book constitutes the proceedings of the 14th International Conference on Computational Processing of the Portuguese Language, PROPOR 2020, held in Evora, Portugal, in March 2020. The 36 full papers presented together with 5 short papers were carefully reviewed and selected from 70 submissions. They are grouped in topical sections on speech processing; resources and evaluation; natural language processing applications; semantics; natural language processing tasks; and multilinguality.
Revealing the African Presence in Renaissance Europe
"This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."
Killing the Water
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