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The Indian Portrait, 1560-1860
The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.
Portraying the Guru
Brings to light the evolution of Sikh art from the eighteenth to the twentieth century. Breaking fresh ground in the study of Sikh art, after the pioneering contributions of W.H. McLeod and B.N. Goswamy, this book on Sikh art evolution is centred on portraits of Sikh Gurus from the eighteenth to the twentieth century. It examines around two hundred and fifty texts of art, of various mediums, scattered across museums and private collections the world over. Ikeda artfully proves how Guru Nanak's portraiture catered to the spiritual and cultural needs not only of ordinary Sikhs, but also satisfied the expectations of the newly formed urban middle class. Including critical review of Harjot Obero...
Translation and State
In 1587, Abū al-Faz̤l ibn Mubārak – a favourite at the Mughal court and author of the Akbarnāmah – completed his Preface to the Persian translation of the Mahābhārata. This book is the first detailed study of Abū al-Faz̤l's Preface. It offers insights into manuscript practices at the Mughal court, the role a Persian version of the Mahābhārata was meant to play, and the religious interactions that characterised 16th-century India.
The Voice of the Indian Mona Lisa
An exploration of the young enslaved woman behind the 'Indian Mona Lisa' who became an accomplished poetess and Rajput prince's concubine.
Race and Blood in the Iberian World
Racism Analysis is a research series by LIT Verlag that explores racial discrimination in all its varying historical, ideological, and cultural patterns. It examines the invention of race, as well as the dimensions of modern racism, and it inquires into racism avant la lettre. Race and Blood in the Iberian World is the third volume in the Race Analysis series. This collection offers an historical approach to the topics of race and blood in the Spanish Atlantic world, with extended comparative glances toward other Iberian imperial contexts (Portuguese India) and periods (the modern). The contributions include: a proposition to analyze processes of racialization in plural before the modern per...
Companion to Contemporary Black British Culture
The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1...
Independence to Freedom
This is a story of migration from rural Gujarat to Nairobi, Kenya and the impact of the struggles for independence from British rule on a traditional Hindu Gujarati family, and finally to London in 1949. Here, the family navigated a life in between two cultures maintaining and imbibing the best of both. Hemkunver lived a life of bhakti – devotion. Manilal, her husband, followed a life of engaging with the world but spiritually grounded in his love for Indian classical music and philosophy. These characteristics were passed on to the main protagonist Viram, who from a very early age fell in love with Indian classical music. His abilities and interests were varied though – so he did not mi...
The Indian Portrait - 8
This exhibition catalogue covers the art of portraiture which flourished in the royal courts of Rajasthan. Rajput rulers, warriors, heads of religious institutions and rich and influential merchants were the major patrons or art and had their portraits painted for visual documentation, political gifts and also as valuable art objects.
Indo-Muslim Cultures in Transition
The authors in this volume explore Indo-Muslim cultures developing in South Asia from the sixteenth through twentieth centuries, sharing central themes but showing significant contextual variations by time and place. They focus a much-needed analytical gaze on the rich layers of circulation and exchange of art, architecture, and literature within South Asia and testify to the interaction of Muslims and Islamic traditions with other people and traditions in India for centuries.
Portraiture in Early India
In the study of Indian art prior to the Mughal period, portraiture has so far been much neglected, when its existence has not simply been denied. This book is an attempt to reassess this issue, by showing that portraits have existed in great number in early India, since probably the first artistic achievements. Through a close scrutiny of sculpted and (more rarely) painted images brought together with textual and epigraphical references, it aims at highlighting the specificities of Indian portraiture, its relationship with divine images and, consequently, at understanding the development of Indian imagery. It questions also the social and religious implications related to this issue.
