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A Narrative of the Negro
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Narrative of the Negro
Pendleton's A Narrative of the Negro (1912) was intended for young readers and links the themes of literacy and the struggle for freedom in profiles of such figures as Frederick Douglass, Toussaint L'Ouverture, and W.E.B. Du Bois. Wilkes's volume, Missing Pages in American History (1919) focuses on the wartime service of African Americans in the Colonial, Revolutionary, and Federal periods. An introduction by Joanne M. Braxton and Sharon Zuber discusses the history and significance of these works. Annotation copyright by Book News, Inc., Portland, OR
Women's Work
Whether in schoolrooms or kitchens, state houses or church pulpits, women have always been historians. Although few participated in the academic study of history until the mid-twentieth century, women labored as teachers of history and historical interpreters. Within African-American communities, women began to write histories in the years after the American Revolution. Distributed through churches, seminaries, public schools, and auxiliary societies, their stories of the past translated ancient Africa, religion, slavery, and ongoing American social reform as historical subjects to popular audiences North and South. This book surveys the creative ways in which African-American women harnesse...
The Negro Soldier in the American Revolution
With biographical information about the founders of the Association for the Study of Negro Life and History.W. B. Hartgrove was known for his early 20th-century "Journal of Negro History." This short volume is an article about African American soldiers during the fight for independence."Most of the good and evil things in this life are judged by comparison; and I fear a comparison in this case will be productive of much discontent in those, who are held in servitude."--George Washington
Short Fiction by Black Women, 1900-1920
The forty-six short stories collected in this volume were originally published in The Colored American Magazine or The Crisis between 1900 and 1920. The Introduction to the collection, written by Elizabeth Ammons, explores the role played by the major black magazines of that period and demonstrates how these two magazines provided the largest secular outlets for short fiction by black women at the turn of the century.
The Crisis
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Barracoon
One of the New York Times' Most Memorable Literary Moments of the Last 25 Years! • New York Times Bestseller • TIME Magazine’s Best Nonfiction Book of 2018 • New York Public Library’s Best Book of 2018 • NPR’s Book Concierge Best Book of 2018 • Economist Book of the Year • SELF.com’s Best Books of 2018 • Audible’s Best of the Year • BookRiot’s Best Audio Books of 2018 • The Atlantic’s Books Briefing: History, Reconsidered • Atlanta Journal Constitution, Best Southern Books 2018 • The Christian Science Monitor’s Best Books 2018 • “A profound impact on Hurston’s literary legacy.”—New York Times “One of the greatest writers of our time.”—Ton...
The Crisis
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Paper Paradise
This is a story of a true rock n roll survivor, Glenn Wheatley, who went from a working class childhood to rock n roll stardom in the 1960s and early 1970s as a member of one of Australia's most successful earl rock and roll bands, the Master Apprentices, recently immortalised in the Rock and Roll Hall of Fame. from tock star to celebrity manager in the 1970s he built the careers of some of the most popular bands here and in the United States, including Little River Band, friend and fellow survivor John Farnham, top entertainers and sports personalitlies. In the 1980s he became a pioneer of FM radio, recording producer and a millionaire entrepreneur, complete with all the trappings - a celeb...
The "new Woman" Revised
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted ...
