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Robert Frank
During an extended road trip across the United States, Robert Frank pointed his camera lens at a passing trolley in New Orleans, took a single exposure, and then turned back to bustling Canal Street, where crowds of people swarmed the sidewalks. That single click of the shutter produced a picture with enduring clarity: a row of windows framing the streetcar's passengers--white passengers in the front, Black passengers in the back. An essay by curator Lucy Gallun explores images in the context of Frank's photobook The Americans and in relation to other photographs of the 1950s and '60s.
A Gust of Photo-Philia
The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.
Uta Barth
This retrospective of the photographer Uta Barth traces her use of the camera to explore both how and what we see. Los Angeles–based contemporary artist Uta Barth (b. 1958) has spent her decades-long career exploring the complexities and limits of human and mechanical vision. At first, her photographs appear to be deceptively simple depictions of everyday objects—light filtering through a window, tree branches bereft of leaves, a sparsely appointed domestic interior—but these images, visually spare yet conceptually rigorous, emerge from her investigation of sight, perception, light, and time. In this richly illustrated monograph, curator Arpad Kovacs and contributors Lucy Gallun and Je...
Ann Hamilton
Ann Hamilton: An Inventory of Objects ISBN 0-9743648-5-1 / 978-0-9743648-5-8 Hardcover, 7 x 10.5 in. / 264 pgs / 150 color and 80 b&w. / U.S. $60.00 CDN $72.00 November / Art
MoMA Highlights
This new edition of MoMA Highlights is a fresh consideration of the Museum’s superlative collection of modern and contemporary art. It presents a rich chronological overview of the most significant artworks from each of MoMA's curatorial departments—painting and sculpture, drawings, prints and illustrated books, photography, architecture and design, film, and media and performance art—with each work represented by a vibrant image and a short informative text. This redesigned volume features 115 new works since the previous edition, many of them recent acquisitions, ranging from typefaces to sculptures to conceptual performances that reflect the Museum’s ongoing dedication to the art of our time. MoMA Highlights is an indispensable resource for exploring one of the premier art collections in the world.
Time Out of Joint
This title explores the artistic practices that employ evocation - the calling forth of past emotions, desires, frustrations, and memories - as a mode of connecting past and present.
Photography at MoMA.
This is the final volume in a set of three books that together present a new and comprehensive history of photography through works in MoMA's collection.
Photography at MoMA
An epic dive into modernist photography by the museum that helped shape its history The history of photography has been told many times, but never before through the incomparable collection of photographs at The Museum of Modern Art. As the second volume in a set of three books that together present a new and comprehensive history of photography through works from MoMA's collection, this publication charts the medium during the height of the modernist period, from 1920 to 1960. Only one other volume--Looking at Photographs, published in 1973--highlights the photographic treasures of MoMA's collection; neither Beaumont Newhall's classic History of Photographynor John Szarkowski's Photography ...
Life Dances On: Robert Frank in Dialogue
An in-depth exploration of the last six decades of work from the iconic photographer and filmmaker, with a special focus on his ceaseless experimentation and artistic collaborations This volume, published in conjunction with the artist's first solo exhibition at the Museum of Modern Art, New York, provides new insights into the interdisciplinary and lesser-known aspects of Robert Frank's expansive career. The exhibition explores the six decades that followed his landmark photobook The Americans, a period in which Frank maintained an extraordinarily multifaceted practice characterized by perpetual experimentation across mediums and artistic and personal dialogues with other artists and with h...
