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This work follows a chronological method that stretches from 1492 to 2010 and intends to show the history of an uninterrupted Hispanic presence in the United States. No topic is developed at length, but only the historical fact is highlighted followed by several reference sources which provide further information on the topic. This is an effort to convey historical information to the people of the United States to whom schools or other educational institutions have never passed on the story of the historical Spanish Heritage of this country.
This history for the first time charts the literature of the entire Caribbean, the islands as well as continental littoral, as one cultural region. It breaks new ground in establishing a common grid for reading literatures that have been kept separate by their linguistic frontiers. Readers will have access to the best current scholarship on the evolution of popular and literate cultures in the various regions since their earliest emergence."The History of Literature in the Caribbean" brings together the most distinguished team of literary Caribbeanists ever assembled, cutting across ideological commitments and critical methods. Differences in point of view between individual contributors are...
Essays on key aspects of cultural, religious, and intellectual life in early modern Spain.
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In the age of European expansion, pearls became potent symbols of imperial supremacy. Pearls for the Crown demonstrates how European art legitimated racialized hierarchies and inequitable notions about humanity and nature that still hold sway today. When Christopher Columbus encountered pristine pearl beds in southern Caribbean waters in 1498, he procured the first source of New World wealth for the Spanish Crown, but he also established an alternative path to an industry that had remained outside European control for centuries. Centering her study on a selection of key artworks tied to the pearl industry, Mónica Domínguez Torres examines the interplay of materiality, labor, race, and powe...
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the s...
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An eye-opening journey into America's past. Documents how much of the "history" that Americans have been taught in public and private schools and promoted in establishment history texts is at the least, distorted; at worst, it is myth. Before America became a land of predominantly English Protestants, it was a land explored and settled by Irish, Scottish, Spanish, and French Catholics. This work documents that the first known explorers, pioneers, and settlers of America were Catholic. Of the 48 Continental States, Catholics settled first in thirty-three, while Protestants were first in only fifteen. For example: Did you know:-that there were settlements by Catholics in New England before the Pilgrims arrived in 1620?-that Catholics had explored and established settlements in Georgia, the Carolinas, and Virginia before Jamestown was settled in 1607?-that Catholics had celebrated the truly first Thanksgiving feast in America eighty years before the Pilgrims did?