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Open Interval
A collection of poems by American writer Lyrae Van Clief-Stefanon in which she examines common themes between literature, astronomy, mathematics, history, and her own experience.
Black Swan
Winner of the 2001 Cave Canem PrizeSelected by Marilyn NelsonFinalist, 2003 Paterson Poetry Prize"Imagine Leda black—" begins Lyrae Van Clief-Stefanon's exciting new collection of poems. Mixing vernacular language with classical mythology, modern struggles with Biblical trials, she gives voice to silenced women past and present.In Van Clief-Stefanon's powerful voice, last night's angry words "puffed / into the dark room like steam / punching through the thick surface / of cooking grits." She remembers a child's innocence "lost / in the house where I learned the red rug / against my chest, my knees / my tongue, . . . ." Black Swan is filled with pain, loss, hope, and the promise of salvation.
New American Poets
The best contemporary American poets are represented in this essential anthology.
Poems in Conversation
"When Alexander and Stefanon scrutinize the variegated surfaces of Romare Bearden's art, the intensity of their gazes gives way to speech. [...] In the hands of these poets, ekphrasis is an act of inquiry, a mode of poetic transformation as well as cultural analysis. For both, the lacunae inherent in acts of reading and looking are openings for empathy, uncertainty, discourse."--Barbara Fischer, p. 31.
Versed
Winner of the 2010 Pulitzer Prize for Poetry Winner of the Pulitzer Prize for Poetry (2010) Winner of the National Book Critics Circle Award (2009) Rae Armantrout has always organized her collections of poetry as though they were works in themselves. Versed brings two of these sequences together, offering readers an expanded view of the arc of her writing. The poems in the first section, Versed, play with vice and versa, the perversity of human consciousness. They flirt with error and delusion, skating on a thin ice that inevitably cracks: "Metaphor forms / a crust / beneath which / the crevasse of each experience." Dark Matter, the second section, alludes to more than the unseen substance t...
Some Ether
Winner of a "Discovery"/The Nation Award Winner of the 1999 PEN/Joyce Osterweil Award for Poetry Some Ether is one of the more remarkable debut collections of poetry to appear in America in recent memory. As Mark Doty has noted, "these poems are more than testimony; in lyrics of ringing clarity and strange precision, Flynn conjures a will to survive, the buoyant motion toward love which is sometimes all that saves us. Some Ether resonates in the imagination long after the final poem; this is a startling, moving debut."
Collected Prose
The author is generally recognized for his contributions to African American poetry, however, a large part of his poetry and prose is on other than African American themes. He achieves universality through his commitment, exploration, and dedication to his African American background, while emphasizing the importance in the commitment to the "belief in the fundamental oneness of all races, the essential oneness of mankind, to the vision of world unity". This is apparent in his poems as well as in the prose covered in this collection.
Let the Dead in
Saida Agostini's first full-length poetry collection, let the dead, is an exploration of the mythologies that seek to subjugate Black bodies, and the counter-stories that reject such subjugation. Audacious, sensual, and grieving, this work explores how Black women harness the fantastic to craft their own road to freedom. A journey across Guyana, London, and the United States, it is a meditation on black womanhood, queerness, the legacy of colonization, and pleasure. These poems craft a creation story fat with love, queerness, mermaids, and blackness.
Ascension
Poetry. In this diary of intentionality, the behearer and the beholder approach the world with an attitude of longing—for less: less sorrow, less suffering. Daily practice delivers the speaker to profound meditations on the nature of the self. These poems press against our deepest held questions: what is an I? Where are my borders? What or how am I "with"? "From whom—from what—do we hide?" "This little book of few words is immense in its silences, depths of ambiguity, range of feeling—dark, light, umber, copper, sienna—full of strange inward jottings (graphically adventurous) that echo and dance in a reader's mind. ASCENSION's quiet absences are fully, passionately, present—you can almost hear the music the title suggests, and the loss and wonder that goes with it"—Norman Fischer.
Bearden's Odyssey
Bearden's Odyssey: Poets Responding to the Art of Romare Bearden is a collection of thirty-five poems by the most celebrated African diaspora poets in the United States, presented together with full-color reproductions from Bearden's famous Odyssey series.
