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En esta obra, los cuerpos se hacen palabra para entrar en conversación con otros cuerpos. En él, celebramos y compartimos la decisión de componer textos académicos e investigativos que aportan a la producción y a la creación de conocimientos en el campo de los estudios culturales en conexión con los lenguajes artísticos contemporáneos. A propósito, Eduardo Pellejero dice que, "ningún método puede conducirnos de manera clara y distinta al corazón de su enigma, ni a la multiplicidad de su potencia. Solo la experiencia —quiero decir, la experimentación— podrá develar a quienes se atrevan a llevarla hasta sus límites, la dimensión, el alcance y las figuras de las que el cuer...
Research on late antique and early medieval migrations has long acknowledged the importance of interdisciplinarity. The field is constantly nourished by new archaeological discoveries that allow for increasingly refined pictures of socio-economic development. Yet the perspectives adopted by historians and archaeologists are frequently different, and so are their conclusions. Diverging views exist in respect to varying geographical areas and scholarly traditions too. This volume brings together history and archaeology to address the impact of the inflow and outflow of migrations on the rural landscape, the creation of new settlement patterns, and the role of migrations and mobility in transforming society and economy. Such themes are often investigated under a regional or macro-regional viewpoint, resulting in too fragmented an understanding of a widespread phenomenon. Spanning Eastern and Western Europe, the book takes steps toward an integrated picture of territories normally investigated as separate entities, and critically establishes grounds for new comparisons and models on late antique and early medieval transformations.
This book, bringing together a multi-voiced dialogue between academic scholars and professionals from diverse fields, shares a comprehensive and heterogeneous look at the interdisciplinarity of Galician Studies while examining a chronologically broad range of subjects from the 1800s to the present. This volume carves out a distinct approach to gender studies investigating issues of culture, language, displacement, counterculture artists, and community projects as related to questions of politics, gender and class. Women, conceived as both individual and political bodies, are studied, among other things, as an example of what it means to struggle from the margins emphasizing the importance of looking at the opposition between the center and the peripheries when studying the relationship between space and culture.
GENEALOGÍAS DE ANDES, ANTIOQUIA (1855-1915). Autor: Aníbal Posada Correa Genealogías de los primeros pobladores del municipio de Andes (Antioquia, Colombia) Esta obra comprende la totalidad de las partidas de bautismo de Andes de los primeros 60 años, desde la inicial realizada en diciembre de 1855 (3 años después de la fundación de este municipio) hasta diciembre de 1915. En total son 28.243 registros bautismales sobre los cuales se formaron las respectivas genealogías, organizados de forma que se facilita al lector la búsqueda de personas y linajes específicos. Contiene además una presentación de la metodología utilizada, unas pocas anécdotas y fotografías, apuntes interesantes sobre esos primeros pobladores y sus historias genealógicas, y alguna información estadística de los registros genealógicos de este importante municipio cafetero de Colombia.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
These personal letters illuminate the author and the history of New Mexico as don Diego experienced it.
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