Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Identities in Crisis
None
Theatre in Spain, 1490-1700
This is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all its aspects - the commercial theatre, the court drama and the Corpus autos, the organisation of theatrical life, the playhouses themselves and their public, the literary and moral controversies, and the plays as literary texts. The book has been written for students of drama as well as Hispanists: Spanish theatre is set in its national and international context; Spanish titles and theatrical terms are translated. Considerable space has been devoted to the experimental drama of the sixteenth century before Lope de Vega. At the core of the book is a highly distinctive, successful national theatre which mirrored the energies, beliefs and anxieties of a great nation in crisis, yet at the same time granted full expression to the individual genius of its greatest exponents - Lope de Vega, Tirso de Molina and Calderon de la Barca.
Ferdinand and Isabella
King Ferdinand and Queen Isabella of Spain are most often remembered for the epochal voyage of Christopher Columbus. But the historic landfall of October 1492 was only a secondary event of the year. The preceding January, they had accepted the surrender of Muslim Granada, ending centuries of Islamic rule in their peninsula. And later that year, they had ordered the expulsion or forced baptism of Spain's Jewish minority, a cruel crusade undertaken in an excess of zeal for their Catholic faith. Europe, in the century of Ferdinand and Isabella, was also awakening to the glories of a new age, the Renaissance, and the Spain of the "Catholic Kings" - as Ferdinand and Isabella came to be known - was not untouched by this brilliant revival of learning. Here, from the noted historian Melveena McKendrick, is their remarkable story.
Playing the King
A reappraisal of Lope's literary career, bringing out the complexities of his dramatic texts. This book offers a radical re-evaluation of Lope's theatre, which will affect the way in which the comedia in general is read. It spans Lope's literary career, discussing (pseudo-)historical, tragic and peasant plays in order to show Lope's texts as complex negotiations between author and public, between conservatism and subversion, between representations of the ideal of kingship and its political reality, in a period of social and political change. Drawing on contemporary Spanish political philosophy, McKendrick shows that far from glorifying monarchy and advocating absolutism (the orthodox view i...
Woman and Society in the Spanish Drama of the Golden Age
An identification and analysis of Spanish Golden-Age drama's preoccupation with the woman who will not accept marriage as her natural role.
Spain: A History
Out of the division and strife of the Middle Ages, Spain emerged from behind the Pyrenees to straddle the stage of European politics like some new colossus. Discoverer of a New World, it became the greatest power on earth and created a Golden Age of culture breathtaking in its quality and achievement. Within 150 years, Spain was in a state of decay and fast being left behind by more progressive European nations. Here, from award-winning historian Melveena McKendrick, is the dramatic story of the rise and fall of the Spanish Empire.
Ferdinand and Isabella
A history of the reign of Ferdinand and Isabella of Spain, who united the country and freed it from the Moors, gave aid to Columbus, ordered the expulsion or conversion of Jews and Moors, and built the framework for modern Spain.
Gendering the Crown in the Spanish Baroque Comedia
The Baroque Spanish stage is populated with virile queens and feminized kings. This study examines the diverse ways in which seventeenth-century comedias engage with the discourse of power and rulership and how it relates to gender. A privileged place for ideological negotiation, the comedia provided negative and positive reflections of kingship at a time when there was a perceived crisis of monarchical authority in the Habsburg court. Author María Cristina Quintero explores how playwrights such as Pedro Calderón de la Barca, Tirso de Molina, Antonio Coello, and Francisco Bances Candamo--taking inspiration from legend, myth, and history--repeatedly staged fantasies of feminine rule, at a t...
Constructing Spanish Womanhood
The first anthology in English on modern Spanish women's history and identity formation.
