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Recovering Lost Footprints, Volume 2
Recovering Lost Footprints, Volume 2 is an in-depth analysis of the sociohistorical conflict impacting Indigenous communities in Latin America. Continuing the project he began in volume 1, Arturo Arias analyzes contemporary Peninsular and Chiapanecan Maya narratives. He examines the works of Yucatecan writers Jorge Cocom Pech, Javier Gómez Navarrete, Isaac Carrillo Can, and Marisol Ceh Moo. For Chiapas, Arias looks at the works of Tseltal novelist Diego Méndez Guzmán, Tsotsil short-story writer Nicolás Huet Bautista, and Tseltal narrative writer Josías López Gómez. Arias problematizes the nature of Western modernity and the crisis of Western models of development in the present. By wa...
Nanga Parbat - The Ultimate Chronicle
The story of Nanga Parbat is long and multifaceted. It was often personified as implacable and unapproachable. Attempts to climb it were made as early as the 19th century. Between the First and Second World Wars it was named the 'mountain of destiny for the Germans' and abused by National Socialist propaganda. The best mountaineers lost their lives in large numbers. In the 1950s, the decade of the first ascents of 8,000m peaks, "Nanga" also fell. Its first climber, the unforgettable Hermann Buhl, would have celebrated his 100th birthday in 2024. This story from a long-forgotten time up to the days of modern mountaineering is dedicated to him.
Ch’ayemal nich’nabiletik / Los hijos errantes / The Errant Children
Mikel Ruiz's The Errant Children, the first novel published in the Tsotsil Maya language, offers a bold and unflinching portrayal of contemporary Maya life in Chiapas, México. Pedro Ton Tsepente' has a position in his village's traditional council, but rather than taking just a few ceremonial drinks, he becomes an alcoholic, subject to blackouts and delirium tremens. His wife, Pascuala, rages at God to step in and change her husband's behavior, taking extreme measures when He does not. Their neighbor, seventeen-year-old Ignacio Ts'unun, learns about gender relations by watching television programs where beautiful women are lighter-skinned and about sex by watching pornography, which leads to disastrous choices. These characters' suffering comes not from conquerors, missionaries, or settlers but from invasive economic and cultural forces that can make Indigenous people devalue themselves. Do not expect to be uplifted, but do prepare to be astonished.
B for Business
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Metabolic Reprogramming
This volume provides state-of-the-art methods and protocols from researchers in the field of metabolism. Chapters guide readers through methodologies measuring different aspects of lipid metabolism, quantifying the amino acids, mitochondrial and intracellular by-products, detect enzyme and kinase activities, detecting a variety of metabolic pathways, and intracellular networks including nucleotide metabolism and the metabolic response to hypoxia and cytotoxic drugs. Written in the format of the highly successful Methods in Molecular Biology series, each chapter includes an introduction to the topic, lists necessary materials and reagents, includes tips on troubleshooting and known pitfalls, and step-by-step, readily reproducible protocols. Authoritative and cutting-edge, Metabolic Reprogramming: Methods and Protocols aims to be a useful and practical guide to new researchers and experts looking to expand their knowledge.
The Maya Art of Speaking Writing
Challenging the distinctions between “old” and “new” media and narratives about the deprecation of orality in favor of inscribed forms, The Maya Art of Speaking Writing draws from Maya concepts of tz’ib’ (recorded knowledge) and tzij, choloj, and ch’owen (orality) to look at expressive work across media and languages. Based on nearly a decade of fieldwork in the Guatemalan highlands, Tiffany D. Creegan Miller discusses images that are sonic, pictorial, gestural, and alphabetic. She reveals various forms of creativity and agency that are woven through a rich media landscape in Indigenous Guatemala, as well as Maya diasporas in Mexico and the United States. Miller discusses how t...
The Serpent's Plumes
The Serpent's Plumes analyzes contemporary Nahua cultural production, principally bilingual Nahuatl-Spanish xochitlajtoli, or "poetry," written from the 1980s to the present. Adam W. Coon draws on Nahua perspectives as a decolonizing theoretical framework to argue that Nahua writers deploy unique worldviews—namely, ixtlamatilistli ("knowledge with the face," which highlights the value of personal experiences); yoltlajlamikilistli ("knowledge with the heart," which underscores the importance of affective intelligence); and tlaixpan ("that which is in front," which presents the past as lying ahead of a subject rather than behind). The views of ixtlamatilistli, yoltlajlamikilistli, and tlaixpan are key in Nahua struggles and effectively challenge those who attempt to marginalize Native knowledge production.
The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms
The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms brings together a team of expert contributors in this critical and innovative volume. Highlighting key trends within the discipline, as well as cutting-edge viewpoints that revise and redefine traditional debates and approaches, readers will come away with an understanding of the complexity of twenty-first-century Latin American cultural production and with a renovated and eminently contemporary understanding of twentieth-century literature and culture. This invaluable resource will be of interest to advanced students and academics in the fields of Latin American literature, cultural studies, and comparative literature.
Overol
«Me interesa la no ficción porque me interesa la ficción: quiero decir, la zona de grisura donde esas dos versiones de un pacto cognitivo con la realidad se tocan.» Los ensayos de este libro fueron escritos entre 2019 y 2024. Su objeto principal, mas no único, es la narrativa mexicana publicada durante la última década. El marco de referencia es adrede caprichoso: cada. más que reiterar estándares académicos, me interesa interrogar al fenómeno literario contemporáneo sin sucumbir a la obviedad, la uniformidad y el aburrimiento. miento. Overol está dividido en tres partes: " Contexto", que incluye ensayos extensos sobre técnica y ambiente cultural; " Lecturas", que compila artí...
