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Gentle Flame recounts the life and presents for the first time the hitherto unknown poetry of Dudley, Fourth Lord North. Born during the reign of Elizabeth I, reared in that of James I, elected to Parliament under Charles I, and retired to his country seat during the time of Charles II, the life an poetry of the Fourth Lord North deepens present-day understanding of an age that saw much social change.
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Erasmus' Familiar Colloquies grew from a small collection of phrases, sentences, and snatches of dialogue written in Paris about 1497 to help his private pupils improve their command of Latin. Twenty years later the material was published by Johann Froben (Basel 1518). It was an immediate success and was reprinted thirty times in the next four years. For the edition of March 1522 Erasmus began to add fully developed dialogues, and a book designed to improve boys' use of Latin (and their deportment) soon became a work of literature for adults, although it retained traces of its original purposes. The final Froben edition (March, 1533) had about sixty parts, most of them dialogues. It was in t...
Socrates is said to have thanked the gods that he was born neither barbarian nor female nor animal. His words conjure up the image of a human being, a Greek male, at the center of the universe, surrounded by "wild" and threatening forces. To the Western imagination the civilized standard has always been masculine, and taken for granted as so until recently. Shakespeare's works, for all their genius and astonishing empathy, are inevitably products of a culture that regards women, animals, and foreigners as peripheral and threatening to its chief interests. "We have been so hypnotized by the most powerful male voice in ourl anguage, interpreted for us by a long line of male critics and teacher...
Hilary takes on a pair of mysteries—one fictional, and one all too real In college, Hilary Quayle dreamed of the stage, and playing all the great leading ladies that Shakespeare had to offer. But her interest was due less to the Bard than to another man: director, actor, and theatrical personality Michael Godwin. And though she got her wish, she found that acting onstage and romancing backstage did not add up to happiness. A decade past college, she’s now a publicity wizard and occasional sleuth, but still nursing enough of a schoolgirl crush to help Michael Godwin when he calls. The director is in New York to stage a spectacular, arena-sized Macbeth, one that will answer the centuries-old question: Who is the mysterious third murderer who appears in Act III? When accidents begin to plague the production, Godwin and his company chalk it up to the play’s curse. But when a real murderer enters the scene, only Hilary Quayle can guarantee a happy ending.
Well-known names such as Albert Einstein, Enrico Fermi, J. Robert Oppenheimer, and Edward Teller are usually those that surround the creation of the atom bomb. One name that is rarely mentioned is Leo Szilard, known in scientific circles as “father of the atom bomb.” The man who first developed the idea of harnessing energy from nuclear chain reactions, he is curiously buried with barely a trace in the history of this well-known and controversial topic. Born in Hungary and educated in Berlin, he escaped Hitler’s Germany in 1933 and that first year developed his concept of nuclear chain reactions. In order to prevent Nazi scientists from stealing his ideas, he kept his theories secret, ...
This volume contains the edited proceedings from the 1990 symposium "Attending to Women in Early Modern England," which was sponsored by the Center for Renaissance and Baroque Studies and the University of Maryland at College Park. Edited by Betty S. Travitsky and Adele F.
In this book, the author examines 13 major productions of Macbeth on stage and screen, inviting the reader to contemplate and compare directors' and actors' choices for what is arguably Shakespeare's most compelling play.
Delving into the life and work of John Dee, Renaissance mathematician and "conjurer to Queen Elizabeth," György E. Szo‹nyi presents an analysis of Renaissance occultism and its place in the chronology of European cultural history. Culling examples of "magical thinking" from classical, medieval, and Renaissance philosophers, Szo‹nyi revisits the body of Dee's own scientific and spiritual writings as reflective sources of traditional mysticism. Exploring the intellectual foundations of magic, Szo‹nyi focuses on the ideology of exaltatio, the glorification or deification of man. He argues that it was the desire for exaltatio that framed and tied together the otherwise varied thoughts and activities of John Dee as well.