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Konstantin Somov: Selected Paintings
Konstantin Andreyevich Somov (1869 -1939) was a Russian artist associated with the Mir iskusstva. Born into a family of a major art historian and Hermitage Museum curator Andrey Ivanovich Somov, he became interested in the 18th-century art and music at an early age.Somov studied at the Imperial Academy of Arts under Ilya Repin from 1888 to 1897. While at the Academy, he befriended Alexandre Benois, who would introduce him to Sergei Diaghilev and Leon Bakst. When the three founded theW orld of Art, Somov liberally contributed to its periodicals. Somov was homosexual, like many of the World of Art members.Inspired by Watteau and Fragonard, he preferred to work with watercolours and gouache. For three years he worked upon his masterpiece, Lady in Blue, painted in the manner of 18th� century portraitists.During the 1910s, Somov executed a number of rococo harlequin scenes and illustrations to the poems by Alexander Blok. Many of his works were exhibited abroad, especially in Germany, where the first monograph on him was published in 1909.Following the Russian Revolution, he immigrated to the United States, but found the country "absolutely alien to his art" and moved to Paris.
Exploring Energy & Facilities Management Opportunities in a Changing Marketplace
This comprehensive compendium addresses the critical issues business is facing as utility deregulation takes hold around the world. New strategies for purchasing power needs to be addressed as well as the opportunities arising from the growth of energy service companies. This indispensable up-to-the-minute reference guide authored by over 100 leading experts in the field addresses energy, environmental and facilities management issues as well as the technologies that are now available.
Plant Engineers and Managers Guide to Energy Conservation
Completely revised and updated, this tenth edition of a bestseller covers both management and technical strategies for slashing energy costs by as much as 40 percent in industrial facilities. It discusses cogeneration, gas distributed generation technologies, steam system optimization, geothermal heat pumps, energy outsourcing, electricity purchasing strategies, and power quality case studies. It also provides guidelines for life cycle costing, electrical system optimization, lighting and HVAC system efficiency improvement, mechanical and process system performance, building energy loss reduction, financing energy projects, and more.
Transnational Cinema and Ideology
Increasingly, as the production, distribution and audience of films cross national boundaries, film scholars have begun to think in terms of ‘transnational’ rather than national cinema. This book is positioned within the emerging field of transnational cinema, and offers a groundbreaking study of the relationship between transnational cinema and ideology. The book focuses in particular on the complex ways in which religion, identity and cultural myths interact in specific cinematic representations of ideology. Author Milja Radovic approaches the selected films as national, regional products, and then moves on to comparative analysis and discussion of their transnational aspects. This boo...
Postcommunist Film - Russia, Eastern Europe and World Culture
A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film. The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutionary films of Mozambique - all formulated as within the postcommunist condition. It considers the postcommunist film in terms of transnational and World cinema. It covers a wide range of films from small and independent filmmaking to mainstream, popular cinema, and explains post-communist signifiers as manifested in visual culture both inside and outside former, and current, communist countries.
History of the Literary Cultures of East-Central Europe
Continuing the work undertaken in Vol. 1 of the History of the Literary Cultures of East-Central Europe, Vol. 2 considers various topographic sites--multicultural cities, border areas, cross-cultural corridors, multiethnic regions--that cut across national boundaries, rendering them permeable to the flow of hybrid cultural messages. By focusing on the literary cultures of specific geographical locations, this volume intends to put into practice a new type of comparative study. Traditional comparative literary studies establish transnational comparisons and contrasts, but thereby reconfirm, howev.
The BFI Companion to Eastern European and Russian Cinema
This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism.
A Cultural History of Serbia
This volume focuses on Serbia’s need to manage change while preserving community identities, a narrative that avoids the common depiction of Serbian culture as a hostile struggle between modernizers supporting foreign models and traditionalists advocating forms of national cultural patrimony. Traditions only function if they are allowed to bend to the necessary modifications demanded by a community’s changing historical circumstances. Tradition and change are two sides of the same coin which Serbia, in its many different incarnations, has experienced over the centuries, protecting its national heritage while borrowing and adapting intellectual and other trends from Byzantine, Ottoman and...
Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia
Turbo-folk music is the most controversial form of popular culture in the new states of former Yugoslavia. Beginning with 1970s Socialist Yugoslavia, Uroš Čvoro explores the cultural and political paradoxes of turbo-folk. Taking as its starting point turbo-folk’s popularity across national borders, Čvoro analyses key songs and performers in Serbia, Slovenia and Croatia. What is proposed is a new way of reading the relationship of contemporary popular music to processes of cultural, political and social change - and a new understanding of how fundamental turbo-folk is to the recent history of former Yugoslavia and its successor states.
