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Empires of Light
A study of light, vision and power in colonial India. It examines the material cultures of light within imperial networks, drawing the colonial experience into contemporary debates on vision and optics to provide an art historical account of how a modern consciousness was forged amidst these dramatic transformations.
Gurus and Media
Gurus and Media is the first book dedicated to media and mediation in domains of public guruship and devotion. Illuminating the mediatisation of guruship and the guru-isation of media, it bridges the gap between scholarship on gurus and the disciplines of media and visual culture studies. It investigates guru iconographies in and across various time periods and also the distinctive ways in which diverse gurus engage with and inhabit different forms of media: statuary, games, print publications, photographs, portraiture, films, machines, social media, bodies, words, graffiti, dolls, sound, verse, tombs and more. The book’s interdisciplinary chapters advance, both conceptually and ethnograph...
Ubiquity
From its invention to the internet age, photography has been considered universal, pervasive, and omnipresent. This anthology of essays posits how the question of when photography came to be everywhere shapes our understanding of all manner of photographic media. Whether looking at a portrait image on the polished silver surface of the daguerreotype, or a viral image on the reflective glass of the smartphone, the experience of looking at photographs and thinking with photography is inseparable from the idea of ubiquity—that is, the apparent ability to be everywhere at once. While photography’s distribution across cultures today is undeniable, the insidious logics and pervasive myths that have governed its spread demand our critical attention, now more than ever.
Trauma Culture
It may be said that every trauma is two traumas or ten thousand-depending on the number of people involved. How one experiences and reacts to an event is unique and depends largely on one's direct or indirect positioning, personal psychic history, and individual memories. But equally important to the experience of trauma are the broader political and cultural contexts within which a catastrophe takes place and how it is "managed" by institutional forces, including the media. In Trauma Culture, E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a compelling need to draw meaning from personal exper...
Between Love and Freedom
Between Love and Freedom interprets the figure of the revolutionary in the Hindi novel by establishing its lineage in representative Bengali novels, as well as in the contending moralities of Mahatma Gandhi and Bhagat Singh on the idea of violence. It reveals how conventional social realism and emergent modernist modes were brought together in the novelistic tradition by extending the political ideal of anti-colonial revolution into domains of sexual desire and subjective expression, especially in the works of Agyeya, Jainendra, and Yashpal. This work will deeply interest scholars and students of literature, modern Indian history, Hindi, and political science.
Sainthood and Race
In popular imagination, saints exhibit the best characteristics of humanity, universally recognizable but condensed and embodied in an individual. Recent scholarship has asked an array of questions concerning the historical and social contexts of sainthood, and opened new approaches to its study. What happens when the category of sainthood is interrogated and inflected by the problematic category of race? Sainthood and Race: Marked Flesh, Holy Flesh explores this complicated relationship by examining two distinct characteristics of the saint’s body: the historicized, marked flesh and the universal, holy flesh. The essays in this volume comment on this tension between particularity and univ...
Crossing the Lines of Caste
Crossing the Lines of Caste offers a cultural-historical analysis of the legends of Visvamitra, a sage who is said to have used his ascetic power to change his caste and become a Brahmin. It reveals how and why mythological culture has played an active role in the construction of Brahmin social power for more than three thousand years.
Hindu Christian Faqir
"This book compares two colonial Indian holy men, the Hindu Rama Tirtha and the Christian Sundar Singh. Challenging ideas about modern Hinduism, indigenous Christianity, and sainthood, the study focuses on the vernacular, ascetic idioms that both men creatively drew on to appeal to transnational audiences and pursue religious perfection"--
Pilgrimage and Politics in Colonial Bengal
Reviving Sati's corpse: Mother India tours and Hindutva in the twenty-first century -- Bibliography -- Index
Teaching South and Southeast Asian Art
This volume challenges existing notions of what is “Indian,” “Southeast Asian,” and/or “South Asian” art to help educators present a more contextualized understanding of art in a globalized world. In doing so, it (re)examines how South or Southeast Asian art is being made, exhibited, circulated and experienced in new ways in the United States or in regions under its cultural hegemony. The essays presented in this book examine both historical and contemporary transformations or lived experiences of monuments and regional styles (sites) from South or Southeast Asian art in art making, subsequent usage, and exhibition-making under the rubric of “Indian,” “South Asian,” “or “Southeast Asian” Art.
