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A Book of Parodies
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Parodies of the Works of English & American Authors
Includes parodies of Tennyson, Longfellow, Bret Harte, Thomas Hood, Swinburne, Browning, Shakespeare, Milton, Poe, Shelley, Cowper, Coleridge, Herrick, Carroll, Lever, Lover, Burns, Scott, Goldsmith, Kingsley, Byron and many others.
The Parodies Collection
Here, collected together for the first time in eBook (because quite frankly, who would want to carry all of these around as actual books? Imagine the scorn on the bus!) are seven of Adam Roberts' superb parodies of popular culture. From the Soddit and his not-a-shameless-cash-in journey to the cavern of Smug the dragon - during which he finds a ring, which may well feature in later books and/or films - to the dragon with a girl tattoo (look, it was very popular at the time, OK?), here you will find lovingly crafted, affectionate (well, sometimes) takes on some of the most loved - or at least financially successful - "works of art" of our time. Contains THE SODDIT, DOCTOR WHOM, THE DRAGON WITH THE GIRL TATTOO, THE McATRIX DERIDED, STAR WARPED, THE SELLAMILLION and THE VA DINCI COD.
Kinds of Parody from the Medieval to the Postmodern
This book approaches parody as a literary form that has assumed diverse forms and functions throughout history. The author handles this diversity by classifying parody according to its objects of imitation and specifying three major parodic kinds: parody directed at texts and personal styles, parody directed at genre, and parody directed at discourse. The book argues that different literary-historical periods in Britain have witnessed the prevalence of different kinds of parody and investigates the reasons underlying this phenomenon. All periods from the Middle Ages to the present are considered in this regard, but a special significance is given to the postmodern age, where parody has become a widely produced literary form. The book contends further that postmodern parody is primarily discourse parody - a phenomenon which can be explained through the major concerns of postmodernism as a movement. In addition to situating parody and its kinds in a historical context, this book engages in a detailed analysis of parody in the postmodern age, preparing the ground for making an informed assessment of the direction parody and its kinds may take in the near future.
Parody
In this definitive work Margaret Rose presents an analysis and history of theories and uses of parody from ancient to contemporary times and offers a new approach to the analysis and classification of modern, late-modern, and post-modern theories of the subject. The author's Parody/Meta-Fiction (1979) was influential in broadening awareness of parody as a 'double-coded' device which could be used for more than mere ridicule. In the present study she both expands and revises the introductory section of her 1979 text and adds substantial new sections on modern and post-modern theories and uses of parody and pastiche which also discuss the work of theorists and writers including the Russian formalists, Mikhail Bakhtin, Hans Robert Jauss, Wolfgang Iser, Julia Kristeva, Roland Barthes, Michel Foucault, Jacques Derrida, Ihab Hassan, Jean Baudrillard, Fredric Jameson, A. S. Byatt, Martin Amis, Charles Jencks, Umberto Eco, David Lodge, Malcolm Bradbury and others.
Pastiches, Parodies & Other Imitations / Pastiches, Parodies & Autres Imitations
From the contents: S.E. Gontarski: Style and the man: Samuel Beckett and the art of pastiche. - Veronique Le Gall: Carcasse et deraison: la nature morte. - Michael D'Arcy: The task of the listener: Beckett, Proust, and perpetual translation. - Florence Godeau: Molloy aux mille tours. - Julie Campbell: Moran as secret agent. - Steve Barfield and Philip Tew: Philosophy, psychoanalysis and parody: exceedingly Beckett."
Parody
Parody is a most iridescent phenomenon: of ancient Greek origin, parody's very malleability has allowed it to survive and to conquer Western cultures. Changing discourse on parody, its complex relationship with related humorous forms (e.g. travesty, burlesque, satire), its ability to cross genre boundaries, the many parodies handed down by tradition, and its ubiquity in contemporary culture all testify to its multifaceted nature. No wonder that 'parody' has become a phrase without clear meaning. The essays in this collection reflect the multidimensionality of recent parody studies. They pay tribute to its long and varied tradition, covering examples of parodic practice from the Middle Ages t...
Who Do You Think You Are?
In seven short stories Malcolm Bradbury takes a subtly ironic look at a variety of targets: American academics, provincial Britain, the aspirations of social workers, psychologists, the well-intentioned. . . In addition he delights us with an irreverent and hilarious series of parodies of some of the greatest paradigms of the British and American literary scenes: a passage from Iris Murdoch's little-known The Sublime and the Ridiculous; Muriel Spark (a whole novel); the fifth volume of Durrell's Alexandria Quartet; John Osborne; J. D. Salinger and many more. 'A very funny book indeed. Malcolm Bradbury is a satirist of great assurance and accomplishment' Observer 'Bradbury's eye is sharp, his trigger-finger steady and unafraid, and his range and explosive power devastating' The Times
Film Parody
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