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Shakespeare And Comedy
Rather than focusing on the plays most commonly classified as comedies, Robert Maslen traces Shakespeare's use of comedy throughout all his plays by demonstrating the use of the comic mode when representing commoners and court entertainers, or as a medium exploited by pranksters, dissidents and rebels.
Creation Language in Romans 8
Modern scholarship tends to understand Paul’s use of creation language (κτίσις) in Rom 8.18–23 as part of a commentary on the state of sub-human creation. This misguided position warrants an inquiry into the state of lexical study in New Testament scholarship. As a result, Fewster articulates a theory of lexical monosemy, cast in the framework of Systemic Functional Linguistics. The model is applied to Paul’s use of κτίσις through a robust corpus analysis and investigation into the word's role within the paragraph. κτίσις contributes to the cohesive structure of Rom 8.18–23 and—contra the majority of interpreters—functions as a metaphor for the human body.
The Automaton in English Renaissance Literature
The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new s...
Metaphor in Communication, Science and Education
This collection of papers presents some recent trends in metaphor studies that propose new directions of research on the embodied cognition perspective. The overall volume, in particular, shows how the embodied cognition still remains a relevant approach in a multidisciplinary research on the communicative side of metaphors, by focusing on both comprehension processes in science as well as learning processes in education.
A Critical Companion to John Skelton
Introduces Skelton and his work to readers unfamiliar with the poet, gathers together the vibrant strands of existing research, and opens up new avenues for future studies.
The Arts of Remembrance in Early Modern England
The early modern period inherited a deeply-ingrained culture of Christian remembrance that proved a platform for creativity in a remarkable variety of forms. From the literature of church ritual to the construction of monuments; from portraiture to the arrangement of domestic interiors; from the development of textual rites to drama of the contemporary stage, the early modern world practiced 'arts of remembrance' at every turn. The turmoils of the Reformation and its aftermath transformed the habits of creating through remembrance. Ritually observed and radically reinvented, remembrance was a focal point of the early modern cultural imagination for an age when beliefs both crossed and divided communities of the faithful. The Arts of Remembrance in Early Modern England maps the new terrain of remembrance in the post-Reformation period, charting its negotiations with the material, the textual and the performative.
The London Gazette
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Stages of Loss
An original and deeply researched account of travel and festivity in early modern Europe that casts new light, from new angles, on major developments in sixteenth- and seventeenth-century theatre and drama.
Metaphor in Use
Metaphor is a fascinating phenomenon, but it is also complex and multi-faceted, varying in how it is manifested in different modes of expression, languages, cultures, or time-scales. How then can we reliably identify metaphors in different contexts? How does the language or culture of speakers and hearers affect the way metaphors are produced or interpreted? Are the methods employed to explore metaphors in one context applicable in others? The sixteen chapters that make up this volume offer not only detailed studies of the situated use of metaphor in language, gesture, and visuals around the world providing important insights into the different factors that produce variation but also careful explication and discussion of the methodological issues that arise when researchers approach metaphor in diverse 'real world' contexts. The book constitutes an important contribution to applied metaphor studies, and will prove an invaluable resource for the novice and experienced metaphor researcher alike.
George Gascoigne
First modern full-length study of the Elizabethan poet George Gascoigne.
