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Dr. Macnamara, 1861-1931
This well-researched historical biography is the first on Dr. T. J. Macnamara, the first ex-elementary teacher to win a government post. Colleague and close friend of Lloyd George, and praised by Winston Churchill, Macnamara was an educationist, journalist and Cabinet Minister. This study of his life and career makes a major contribution to educational history as well as to the history of the Liberal Party, the National Union of Teachers (NUT) and British political history generally. Fascinating details of Macnamara’s pre-Parliamentary career are provided and, alongside the biographical account, the book deals with a range of major issues with which Macnamara was involved. In education, go...
HIV Stories
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
The Sociology of Architecture
Drawing on sociological theories to assist understanding of how political power operates in the cultural sphere, The Sociology of Architecture frames the discipline as a field of symbolic and material conflict over social identities. This volume contests the notion of architecture as an apolitical endeavor and suggests that major architectural projects can act as tangible expressions of the ultimately contested nature of collective identities, thus shedding light on how those with power both legitimate and mark their position in the world.
Art, Money, Parties
From the phenomenally successful new Tate Modern to the Dia:Beacon and Liverpool Biennial, contemporary visual art seems more than ever enmeshed in prominent public institutions and new forms of patronage, whether public commissions or corporate sponsorships. InArt, Money, Parties,renowned figures from the art world—including artists, dealers, and gallery owners—join scholars to consider these new institutional faces of contemporary art, their influence on art and artists, and how they affect the future of art. The essays in this collection, which originated at a conference organized by Tate Liverpool and the University of Liverpool, offer frequently contentious positions on the role of ...
Millions Like Us'?
This collection of essays brings together the latest historical research on cultural production and reception during the Second World War. It covers the way in which cultural provision was viewed by the labour movement and industry.
The Most Dreadful Visitation
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Victorian literature is rife with scenes of madness, with mental disorder functioning as everything from a simple plot device to a commentary on the foundations of Victorian society. But while madness in Victorian fiction has been much studied, most scholarship has focused on the portrayal of madness in women; male mental disorder in the period has suffered comparative neglect. Valerie Pedlar corrects this imbalance in The ‘Most Dreadful Visitation.’ This extraordinary study explores a wide range of Victorian writings to consider the relationship between the portrayal of mental illness in literary works and the portrayal of similar disorders in the writings of doctors and psychologists. Pedlar presents in-depth studies of Dickens’s Barnaby Rudge, Tennyson’s Maud, Wilkie Collins’s Basil, and Trollope’s He Knew He Was Right, considering each work in the context of Victorian understandings—and fears—of mental degeneracy.
Role-play and the World as Stage in the Comedia
The theatrum mundi metaphor was well-known in the Golden Age, and was often employed, notably by Calderón in his religious theatre. However, little account has been given of the everyday exploitation of the idea of the world as stage in the mainstream drama of the Golden Age. This study examines how and why playwrights of the period time and again created characters who dramatize themselves, who re-invent themselves by performing new roles and inventing new plots within the larger frame of the play. The prevalence of metatheatrical techniques among Golden Age dramatists, including Lope de Vega, Tirso de Molina, Calderón de la Barca and Guillén de Castro, reveals a fascination with role-playing and its implications. Thacker argues that in comedy, these playwrights saw role-playing as a means by which they could comment on and criticize the society in which they lived, and he reveals a drama far less supportive of the social status quo in Golden Age Spain than has been traditionally thought to be the case.
The Williams Dictionary of Biomaterials
There has been a rapid expansion of activity in the area of biomaterials and related medical devices, both in scientific terms and in clinical and commercial applications. The definition of terms has failed to keep pace with the rapidity of these developments and there is considerable confusion over the terminology used in this highly multi- and inter-disciplinary area. This confusion has arisen partly from the use of inappropriate terms which already have well-defined meanings in their parent disciplines, but which are used inexpertly by those working in other disciplines, and partly from the haphazard generation of new terms for the purpose of defining new phenomena or devices. For example...
Georges Brassens and Jacques Brel
This book explores the various personal and social narratives within the songs of Brassens and Brel, the auteurs-compositeurs-interpretes who epitomised what is now widely regarded as the golden era of chanson francaise during the 1950s and 60s. Tinker's discussion reveals the tensions in thenarrators' relationship with themselves, other individuals, and society. The book builds upon, and moves beyond, the two dominant critical approaches used to write about French song: the exclusively biographical oriented approach and the purely linguistic analysis. Tinker focuses both on identity,viewed primarily as a relational process, and on representation: linguistic, musical, vocal, and gestural.
