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As the first extensive survey of the ancient Greek painters’ practice of writing nonsense on vases, The So-called Nonsense Inscriptions on Ancient Greek Vases by Sara Chiarini provides a systematic overview of the linguistic features of the phenomenon and discusses its forms and contexts of reception. While the origins of the practice lie in the impaired literacy of the painters involved in it, the extent of the phenomenon suggests that, at some point, it became a true fashion within Attic vase painting. This raises the question of the forms of interaction with this epigraphic material. An open approach is adopted: “reading” attempts, riddles and puns inspired by nonsense inscriptions could happen in a variety of circumstances, including the symposium but not limited to it.
This book reveals how 'marginal' aspects of Graeco-Roman art play a fundamental role in shaping and interrogating ancient and modern visual culture.
Explores the connections between art and play in ancient Greek thought, especially that of Plato and Aristotle.
This volume collects the proceedings of the final conference of the European project EAGLE (Europeana network of Ancient Greek and Latin Epigraphy), held at the Sapienza University of Rome on January 28-30th 2016.
This book explores multilingualism and multiscriptism in a great variety of writing cultures, offering an in-depth analysis of how diverse languages and scripts seamlessly intertwine within written artefacts. Insights into scribal practices are particularly illuminating in that respect, especially when exploring artefacts originating from multicultural communities and regions where distinct writing traditions intersect. The influence of multilingualism and multiscriptism on these writing cultures becomes evident, with essays spanning various domains, from the mundane aspects of everyday life to the realms of scholarship and political propaganda. Scholars often relegate these phenomena, despi...
The Lived Ancient Religion project has radically changed perspectives on ancient religions and their supposedly personal or public character. This volume applies and further develops these methodological tools, new perspectives and new questions. The religious transformations of the Roman Imperial period appear in new light and more nuances by comparative confrontation and the integration of many disciplines. The contributions are written by specialists from a variety of disciplinary contexts (Jewish Studies, Theology, Classics, Early Christian Studies) dealing with the history of religion of the Mediterranean, West-Asian, and European area from the (late) Hellenistic period to the (early) Middle Ages and shaped by their intensive exchange. From the point of view of their respective fields of research, the contributors engage with discourses on agency, embodiment, appropriation and experience. They present innovative research in four fields also of theoretical debate, which are “Experiencing the Religious”, “Switching the Code”, „A Thing Called Body“ and “Commemorating the Moment”.
Despite the growing interest in Apuleius’ Apologia or Pro se de magia, a speech he delivered in AD 158/159 to defend himself against the charge of being a magus, the only comprehensive study on this speech and magic to date is that by Adam Abt (1908). The aim of this volume is to shed new light on the extent to which Apuleius’ speech reveals his own knowledge of magic, and on the implications of the dangerous allegations brought against Apuleius. By analysing the Apologia sequentially, the author does not only reassess Abt’s analysis but proposes a new reconstruction of the prosecution’s case, arguing that it is heavily distorted by Apuleius. Since ancient magic is the main topic of ...
This book employs the concept of 'nonsense' to explore those parts of Greek comedy perceived as 'just silly' and therefore 'not meaningful'.
"Nemo Non Metuit": Magic in the Roman World has the ambitious goal of discussing some of the fundamental themes in the development of the idea of magic, in all its facets, in the long chronological span of the Roman world, between the 8th century BCE and the 5th century CE. At the same time, this volume is the result of a team effort that has brought together both accomplished scholars and young researchers at the beginning of their scholarly careers. Altogether, this ample work is the result of a synergy that brought together different approaches to the study of Roman magic. The broad content of this volume includes studies on magical gems of Etruscan, Greek and Phoenician background; curse...
This book is designed to help instructors effectively incorporate images and other aspects of material culture into their pedagogy in an engaging and relatable manner. The author draws on her personal experiences as an art historian of ancient art who instructs a wide variety of undergraduates. In addition to helping students to look and think critically, the book explores how the material culture of the past can be a potent tool in motivating student involvement with course content and sharpening skills vital for navigating contemporary culture.