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Una novela con historias pequenas, a la sombra de la pantalla plateada de una beldad mitica.
Hijos de su combativa desazon, los poemas de INTERRUPCIONES 2 son como esas horas pasadas siempre en otro lugar, cuando es tarde de antemano y se espera lo que ya no ocurrio ni ocurrira. El poeta no calla ante el estupor porque es la materia misma de su escritura, la grieta donde abreva el silencio.
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This book is the first to focus specifically on the exile-poetry link in the case of Argentina since the 1950s. Throughout Argentina's history, authors and important political figures have lived and written in exile. Thus exile is both a vital theme and a practical condition for Argentine letters, yet conversely, contemporary Argentina is a nation of immigrants from Europe and the rest of Latin America. Poetry is often perceived as the least directly political of genres, yet political and other forms of exile have impinged equally on the lives of poets as on any group. This study concentrates on writers who both regarded themselves as in some way exiled and who wrote about exile. This selection includes poets who are influential and recognised, but in general have not enjoyed the detailed study that they deserve: Alejandra Pizarnik, Juan Gelman, Osvaldo Lamborghini, Nestor Perlongher, Sergio Raimondi, Cristian Aliaga, and Washington Cucurto.
This is the first biography, now available in paperback, of Manuel Puig (1932-1990), Argentinian author of Kiss of the Spider Woman and pioneer of high camp. Suzanne Jill Levine, his principal English translator, draws upon years of friendship as well as copious research and interviews