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Since its inception in 1933, Toho Co., Ltd., Japan's most famous movie production company and distributor, has produced and/or distributed some of the most notable films ever to come out of Asia, including Seven Samurai, Godzilla, When a Woman Ascends the Stairs, Kwaidan, Woman in the Dunes, Ran, Shall We Dance?, Ringu, and Spirited Away. While the western world often defines Toho by its iconic classics, which include the Godzilla franchise and many of the greatest films of the legendary director Akira Kurosawa and actor Toshiro Mifune, these pictures represent but a tiny fraction of Toho's rich history. The Toho Studios Story: A History and Complete Filmography provides a complete picture o...
When an old flame who gave up on life and chose to go up in flames—because he wanted to leave you but couldn’t—comes crawling back after four hundred years, you might not appreciate it, especially if you’re in a new relationship. But nothing’s ever simple between people, and that’s even truer between monsters. For the first time in months, our heroic loser Araragi is human, parted by previous events from the ex-legendary vampire bound to his shadow. Before he, the second-ever thrall of the former Kissshot, can resume his partnership with the donut-loving waif that she’s turned into, she must make a choice—about that first-ever. Before the End Tale can end, some loose ends must be tied, and in this volume, the fixer Gaen calls in her favor, requesting an introduction to her niece; the errand of the amulet that Araragi ran with Kanbaru comes into crisp focus; and the time-traveling and -spanning Dandy and Demon Tales see their devastating resolution.
"In collaboration with the Jodo Shu Research Institute (JSRI)."
Kon Ichikawa has long been internationally ac-knowledged as one of the most accomplished and prolific masters of Japanese cinema, in the exalted company of Akira Kurosawa, Kenji Mizoguchi, and Yasujiro Ozu. Celebrated for his many adaptations of famous Japanese novels such as Fires on the Plain, Harp of Burma, Kagi, Conflagration, and The Makioka Sisters, Ichikawa is an artist with an astounding command of many genres, forms and tones, from ferociously humanist war films to sophisticated social satires, formalist documentaries (the acclaimed Tokyo Olympiad) to extravagant period pieces (An Actor’s Revenge.) This volume, designed to accompany a retrospective of Ichikawa’s films, spans his...
First published as Hanamushiro in 1948, the setting for The Flower Mat is eighteenth-century Japan, a time when familes were bound together by a rigid code of honor and individual lives were of necessity valued far less than the interests of the group. It tells of a young bride, Ichi, born into such a tradition, groomed in the virtues of ideal womanhood, and finally tempered by tragedy. Her life and fate are bound up inexorably with the fortunes of her in-laws, high-ranking officials. She soon becomes aware that something is dreadfully wrong, that something is threatening her home and her peaceful way of life. Uneasy and frightened, she tries to put clues together, but her questions go unans...
In the last several decades, the number of films featuring female protagonists has increased significantly. Many of these films reflect the vast cultural and sociological changes that have taken place since the early 1960s, highlighting not only a wide spectrum of female characters depicted onscreen, but the creative work of women behind the camera as well. In Reel Women: An International Directory of Contemporary Feature Films about Women, media librarian Jane Sloan has assembled an impressive list of more than 2400 films—from nearly 100 countries—that feature female protagonists. Each entry includes a brief description of the film and cites key artistic personnel, particularly female d...
This work includes the collected interviews with the first Japanese film director to become widely known in the West when his film "Rashomon" won the top prize at the Venice Film Festival in 1951.
From the demon-killing Minamoto no Yorimitsu to the immortal poet Ono no Komachi, find out about the fascinating world of Japanese warriors and folk-heroes. Japanese mythology is filled with stories of larger-than-life characters that shaped the landscape of Japan. They are the folk heroes who slayed monsters, fought in epic battles and reflected the most complicated emotions of the people who created them. Through a mix of essays, short stories and anecdotes, Japanese Fighting Heroes follows the lives of samurai, warriors, outliers and iconoclasts who forged their own paths. Legendary fighters like the demon-killing Minamoto no Yorimitsu, philosophising samurai Miyamoto Musashi, and the One...
"... offers a range of approaches to cinema's explorations of a hidden or absent God through a group of essays by thirty-five writers who discuss some fifty movies"--p. 11.
Film scholars and enthusiasts will welcome this new edition of Donald Richie's incomparable study, last updated in 1984. The Method section, filmography, and bibliography contain new information, and Richie has added chapters on Ran, Dreams, Rhapsody in August, and Madadayo. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru, from the naked violence of Seven Samurai to the savage comedy of Yojimbo, from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro. Running through all Kurosawa's work is a tough, humane, and profoundly ethical concern for the painful, beautiful, frequently ridiculous ambiguities of human life.