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Hunted
Hunted is a research project by graduate students in the Department of Art & Art History at Hunter College that explores both the history and future of their department. Taking the form of an ongoing series of experimental publications, Hunted draws on primary documents from Hunter's archives, interviews with students and faculty, and artworks from the school's studio program. Each edition of Hunted is devoted to a single year, or range of years, starting from the foundation of the College to the present day. Deeper than they are wide, each edition focuses on a single aspect of the department at a given moment in time. Taken together, they make up an intentionally irregular timeline whose intervals are marked by the rich details of anecdotes, styles, and personalities.
Manet and Modern Beauty
This stunning examination of the last years of Édouard Manet's life and career is the first book to explore the transformation of his style and subject matter in the 1870s and early 1880s. The name Manet often evokes the provocative, heroically scaled pictures he painted in the 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolors, and impressionistic scenes of suburban gardens and Parisian cafés. Often dismissed as too pretty and superficial by critics, these later works reflect Manet’s elegant social world, propose a rad...
Inspiring Walt Disney: The Animation of French Decorative Arts
Pink castles, talking sofas, and objects coming to life: what may sound like the fantasies of Hollywood dream-maker Walt Disney were in fact the figments of the colorful salons of Rococo Paris. Exploring the novel use of French motifs in Disney films and theme parks, this publication features forty works of eighteenth-century European design—from tapestries and furniture to Boulle clocks and Sèvres porcelain—alongside 150 Disney film stills, drawings, and other works on paper. The text connects these art forms through a shared dedication to craftsmanship and highlights references to European art in Disney films, including nods to Gothic Revival architecture in Cinderella (1950);bejeweled, medieval manuscripts in Sleeping Beauty (1959); and Rococo-inspired furnishings and objects brought to life in Beauty and the Beast (1991). Bridging fact and fantasy, this book draws remarkable new parallels between Disney’s magical creations and their artistic inspirations.
The Edinburgh Companion to Women in Publishing, 1900–2020
Women's creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women's diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women's contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women's work as translators, illustrators, booksellers, advertisers, patrons, and publisher's readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.
Alice Neel: People Come First
"For me, people come first," Alice Neel (1900–1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century.
The noble Polish family Baranowski. Die adlige polnische Familie Baranowski.
This is a hodgepodge of a disorderly, systematically arranged collection of Polish nobility. On these pages you will learn everything about: descent, nobility, aristocratic literature, aristocratic name endings, aristocratic association, genealogy, bibliography, books, family research, research, genealogy, history, heraldry, heraldry, herbalism, information, literature, names, aristocratic files, nobility, personal history, Poland, Szlachta, coat of arms, coat of arms research, coat of arms literature, nobility, knights, Poland, herbarz. Conglomeration, translations into: English, German, French. Dies ist ein Sammelsurium einer ungeordneten, systematisch geordneten Sammlung des polnischen Ad...
George Platt Lynes
George Platt Lynes: The Daring Eye is a life of the gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s to 1955. From age 18, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. Intending to pursue a literary and small press publishing career, Lynes also began photographing authors like Stein, Jean Cocteau, André Gide, and Colette. Soon, he turned exclusively to photography, establishing himself as one of the premier fashion photographers in the Condé Nast stable, documenting the early ballets of George Balanchine, and pursu...
Rachmaninov
Biography of Russian composer Sergei Rachmaninov.
Moscow
Founded in 1147, Moscow was for much of its early history in thrall to other nations - to the Khans, the Tartars and the Poles. The city was devastated by fire time and again, but with each rebuilding, it grew ever more magnificent. For every church that was destroyed, it seemed that two more were built. In this evocative and fascinating anthology, Moscow's turbulent growth is recorded through the voices of visitors and residents: Peter the Great's bloody reprisals after the revolt of the streltsy in 1698; a visit to the city's brothels by medical students in the 1890s; Kutuzov abandoning Moscow to Napoleon in 1812, and Napoleon's ignominious retreat from the burning city; Pushkin railing against the mindlessness of 1830 society; the flowering of literary greatness in the ninenteenth century and of the Moscow Art Theatre in the twentieth; and the dazzling profusion of jewels in the Treasury of the Kremlin. These and many other milestones in over seven hundred years of history are brought vividly to life.
The Kremlin
First Published in 1963, The Kremlin presents the story of a gigantic citadel, of its grandeur and its horrors, of its masters, famous and infamous, and of the scenes, both splendid and terrible, which its stones have witnessed since the Kremlin’s foundation. The Kremlin has for centuries been the nerve-centre of Russian history. Everything has had its origins in its precincts. The history of Russia from the twelfth century, with a brief interval during which power was transferred to Petrograd, is inextricably bound up with its development. It was there that the czars were crowned and buried and on many occasions, it was the scene of their assassination. Everything was nurtured there: religion, dreams of power, absolutism, favoritism, cruel repression, and sheer insanity. But through triumphs, setbacks and tragic period of chaos, the rulers, whatever their names, have pursued the same policy. This fascinating history of the Kremlin is a must read for scholars and researchers of Russian history and Russian politics.
