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Vincenzo Agnetti
This publication includes full-color illustrations of Agnetti's works featured in the exhibition, an unprecedented selection representing the broad range of materials and styles that comprise his oeuvre. The catalogue also features writings by the artist; a personal reflection by the artist's daughter, Germana Agnetti; essays by Ara H. Merjian, Karen Pinkus, and Bruno Corà; and a chronology. The book details three bodies of work by the artist: his famous Macchina drogata (Drugged Machine) and its products, which Pinkus explores in depth in her catalogue essay; the Axioms; and the Feltri. Merjian's text represents an analysis of Agnetti's use of language and his relationship to the neo-avant-garde. The catalogue also includes the artist's manifesto Macchina drogata, in a new translation by Pinkus. With a wealth of archival images and full-color plates, this publication constitutes an important step in scholarship on this groundbreaking artist and his oeuvre. Exhibition: Levy Gorvy Gallery, New York, USA (06.07.-11.08.2017).
Kv7 Channels: Structure, Physiology and Pharmacology
This Research Topic was in partnership with CAP Partner for the International Kv7 Channels Symposium held in Naples, Italy on September 2019.
A Cultural History of Western Music
"Music has been significant in social, religious, and political ritual, and in education, art, and entertainment in all human cultures from antiquity to today. The Cultural History of Western Music presents the first study of music in all its forms - ritual, classical, popular and commercial - from antiquity to today. The work is divided into 6 volumes, with each volume covering the same topics, so readers can either study a period/volume or follow a topic across history. The volumes are: 1. A Cultural History of Western Music in Antiquity 2. A Cultural History of Western Music in the Middle Ages 3. A Cultural History of Western Music in the Renaissance 4. A Cultural History of Western Music...
Medical Charlatanism in Early Modern Italy
From the mid-sixteenth century onwards, the Italian Protomedicato tribunals, Colleges of Physicians, or Health Offices (jurisdiction varied from state to state) required charlatans to submit their wares for inspection and, upon approval, pay a licence fee in order to set up a stage from which to perform and sell them. The licensing of charlatans became an administrative routine. As far as the medical magistracies were concerned, charlatans had a defineable identity, constituting a specific trade or occupation. This book studies the way charlatans were represented, by contemporaries and by historians, how they saw themselves and, most importantly, it reconstructs the place of charlatans in ea...
Caravaggio
In the tradition of John Richardson's Picasso, a commanding new biography of the Italian master's tumultuous life and mysterious death.
Studio Critico
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