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Marc Chagall and His Times
Renowned Israeli-American scholar Harshav presents the first comprehensive investigation of Marc Chagall's life and consciousness after the classic 1961 biography by Chagall's son-in-law Franz Meyer.
Chagall
'When Matisse dies, Chagall will be the only painter left who understands what colour really is.' Picasso said this in the 1950s, when he and Chagall were eminent neighbours living in splendour on the Cote d'Azur. But behind Chagall's role as a pioneer of modern art lay struggle, heartbreak, bitterness, lost love, exile, and the miracle of survival. Born the son of a Russian Jewish herring merchant, Chagall fled the repressive 'potato-coloured' czarist empire in 1911 to develop his genius in Paris, living alongside Modigliani and Leger in La Ruche, the artist's colony where 'you either died or came out famous'. Through war and revolution in Bolshevik Russia, Weimar Berlin, occupied France an...
Surrealist Vision & Technique
An exhibition catalogue elucidating the anti-aesthetic formation of Surrealism as an artistic movement and philosophy. By choosing to focus on the drawings the curators have attempted to reproduce the spontaneous exuberance of artists such as Salvador Dali, Max Ernst, Andre Masson, Pablo Picasso, Paul Klee, and Joan Miro. The accompanying text to the black and white reproductions review the concepts and practices of the Surrealists, images, themes of Self, myth, metamorphosis, and, of course, the exquisite corpse. Color plates are also included. Lacks an index and bibliography. Distributed by the U. of Pennsylvania Press. Annotation copyright by Book News, Inc., Portland, OR
Dessins : acquisitions 1992-1996
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
L'art du mouvement
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
Ubu, cent ans de règne
Présente les domaines qu'Ubu a marqués de son empreinte : la presse, la littérature, les arts plastiques, le théâtre d'humains et de marionnettes, la télévision. « Copyright Electre »
Robert Rauschenberg and Surrealism
The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69. In the face of Rauschenberg's avowals of his own 'literalism' and insistence on his art as 'facts,' this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg's art against the expansion of the cultural influenc...
Suzanne Valadon
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Berlin Dada
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