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A la fábrica de hilados y tejidos La Fama Montañesa perteneció un inmueble que queda fuera de sus bardas. Se trata de un antiguo molino de trigo que, por sus dimensiones, es una construcción pequeña en proporción con la fábrica, pero en relación con su bagaje histórico, arquitectónico y tecnológico es sumamente grande.
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Compilation of studies in architecture during the 200 years between the 19th century independent and republican years and the first half of the 20th century modern and nationalist "Architecture of the Revolution."
In this extraordinary new book, Andrew Konove traces the history of illicit commerce in Mexico City from the seventeenth century to the twentieth, showing how it became central to the economic and political life of the city. The story centers on the untold history of the Baratillo, the city’s infamous thieves’ market. Originating in the colonial-era Plaza Mayor, the Baratillo moved to the neighborhood of Tepito in the early twentieth century, where it grew into one of the world’s largest emporiums for black-market goods. Konove uncovers the far-reaching ties between vendors in the Baratillo and political and mercantile elites in Mexico City, revealing the surprising clout of vendors who trafficked in the shadow economy and the diverse individuals who benefited from their trade.
"This volume documents the present crisis in American urban housing policies and portrays how artists...within the context of neighborhood organizations, have fought against government neglect, shortsighted housing policies and unfettered real estate speculation. Through essays, photographs, symposiums, architectural plans and the reproduction of works from the series of exhibitions organized by [Martha] Rosler, the book serves a number of functions: it's a practical manual for community organizing; a history of housing and homelessness in New York City and around the country; and an outline of what a human housing policy might encompass for the American city"--Back cover.
Se trata de diversos ensayos en que juegan la memoria, el registro y la recuperación de relatos y acontecimientos, así como la reelaboración del recuerdo, ya que el recuerdo expuesto ante cualquier interlocutor es un elemento definitivo para construir una identidad propia.
Las casas art nouvea de la capital mexicana, escasas y no siempre cuidadas, se despliegan a lo largo de estas páginas