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Connecting Territories
The book analyses from a comparative perspective the exploration of territories, the histories of their inhabitants, and local natural environments during the long eighteenth century. The eleven chapters look at European science at home and abroad as well as at global scientific practices and the involvement of a great variety of local actors in the processes of mapping and recording. Dealing with landlocked territories with no colonies (like Switzerland) and places embedded in colonial networks, the book reveals multifarious entanglements connecting these territories. Contributors are: Sarah Baumgartner, Simona Boscani Leoni, Stefanie Gänger, Meike Knittel, Francesco Luzzini, Jon Mathieu, Barbara Orland, Irina Podgorny, Chetan Singh, and Martin Stuber.
Material Culture in Transit
Material Culture in Transit: Theory and Practice constellates curators and scholars actively working with material culture within academic and museal institutions through theory and practice. The rich collection of essays critically addresses the multivalent ways in which mobility reshapes the characteristics of artefacts, specifically under prevailing issues of representation and colonial liabilities. The volume attests to material culture as central to understanding the repercussions of problematic histories and proposes novel ways to address them. It offers valuable reading for scholars of anthropology, museum studies, history and others with an interest in material culture.
Exotic Switzerland?
Why is an object, an artwork, or a person deemed ?exotic?? How does one?s gaze get directed onto things or people seemingly belonging to other regions or cultures? These questions are examined here in relation to a specific context: the Enlightenment era from the Swiss perspective. This publication brings together research by academics and museum specialists for the first time in order to rethink this time period and geography. It contains essays and shorter texts centered on pictures, objects, books, and natural specimens from Swiss museum collections. ?Exotic? in this context refers to things that come from elsewhere and that can be used and ?improved? for the benefit of European powers. The term invites us to reconsider both the long eighteenth century and the international history of Switzerland.00Exhibition: Palais de Rumine, Lausanne, Switzerland (24.09.2020 - 28.02.2021).
Travel and Classical Antiquities in Nineteenth-Century Ottoman Greece
Western travel and collecting classical antiquities in the nineteenth century informed European understandings of Greece's past and present, and enriched private collections and museums. Travel and collecting have typically been studied separately by literary scholars, historians of archaeology, and historians of the Ottoman Empire and modern Greece. Similarly, publications have largely prioritised evidence from and about elite social groups. This book breaks new ground through its interdisciplinary approach, its insistence on the interweaving of the phenomena of travel and collecting, and its emphasis on marginalised perspectives. Contributors drawn from art history, classics, history of ar...
Lessing Yearbook/Jahrbuch XLIX, 2022
Das Lessing Yearbook, offizielles Organ der Lessing Society mit Sitz in Cincinnati, Ohio, ist ein weltweit anerkanntes, wichtiges Forum für alle Wissenschaftler, die sich – in englischer und deutscher Sprache – mit Literatur, Kultur und Gedankengut Deutschlands im 18. Jahrhundert beschäftigen. Guy Stern zum 100. Geburtstag. Mit Beiträgen von Tilman Venzl zum Manuskript und zur Dramaturgie der Minna von Barnhelm; Susan Morrow über Bilder und Illusionen in Lessings Laokoon; Joseph Haydt über Ironie und Wahrheit in Lessings theologischen Schriften; Till Kinzel über Jaspers und Lessing; Katherine Goodman über Luise Gottscheds Panthea und die Freidenker; Gabriel Cooper über anti-jüdische Stereotype im 18. Jahrhundert; Stefanie Stockhorst und Sotirios Agrofylax über Zeitschriften als aufklärerische Praxis; Hamilton Beck zur Rezeption Hippels im 19. Jahrhundert, und ein Forum zu Intersektionalität und Aufklärungsforschung.
Rhapsodic Objects
Circulation and imitation are key factors in shaping the material world. The authors in this volume explore how technical knowledge, immaterial desires, and political agendas impact the production and consumption of visual and material culture across times and places. Their essays map multidirectional transactions for cultural goods in which source countries can be positioned at the center. Rhapsodic – literally to stitch or weave songs – paired with objects – from thrown against – intertwines complexity and action. Rhapsodic objects thus beckons to the layered narratives of the objects themselves, their making, and their reception over time. The concept further underlines their potential to express creativity, generate emotion, and reveal histories – often tainted with violence.
Eighteenth-Century Indian Muraqqaʿs
Fourteen essays and one appendix discuss numerous eighteenth-century Indo-Persianate albums (muraqqaʿs) consisting of folios with paintings, calligraphic pieces, and elaborate decorative margins. These albums – now in Berlin, Baroda, London, Paris, and Manchester – were assembled for or collected by the Mughal nawabs of Awadh (Uttar Pradesh), local elites in Bengal and Bihar, as well as Europeans. The book not only presents hitherto rarely investigated material, but also provides general information and many new discoveries based on first-hand codicological study and historical research. It will significantly expand our knowledge of the production, collecting practices, and audiences of muraqqaʿs in eighteenth-century India.
A Revolution in Colour
This major volume aims to re-colour the European world of dress, c.1300-1800. New dyes created one of the most important visual experiences of the period, yet their story has been side-lined by a focus on visual experiences shaped by the high arts. Meanwhile, theatrical productions and period films still abound with broad assumptions about the growing dominance of black clothing for elites during the period, while ordinary people are imagined having worn coarse greys and bleached garments. This volume presents clear evidence that even the clothing of the middle classes could be much more expensive than paintings, and that coloured clothing and accessories were ubiquitous across society. Cont...
Acquiring Cultures
As more parts of the world outside Europe became accessible =– and in the wake of social and technological developments in the 18th century – a growing number of exotic artefacts entered European markets. The markets for such objects thrived, while a collecting culture and museums emerged. This book provides insights into the methods and places of exchange, networks, prices, expertise, and valuation concepts, as well as the transfer and transport of these artefacts over 300 years and across four continents. The contributions are from international experts, including Ting Chang, Nélia Dias, Noëmie Etienne, Jonathan Fine, Philip Jones, Sylvester Okwunodu Ogbechie, Léa Saint-Raymond, and Masako Yamamoto.
Koloniale Tiere?
Löwen, Elefanten, Okapis, Giraffen und Strauße – Tiere aus Kolonialgebieten bevölkerten die Bildwelten der europäischen Moderne um 1900. Sie waren Ausdruck eines sich im Zuge der Industrialisierung, Nationalstaatenbildung und imperialen Expansion wandelnden Verhältnisses europäischer Gesellschaften zu menschlichen und nicht-menschlichen Lebewesen sowie zur Natur. Während einige Wissenschaftler*innen, Großwildjäger*innen und Künstler*innen in europäische Kolonien reisten, um Tiere zu studieren, zu malen und auf Film zu bannen, oder als Jagdtrophäen, Präparate und Exponate heimzuholen, bekam ein Großteil der Bevölkerung diese vor allem in Zoologischen Gärten, Zirkussen und Mu...
