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The Melancholy of Anatomy
In The Melancholy of Anatomy, his ninth collection of poetry, Martin Corless-Smith turns his attention towards ageing and mortality, and in particular to the death of his father. Shifting between formal verse and prose, from the metaphysical to the whimsical, from surreal to anecdotal, the book moves between poetic articulations as a mind might through memories, sifting to find anything to hold on to as everything flows and falls away. At times melancholic at times nihilistic at times luminous and dark, this collection asks questions about poetry, memory and what it is to have loved and lived. Praise for The Fool and The Bee: "Corless-Smith has an extraordinary eye for detail and this meticu...
Forlorn Light
To write these poems, I select a paragraph from a Woolf novel-The Waves or Mrs. Dalloway-and only use the words from that paragraph to create a poem. I essentially write poems while doing a word search using Virginia Woolf as source material. I don't allow myself to repeat words, add words, or edit the language for tense or any other consideration. These poems are simultaneously defined by both Woolf's choices with language as well as my own. They feel like an homage to this writer I so admire as well as a way of authentically expressing my lived experience.
The Bloods
In The Bloods, his third poetry collection, D.S. Marriott's recurrent theme is that of memory and absence: 'bound to what is remembered/ what is absent'. In poems that both embody and inhabit this double obligation, memory and absence prove to be equally central to the mysteries of ordinary language, the politics and philosophy of enslavement, as well as markers-typographic, archival, ethical-respecting the borders of what cannot, finally, be known. Spare, lyrical, and deeply haunting, and yet not without irony or hope, The Bloods continues Marriott's pursuit of a style and concept of the poem that is strictly his own.
Periódico oficial
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The Ground Aslant
Recent years have seen the arrival of new approaches to writing about landscape. Partly to do with new eco-sensibilities, this is however also due to a realisation that landscape writing need not be confined to literary tourism, and to the injection of radical poetic styles. This is the first volume to engage with this new wave of writing.
ACTAS DEL V CONGRESO INTERNACIONAL DE SINESTESIA, CIENCIA Y ARTE 2015.
Las conferencias, comunicaciones y posters que se publican en estas actas, se presentan según el autor las entregó en la secretaría general del congreso. Su estructura es interactiva. Desde el índice, pueden acceder a la información contenida en estas actas/ The conferences, communications and posters that are published in these e-book, are presented according to the author delivered them in the general secretariat of the congress. This e-book is interactive. You can accede to all the information from the index Los textos se presentan en la lengua original presentados por cada autor. Los abstractos se presentan en ambas versiones: Español/Inglés.
The Rhetorical Mediator
The Rhetorical Mediator reveals how and why scholars and user experience (UX) researchers can include Indigenous technical communicators and oral interpretation practices in their interdisciplinary conversations. Nora Rivera analyzes the challenges that Indigenous interpreters and translators face in Peru, Mexico, and the United States as a means of understanding their agency and examines the various ways in which technical and professional communication, translation and interpreting studies, and UX research can better support the practices of Indigenous interpreters and translators. In places where Indigenous language translation and interpretation are greatly needed, Indigenous language me...
Organizing Dissent
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Because of Poetry I Have a Really Big House
Poetry. "Offense given; offense taken. Betrayals remembered and the betrayers unforgiven. Kent Johnson's mordant poems burn away the scrimshaw, the lace-making, the dreck that passes for poetry today, exposing the hypocrisy of our official poetry culture where a cadre of pampered bourgeoisie imagine themselves enlightened revolutionaries, and the poetics of the avant-garde has congealed into a set of implicit rules more formulaic than the traditions it seeks to supplant. A book like this is rare and necessary in every age. Let the refiner's fire break forth, lest universal darkness bury all."--James Chapson "Kent Johnson is an avant-garde poet without an avant-garde...[He is] an antidote to the sentimental courtesies and complacencies that prevent a conversation about what and where poetry might be from soon beginning."--Keith Tuma "[Kent] Johnson's poems are like unchained pit bulls tossed into a school yard--somebody is going to get bit. But you almost have to admire all that taut muscle & those unstoppable jaws."--Ron Silliman
