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Dining at the End of Antiquity
The history of dining is a story that cannot be told without archaeology. Surviving texts describe the opulent banquets of Rome’s wealthy elite but give little attention to the simpler, more intimate social gatherings of domestic invitation dinners. The lower classes, in particular, are largely ignored by literary sources. We can, however, find the voices of the underprivileged by turning to the material detritus of ancient cultures that reflects their social history. Dining at the End of Antiquity brings together the material culture and literary traditions of Romans at the table to reimagine dining culture as an integral part of Roman social order. Through a careful analysis of the tools and equipment of dining, Nicholas Hudson uncovers significant changes to the way different classes came together to share food and wine between the fourth and sixth centuries. Reconstructing the practices of Roman dining culture, Hudson explores the depths of new social distances between the powerful and the dependent at the end of antiquity.
Reframing the Roman Economy
This book focuses on those features of the Roman economy that are less traceable in text and archaeology, and as a consequence remain largely underexplored in contemporary scholarship. By reincorporating, for the first time, these long-obscured practices in mainstream scholarly discourses, this book offers a more complete and balanced view of an economic system that for too long has mostly been studied through its macro-economic and large-scale – and thus archaeologically and textually omnipresent – aspects. The topic is approached in five thematic sections, covering unusual actors and perspectives, unusual places of production, exigent landscapes of exploitation, less-visible products and artefacts, and divergent views on emblematic economic spheres. To this purpose, the book brings together a select group of leading scholars and promising early career researchers in archaeology and ancient economic history, well positioned to steer this ill-developed but fundamental field of the Roman economy in promising new directions.
Ships and maritime landscapes
This volume gathers 88 contributions related to the theme 'Ships and Maritime Landscapes' of the Thirteenth International Symposium on Boat and Ship Archaeology (ISBSA 13) held in Amsterdam on the 7th to 12th October 2012. The articles include both papers and poster presentations by experts in the field of nautical archaeology, history of ships and shipbuilding, and naval architecture. The contributions deal not only with the theme of maritime landscapes but also with a variety of ship related subjects, like regional watercraft, construction and typology, material applications and design, outfitting, reconstruction and current research.
Dolia
The story of the Roman Empire’s enormous wine industry told through the remarkable ceramic storage and shipping containers that made it possible The average resident of ancient Rome drank two-hundred-and-fifty liters of wine a year, almost a bottle a day, and the total annual volume of wine consumed in the imperial capital would have overflowed the Pantheon. But Rome was too densely developed and populated to produce its own food, let alone wine. How were the Romans able to get so much wine? The key was the dolium—the ancient world’s largest type of ceramic wine and food storage and shipping container, some of which could hold as much as two-thousand liters. In Dolia, classicist and ar...
Roman Amphora Contents: Reflecting on the Maritime Trade of Foodstuffs in Antiquity (In honour of Miguel Beltrán Lloris)
Presents the results of the RACIIC International Congress (Roman Amphora Contents International Interactive Conference, Cádiz, 2015), dedicated to the distinguished Spanish amphorologist Miguel Beltrán Lloris. This volume aims to reflect on the current state of knowledge about the palaeocontents of Roman amphorae.
Enquêtes archéologiques
Une nouvelle édition des Enquêtes archéologiques. Sous la forme d’une véritable enquête policière, l’ouvrage décortique de nombreuses inscriptions latines sur céramique jugées au départ totalement énigmatiques.Une nouvelle édition des Enquêtes archéologiques. Sous la forme d’une véritable enquête policière, l’ouvrage décortique de nombreuses inscriptions latines sur céramique jugées au départ totalement énigmatiques.Une nouvelle édition des Enquêtes archéologiques. Sous la forme d’une véritable enquête policière, l’ouvrage décortique de nombreuses inscriptions latines sur céramique jugées au départ totalement énigmatiques.Une nouvelle édition des...
A Cultural History of Youth in Antiquity
Written by a team of experts, this first volume of A Cultural History of Youth examines the ambiguity of youth in the ancient world, depictions of youth in literature, adult views of the young, agency and experience of young people, and the broader social contexts in which the cultural histories of the ancient world played out. Overall, this volume offers a dynamic account of youth in the ancient world, providing a detailed study of the 500BCE-500CE period, and allowing readers to trace representations and enactments of youth across time. While still concentrating on the Graeco-Roman world, this collection provides a more global approach to antiquity than previous work in the field. Richly illustrated with images of statues, sculptures, friezes, and artefacts, this volume offers a detailed study of youth in ancient culture and covers its interactions with themes such as Concepts of Youth; Spaces and Places; Education and Work; Leisure and Play; Emotions; Gender, Sexuality and the Body; Belief and Ideology; Authority and Agency; War and Conflict; and Towards a Global History.
Mark Dion
A comprehensive survey of American artist Mark Dion, examining three decades of his critically engaged practice interrogating our relationship with nature The first book in two decades to consider the entire oeuvre of Mark Dion (b. 1961), this volume examines thirty years of the American artist's pioneering inquiries into how we collect, interpret, and display nature. Part of a generation of artists expanding institutional critique in the 1990s, Dion adopted the methods of the archaeologist or the natural history museum, juxtaposing natural objects, taxidermy, books, and more to reorganize the natural and the manmade in poetic, witty ways. These sculptures, installations, and interventions o...
