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Understanding Campus-Community Partnerships in Conflict Zones
This book explores the opportunities and limitations of campus-community partnerships in Israel. In a conflict-ridden society with a struggling civic culture, the chapters examine partnerships at ten academic institutions, focusing on the micro-processes through which these partnerships work from the perspectives of students, NGOs, and disadvantaged communities. The editors and contributors analyse the range of strategies and cultural repertoires used to construct, maintain, negotiate and resist the various partnerships. Evaluating the various challenges raised by campus-community partnerships exposes the institutional and epistemological divides between academia and the community, and thus offers valuable insights into the ways partnerships can contribute to transformative change in conflict zones. This book will be of interest and value to researchers and students of campus-community partnerships as well as the anthropology of inclusion-exclusion and civic culture.
A Club of Their Own
Volume XXIX of Studies in Contemporary Jewry provides a nuanced account of the history and development of Jewish humor, while also making a case for the importance of humor in studying any culture.
The Lives of Jewish Things
Tracing the paths of Jewish things across time, place, and culture, this collection reveals complex stories of individual and collective struggles to survive.
Becoming Post-Communist
The closing decade of the 20th century witnessed dramatic upheavals across landscapes that had once housed most of the world's Jewish population: the overturning of the East European Communist governments and the fall of the USSR, accompanied by a major Jewish emigration movement. The experts contributing to this volume apply interdisciplinary approaches to analyze and interpret the shifting post-communist social and political realities and aid our understanding of recent events.
The Dybbuk Century
A little over 100 years ago, the first production of An-sky’s The Dybbuk, a play about the possession of a young woman by a dislocated spirit, opened in Warsaw. In the century that followed, The Dybbuk became a theatrical conduit for a wide range of discourses about Jews, belonging, and modernity. This timeless Yiddish play about spiritual possession beyond the grave would go on to exert a remarkable and unforgettable impact on modern theater, film, literature, music, and culture. The Dybbuk Century collects essays from an interdisciplinary group of scholars who explore the play’s original Yiddish and Hebrew productions and offer critical reflections on the play’s enduring influence. The collection will appeal to scholars, students, and theater practitioners, as well as general readers.
Possession and Dispossession
The book includes articles, documentation and a catalog of the Ethnographic Department of the Museum of the Contemporary. It is the fruit of a long-term project carried out at the Mamuta Art and Research Center and curated by the Sala-Manca Group. It contains articles by Yoram Bilu, Rachel Elior, Freddie Rokem and Diego Rotman on the Dybbuk; by Galit Hasan-Rokem and Daphna Ben-Shaul on Sukkot, and on the Eternal Sukkah project; by Shalom Sabar on electric Shabbat candles, and by Lea Mauas and Diego Rotman on different art projects. The book also includes documentation of artworks and a project by Itamar Mendes-Flohr, Yeshaiahu Rabinowtz, Ktura Manor, Hannan Abu Huseein, Reuven Zehavi, Sala-Manca, Samuel Rotman, Shira Borer, Nir Yahalom, Chen Cohen, Pessi Komar, Adi Kaplan, and Shahar Carmel, among others.
The Yiddish Supernatural on Screen
As a linguistic carrier of a thousand years of European Jewish civilization, the Yiddish language is closely tied to immigrant pasts and sites of Holocaust memory. In The Yiddish Supernatural on Screen, Rebecca Margolis investigates how translated and subtitled Yiddish dialogue reimagines Jewish lore and tells new stories where the supernatural looms over the narrative. The book traces the transformation of the figure of the dybbuk—a soul of the dead possessing the living—from folklore to 1930s Polish Yiddish cinema and on to global contemporary media. Margolis examines the association of spoken Yiddish with spectral elements adapted from Jewish legends within the horror genre. She explores how all-Yiddish prologues to comedy film and television depict magic located in an immigrant or pre-immigrant past that informs the present. Framing spoken Yiddish on screen as an ancestral language associated with trauma and dispossession, Margolis shows how it reconstructs haunted and mystical elements of the Jewish experience.
I Am Your Dust
Israel's cultural space is frequently studied as if it were synonymous with the Hebrew-Israeli one. But within the borders of Israel, a fascinating culture was (and continues to be) created in many languages other than Hebrew, reflecting its reality from angles that the makers of Hebrew-Israeli culture did not know and all too often lacked the tools to express. I Am Your Dust: Representations of the Israeli Experience in Yiddish Prose, 1948–1967 expands the boundaries of current studies of Israel's cultural history by presenting and analyzing Yiddish-Israeli prose written during the country's first two decades as an independent state. It offers a comprehensive study of that unique, and hitherto little understood, literature, a detailed historical documentation of the contexts of its production, and an eye-opening comparison of its themes to the more familiar outputs of Hebrew-Israeli prose. I Am Your Dust is the first socioliterary investigation of Yiddish-Israeli culture, and it explores how Yiddish-Israeli writers played a vital role in shaping the country's cultural identity in its early years.
Possessed Voices
Analyzes audio recordings of interwar Hebrew plays, providing a new model for the use of sound in theater studies. Possessed Voices tells the intriguing story of a largely unknown collection of audio recordings, a valuable tool for understanding historical theater, which preserve performances of modernist interwar Hebrew plays. Seldom used in scholarship, Ruthie Abeliovich focuses on four recordings: a 1931 recording of The Eternal Jew (1919), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). Abeliovich traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practice...
The Yiddish Stage as a Temporary Home
The Yiddish Theater Stage as a Temporary Home takes us through the fascinating life and career of the most important comic duo in Yiddish Theater, Shimen Dzigan and Isroel Shumacher. Spanning over the course of half a century – from the beginning of their work at the Ararat avant-garde Yiddish theater in Łodz, Poland to their Warsaw theatre – they produced bold, groundbreaking political satire. The book further discusses their wanderings through the Soviet Union during the Second World War and their attempt to revive Jewish culture in Poland after the Holocaust. It finally describes their time in Israel, first as guest performers and later as permanent residents. Despite the restrictions on Yiddish actors in Israel, the duo insisted on performing in their language and succeeded in translating the new Israeli reality into unique and timely satire. In the 1950s, they voiced a unique – among the Hebrew stages – political and cultural critique. Dzigan continued to perform on his own and with other Israeli artists until his death in 1980.
