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In 2004, the Academy Award–nominated movie Hotel Rwanda lionized hotel manager Paul Rusesabagina for single-handedly saving the lives of all who sought refuge in the Hotel des Milles Collines during Rwanda's genocide against the Tutsi in 1994. Because of the film, the real-life Rusesabagina has been compared to Oskar Schindler, but unbeknownst to the public, the hotel's refugees don't endorse Rusesabagina's version of the events. In the wake of Hotel Rwanda's international success, Rusesabagina is one of the most well-known Rwandans and now the smiling face of the very Hutu Power groups who drove the genocide. He is accused by the Rwandan prosecutor general of being a genocide negationist ...
The official companion book, edited by director Terry George, including essays on the history of the genocide, the complete screenplay written by Keir Pearson & Terry George, and more than 70 photographs. A Story That Had to Be Told: In 1994, as his country descended into madness, Paul Rusesabagina, the hotel manager of a Belgian-owned luxury hotel in Kigali, the capital of Rwanda, used cunning and courage to save 1,268 people from certain death while the rest of the world closed its eyes. His real-life story inspired the Oscar® -nominated writer of In the Name of the Father, Terry George, to make the extraordinary film, Hotel Rwanda, starring Don Cheadle, Sophie Okonedo, Joaquin Phoenix, a...
Classes and books on the Holocaust often center on the experiences of victims, perpetrators, and bystanders, but rescuers also occupy a prominent space in Holocaust courses and literature even though incidents of rescue were relatively few and rescuers constituted less than 1 percent of the population in Nazi-occupied Europe. As inspiring figures and role models, rescuers challenge us to consider how we would act if we found ourselves in similarly perilous situations of grave moral import. Their stories speak to us and move us. Yet this was not always the case. Seventy years ago these brave men and women, today regarded as the Righteous Among the Nations, went largely unrecognized; indeed, s...
Hollywood and Africa - recycling the ‘Dark Continent’ myth from 1908–2020 is a study of over a century of stereotypical Hollywood film productions about Africa. It argues that the myth of the Dark Continent continues to influence Western cultural productions about Africa as a cognitive-based system of knowledge, especially in history, literature and film. Hollywood and Africa identifies the ‘colonial mastertext’ of the Dark Continent mythos by providing a historiographic genealogy and context for the term’s development and consolidation. An array of literary and paraliterary film adaptation theories are employed to analyse the deep genetic strands of Hollywood–Africa film adaptations. The mutations of the Dark Continent mythos across time and space are then tracked through the classical, neoclassical and new wave Hollywood–Africa phases in order to illustrate how Hollywood productions about Africa recycle, revise, reframe, reinforce, transpose, interrogate — and even critique — these tropes of Darkest Africa while sustaining the colonial mastertext and rising cyberactivism against Hollywood’s whitewashing of African history.
In today’s politically charged world, grasping how false narratives manipulate public opinion is essential. Frameup, part of the Political Science series, uncovers how political figures use fabricated stories to damage reputations and control perceptions. This book is key for understanding the nuances of political deception and its far-reaching effects on justice and democracy. Chapters Brief Overviews: 1: Frameup - Introduces how false narratives undermine opponents and their broader political impact. 2: Innocence Project - Highlights the efforts to correct wrongful convictions caused by frameups. 3: Miscarriage of Justice - Explores real cases of wrongful convictions due to false accusat...
Unknown Heroes are those ordinary men and women who demonstrated the ‘courage to care’ by protecting, assisting or sheltering victims of mass genocide. The stories of the ‘unknown heroes’ demonstrate that even in the darkest of times there will always be ordinary people who will stand up and place themselves at risk to protect others from prejudice and injustice, racism, bullying and discrimination.
A critique of the global response to war crimes and genocide during and following the breakdown of society in Cambodia, Rwanda, and Yugoslavia.
Atrocity presents a problem to the writer of children's literature. To represent events of such terrible magnitude and impersonal will as the Holocaust, the transatlantic slave trade, or the Rwandan genocide such that they fit into a three-act structure with a comprehensible moral and a happy ending is to do a disservice to the victims. Yet to confront children with the fact of widescale violence without resolution is to confront them with realities that may be emotionally disturbing and even damaging. Despite these challenges, however, there exists a considerable body of work for and about children that addresses atrocity. To examine the ways in which writers and artists have attempted to address children's experience of atrocity, this collection brings together original essays by an international group of scholars working in the fields of child studies, children's literature, comics studies, education, English literature, and Holocaust, genocide, and memory studies. It covers a broad geographical range and includes works by established authors and emerging voices.
This reference work is an important resource in the growing field of heroism studies. It presents concepts, research, and events key to understanding heroism, heroic leadership, heroism development, heroism science, and their relevant applications to businesses, organizations, clinical psychology, human wellness, human growth potential, public health, social justice, social activism, and the humanities. The encyclopedia emphasizes five key realms of theory and application: Business and organization, focusing on management effectiveness, emotional intelligence, empowerment, ethics, transformational leadership, product branding, motivation, employee wellness, entrepreneurship, and whistleblowe...
A shocking exposé of genocide denial It is twenty-five years since the 1994 genocide of the Tutsi of Rwanda when in the course of three terrible months more than 1 million people were murdered. In the intervening years a pernicious campaign has been waged by the perpetrators to deny this crime, with attempts to falsify history and blame the victims for their fate. Facts are reversed, fake news promulgated, and phoney science given credence. Intent to Deceive tells the story of this campaign of genocide denial from its origins with those who planned the massacres. With unprecedented access to government archives including in Rwanda Linda Melvern explains how, from the moment the killers seiz...