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Fred Dibnah's traction engine was a time capsule of Britain's industrial past. After he retired from steeplejacking he took to the road, looking at the achievements of the craftsmen, engineers, inventors and industrial workers whose endeavour made engines like his possible. This is a record of that journey.
Fred Dibnah's World celebrates the life and work of Britain's best known steeplejack and national treasure, Fred Dibnhah. Before his death in 2004, Fred presented many popular series, including Magnificent Monuments, The Age of Steam and Made in Britain, all of which attracted viewers in their millions. Fred is the companion to the 12-part BBC2 series celebrating the life of this great man, which combines highlights from some of Dibnah's classic programmes with previously unseen footage. The book can of course go much further than the series, including an extraordinarily account of Fred's childhood which evokes a lost England and our great industrial heritage. Fred's passion for the glories of the Victorian age and his fascination with the landscape he grew up in, plus his admiration for the craftsmen and labourers who made it all possible, captivate us on every page. Fred is the personification of everything that made England great in the first place. And this is a glorious tribute to a man whom millions came to love.
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
Reinforced cloth library binding, no dust jacket, individual shrinkwrap
Arthur Fletcher (1924–2005) was the most important civil rights leader you've (probably) never heard of. The first black player for the Baltimore Colts, the father of affirmative action and adviser to four presidents, he coined the United Negro College Fund's motto: "A Mind Is a Terrible Thing to Waste." Modern readers might be surprised to learn that Fletcher was also a Republican. Fletcher's story, told in full for the first time in this book, embodies the conundrum of the post–World War II black Republican—the civil rights leader who remained loyal to the party even as it abandoned the principles he espoused. The upward arc of Fletcher's political narrative begins with his first you...
This is Carlos MortonÍs first collection of plays, the fruit of a ten-year journey that took him from the turmoil of agit-prop theatre to a fellowship with the National Repertory Theatre and advanced academic degrees in drama. The works included here have been produced before audiences, which have varied from San Diego Park pedestrians to Harvard University faculty and students. In his lighter works, Morton has proven himself to be the master of the incongruous, the prince of satire and the poet laureate of the unexpected and comic in daily speech. His serious plays, like The Many Deaths of Danny Rosales, confront audiences with gripping appeals for justice. Whether as a humorist or a tragedian, one note characterizes MortonÍs works: unfettered, expansive imagination.
America gave us Dirty Realism - tales from the underbelly of American life by writers like Raymond Carver and Richard Ford. Now it's the turn of the poets. And Fred Voss is a writer who really gets his hands dirty: he doesn't just write about factory life, he lives it. For much of his life he has worked as a machinist in various factories in California, transmuting his experiences into three books of poetry published by Bloodaxe, Goodstone, Carnegie Hall with Tin Walls, and now Hammers and Hearts of the Gods. The backdrop of much of his work is the Goodstone Aircraft Company, an oily amalgam of all the places where he has sweated it out on the shopfloor, where each man has to be a virtuoso able to temper brute force with hair's-breadth delicacy. Voss's Goodstone is a bastion of male America where bragging men dominate and cheat each other, boasting of their sexual conquests while trying to come to terms with sexual failure. In this tense, abrasive, rowdy atmosphere, suppressed violence, male bravado and sexual harassment go hand in hand. And when the wounded male lashes out, Voss is there.
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
An analysis of the role played by private philanthropic foundations in shaping public policy during the early years of this century—focusing on foundation-sponsored attempts to influence policy in the areas of education, social welfare, and public health. Winner of the Outstanding Book Award from the Ohio Academy of History In Private Wealth and Public Life, historian Judith Sealander analyzes the role played by private philanthropic foundations in shaping public policy during the early years of this century. Focusing on foundation-sponsored attempts to influence policy in the areas of education, social welfare, and public health, she addresses significant misunderstandings about the place...