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Paul Ricoeur is one of the most influential philosophers alive today. This book draws primarily on his hermeneutic insights to address the fundamental question of how reference, truth, and meaning are related in the discourse of theology. Fodor defends the view that theological truth claims cannot be sustained without some appeal to the referential, or in Rocoeur's terminology "refigurative," potential intrinsic to our linguistic practices. By bringing the philosophical work of Ricoeur into mutually critical conversation with theology, particularly that of Hans Frei, the book underscores the importance of reference in assessing theological claims.
This collection of essays by distinguished authors explores the present-day field of theological aesthetics: from von Balthasar’s contribution and parallel developments to correctives and alternatives to his approach. A tribute to von Balthasar’s own project expands into a dialogue with ancient and medieval traditions in search of revelatory aesthetics. The contributors outline challenges to his approach (including Protestant perspectives) and introduce new ways of viewing the field of theological aesthetics, which ultimately opens up to the idea of concrete cultural contexts and practical human needs determining the use of the arts and aesthetic sensibilities in theology.
Written by locals, Fodor's travel guides have been offering expert advice for all tastes and budgets for 80 years. People travel to Great Britain for the hipness of London, the cozy thatched-roof villages of the Cotswolds, or the wild moors and lochs of Scotland, but all want the most worthwhile destinations and savvy travel tips at a glance. The full-color Fodor's Essential Great Britain provides this with a selective collection of the best of England, Scotland, and Wales. This travel guide includes: · Dozens of full-color maps · Hundreds of hotel and restaurant recommendations, with Fodor's Choice designating our top picks · Multiple itineraries to explore the top attractions and whatâ€...
A Jewish theologian engages leading postliberal Christian thinkers who argue that Christ and the church do not replace God's love of Israel and the Jews.
Jerry Fodor and Massimo Piatelli-Palmarini, a distinguished philosopher and scientist working in tandem, reveal major flaws at the heart of Darwinian evolutionary theory. They do not deny Darwin's status as an outstanding scientist but question the inferences he drew from his observations. Combining the results of cutting-edge work in experimental biology with crystal-clear philosophical argument they mount a devastating critique of the central tenets of Darwin's account of the origin of species. The logic underlying natural selection is the survival of the fittest under changing environmental pressure. This logic, they argue, is mistaken. They back up the claim with evidence of what actually happens in nature. This is a rare achievement - the short book that is likely to make a great deal of difference to a very large subject. What Darwin Got Wrong will be controversial. The authors' arguments will reverberate through the scientific world. At the very least they will transform the debate about evolution.
Theology was once 'queen of the sciences', the integrating centre of Christendom's conceptual universe. In our own time the very idea of systematic theology is frequently called into question, derided as an arcane and superstitious pseudo-discipline. Even within the church, it is commonly disregarded in favour of unreflective piety and pragmatism. At the same time, the southward shift in world Christianity's centre of gravity prompts crucial questions about the future form and content of theology. Within this context, Theology and the Future offers a case for the continuing viability of theology, exploring how it might adapt to changing circumstances, and discussing its implications for how ...
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Living Theodrama is a fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. Different chapters explore the role of the triune God, Scripture, tradition, the church, mission, and context in the process of formation and performance, thus dealing separately with major themes in theological ethics while incorporating them within an overarching model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.
With its irresistible mix of storied heritage and cosmopolitan pizzazz, England attracts more than 3 million Americans each year. Fodor’s England captures the most memorable sights and experiences in dazzling color, from fabulous historic houses and age-mellowed towns to cozy country pubs and London’s cutting-edge galleries. Expanded Coverage: England is always polishing its treasures, and this edition includes fresh city and country restaurant and hotel picks, along with newly popular sights such as Highclere Castle, which stands in for Downton Abbey in the Masterpiece Classic series. London‘s hot hotel and restaurant scenes get attention too, with best bets for different price categories and experiences. Indispensable Trip Planning Tools: Creating a great trip to England and Wales is easy using Top Attractions and Great Itineraries. Convenient overviews show each region and its highlights, and detail-rich chapter planning sections have on-target advice and tips for planning your time and for getting around the country by car, bus, and train.
His Hiding Place is Darkness explores the uncertainties of faith and love in a pluralistic age. In keeping with his conviction that studying multiple religious traditions intensifies rather than attenuates religious devotion, Francis Clooney's latest work of comparative theology seeks a way beyond today's religious and interreligious uncertainty by pairing a fresh reading of the absence of the beloved in the Biblical Song of Songs with a pioneering study of the same theme in the Holy Word of Mouth (9th century CE), a classic of Hindu mystical poetry rarely studied in the West. Remarkably, the pairing of these texts is grounded not in a general theory of religion, but in an engagement with two unexpected sources: the theopoetics, theodramatics, and theology of the 20th-century Catholic theologian Hans Urs von Balthasar, and the intensely perceived and written poetry of Pulitzer Prize winner Jorie Graham. How we read and write on religious matters is transformed by this rare combination of voices in what is surely a unique and important contribution to comparative studies and religious hermeneutics.