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Dark Nights, Bright Lights
Light and darkness shape our perception of the world. This is true in a literal sense, but also metaphorically: in theology, philosophy, literature and the arts the light of day signifies life, safety, knowledge and all that is good, while the darkness of the night suggests death, danger, ignorance and evil. A closer inspection, however, reveals that things are not quite so clear cut and that light and darkness cannot be understood as simple binary opposites. On a biological level, for example, daylight and darkness are inseparable factors in the calibration of our circadian rhythms, and a lack of periodical darkness appears to be as contrary to health as a lack of exposure to sunlight. On a...
Findings
It's surprising what you can find by simply stepping out to look. Award-winning poet Kathleen Jamie has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer. Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern narrative, peculiarly alive to her connections and surroundings.
Light and Obscurity in Symbolism
The idea of light and darkness is one of the central ideas of the Symbolist movement, since this is a movement of contrasts. It encompasses the major themes of Symbolism, such as good and evil, beauty and ugliness, the visible and the invisible, and the divine and the earthly. This volume brings together a range of studies in order to understand the notion of light and darkness and a variety of its Symbolist interpretations. It also stresses the interdisciplinary nature of the concepts of light and darkness in Symbolism, as well as the cohabitation and symbiosis of both, which are together or separately at the core of this movement.
Darkness in the City of Light
'The city of light' under German occupation: Paris, a place, a people, their lives in flux. And in these uncertainties, these compromised loyalties, these existences constantly under threat, Marcel Petiot, a mass murderer. A doctor, a resistance fighter, a collaborator: who can tell? Not even the people he kills.
Dark Eden
THE WINNER OF THE 2013 ARTHUR C. CLARKE AWARD SHORTLISTED FOR THE 2013 BRITISH SCIENCE FICTION ASSOCIATION BEST NOVEL CATEGORY SHORTLISTED FOR THE 2013 BRITISH FICTION ASSOCIATION BEST COVER DESIGN (SI SCOTT) SHORTLISTED FOR THE 2013 BSFA AWARDS You live in Eden. You are a member of the Family, one of 532 descendants of Angela and Tommy. You shelter beneath the Forest's lantern trees. Beyond the forest lie mountains so forbidding that no one has ever crossed them. The Oldest recount legends of a time when men and women made boats that could travel between worlds. One day, they will come back for you. You live in Eden. You are a member of the Family, one of 532 descendants of two marooned explorers. You huddle, slowly starving, in the warmth of geothermal trees, confined to one barely habitable valley of an alien, sunless world. You are John Redlantern. You will break the laws of Eden, shatter the Family and change history. You will be the first to kill another, the first to venture into the Dark and the first to discover the truth about Eden.
The Elemental Dialectic of Light and Darkness
The dialectic of light and darkness studied in this collection of essays reveals itself as a primal factor of life as well as the essential element of the specifically human world. From its borderline position between physis and psyche, natural growth and techne, bios and ethos, it functions as the essential factor in all the sectors of life at large. We see its crucial role in all sectors of life while, prompted by man's creative imagination, it enhances and spurs his vital as well as societal and spiritual life. This rare collection contains studies by Thomas Ryba, Krystina Górniak-Kocikowska, Lois Oppenheim, Sydney Feshback, Eldon van Lieve, Sitansu Ray, Theodore Litman, Peter Morgan, Colette Michael, Christopher Lalonde, L. Findlay, Christopher Eykman, Beverly Schlack Randles, Jorge García-Gómez, William Haney, Sherilyn Abdoo, David Brottman, Alan Pratt, Hans Rudnick, George Scheper, Freema Gottlieb, Marlies Kronegger.
Light and Darkness in Ancient Greek Myth and Religion
Light and Darkness in Ancient Greek Myth and Religion is a ground-breaking volume dedicated to a thorough examination of the well known empirical categories of light and darkness as it relates to modes of thought, beliefs and social behavior in Greek culture. With a systematic and multi-disciplinary approach, the book elucidates the light/darkness dichotomy in color semantics, appearance and concealment of divinities and creatures of darkness, the eye sight and the insight vision, and the role of the mystic or cultic.
Literary Illumination
Literary Illumination examines the relationship between literature and artificial illumination, demonstrating that developments of lighting technology during the nineteenth century definitively altered the treatment of light as symbol, metaphor and textual motif. Correspondingly, the book also engages with the changing nature of darkness, and how the influence of artificial light altered both public perceptions of, and behaviour within, darkness, as well as examining literary chiaroscuros. Within each of four main chapters dedicated to the analysis of a single dominant light source in the long nineteenth-century – firelight, candlelight, gaslight, and electric light – the author considers the phenomenological properties of the light sources, and where their presence would be felt most strongly in the nineteenth century, before collating a corpus of texts for each light source and environment.
Dark Nights, Bright Lights
Night and day, light and darkness, shape our world: light signifies life, knowledge and all that is good, while darkness suggests death, ignorance and evil. And yet the darkness of the night allows not only nightmares but also dreams, it allows tran
