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Publication following NeMe's project
We are delighted to introduce the proceedings of the first edition of International Conference on Economic and Social Science (ICON-ESS) 2018. The technical program has brought researchers and practitioners around the world to a good forum for discussing, leveraging and developing all social scientific and economic aspects to provide the updated science and insight about the knowledge development. This conference acquired 58 full papers with 2 Categories paper with most paper are from Economic and Social Science and also authors from almost 5 Countries such as Malaysia, Thailand, Bangladesh, Brunei Darussalam, Australia and many more.
Britain's emergence as one of Europe's major maritime powers has all too frequently been subsumed by nationalistic narratives that focus on operations and technology. This volume, by contrast, offers a daring new take on Britain's maritime past. It brings together scholars from a range of disciplines to explore the manifold ways in which the sea shaped British history, demonstrating the number of approaches that now have a stake in defining the discipline of maritime history. The chapters analyse the economic, social, and cultural contexts in which English maritime endeavour existed, as well as discussing representations of the sea. The contributors show how people from across the British Isles increasingly engaged with the maritime world, whether through their own lived experiences or through material culture. The volume also includes essays that investigate encounters between English voyagers and indigenous peoples in Africa, and the intellectual foundations of imperial ambition.
The history of Poland, since the eighteenth century, has been marked by an almost unending struggle for survival. From 1795 through 1945, she was partitioned four times by her stronger neighbours, most of whom were intent on suppressing if not eradicating Polish culture. It is not surprising, then, that much of the great literature written in modern Poland has been politically and patriotically engaged. Yet there is a second current as well, that of authors devoted above all to the craft of literary expression, creating ‘art for art’s sake,’ and not as a didactic national service. Such a poet is Tytus Czyżewski, one of the chief, and most interesting, literary figures of the twentieth...
Poetry. Translated from the Dutch by Paul Vincent and John Irons. 100 DUTCH-LANGUAGE POEMS is a lovely selection of poems written in the Dutch language from the 11th century to the present day. For the poetry lover it is a comprehensive introduction to poetry from the Low Countries and provides a wonderful insight into the themes and issues that influenced generations of poets. The Dutch language and English translations are presented side by side making it a great resource for literature and language students and scholars. A detailed foreword by Paul Vincent and John Irons who selected and translated the poems, as well as an intriguing afterword by Gaston Franssen, assistant professor of Li...
This collection of seventeen essays takes its inspiration from the scholarly achievements of the Dutch historian Jan Lucassen. They reflect a central theme in his research: the history of labor. The essays deal with five major themes: the production of specific commodities or services (diamonds, indigo, cigarettes, mail delivery by road runners); occupational groups (informal street vendors, prostitutes, soldiers, white-collar workers in the Dutch East India Company, VOC); geographical and social mobility (career opportunities on non-Dutch officers in the VOC, immigration into early-modern Holland; the influence of migrants on labor productivity; income differentials as migration incentives); contexts of labor relations (late medieval labor laws, subsistence labor and female paid labor, Russian peasant-migrant laborers, diverging political trajectories of cane-sugar industries); and the origins of labor-history libraries and archives.
Lyn MacDonald's acclaimed history 1914: The Days of Hope, is not so much the story of war as the story of an army. In this vivid account of the first months of the First World War, Lyn Macdonald draws on personal accounts of surviving veterans, bringing to life the disillusionment, the questioning and the heroism of the men of the British Army. The officers and men of 1914 were prepared to fight and ready to lay down their lives because it was their job. These men believed they were fighting the War to end War. 'Once again Lyn Macdonald has collected an extraordinary mass of original accounts, some by old soldiers, some in the form of diaries and journals, even by French civilians . . . Her ...
HEROM is a peer-reviewed online journal presenting innovative contributions to the study of material culture produced, exchanged, and consumed within the spheres of the Hellenistic kingdoms and the Roman world from the late fourth century BC to the seventh century AD. The journal publishes papers in the full range of the scholarly field and in all relevant academic disciplines within the arts, humanities, social sciences, and environmental sciences. HEROM creates a bridge between material culture specialists and the wider scientific community, with an interest in how humans interacted with and regarded artefacts. For a full table of contents, visit www.herom.be.
Welcome to Costa Banana, a tropical island where the President thinks he's a pop star and insists all citizens eat banana soup on Fridays. He's strong, he's unstoppable, he's... COMPLETELY BONKERS.So when the President's kids discover a plot to overthrow their dad, of course he doesn't believe them. With robotic spy flies, banana guns and a gruesome general to dodge, will Rosa and Fico be able to save the day?
For almost forty years, DeeDee Halleck has been involved in a variety of projects that involve media making by "non-professionals." Her goal has been to develop a critical sense of the potential and limitations of mediated communication through practical exercises that generate a sense of both individual and non-hierarchical group power over the various apparati of media and electronic technology. Hand-Held Visions is a collection of essays, presentations, and lectures that she has written throughout this process. Halleck starts with a discussion of her own development as a teacher, producer, and an active participant in the struggle for media democracy. She gives the reader a historical first-person perspective on the community-based media movement and a sense of the determination and resolve that have enabled often fragile and much embattled organizations and individuals to survive in a climate dominated by global media corporations that are in direct opposition to their work.