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Diary of a Drag Queen
Longlisted for the Polari First Book Prize 2020 Life's a drag... Why not be a queen? 'Stories like the one where you shagged a 79-year-old builder and knocked over his sister's ashes while feeding him a Viagra. Or the time you crashed your car because you were giving a hand job in barely moving traffic and took your eye off the car in front. That's the kind of dinner-party ice-breaker I'm talking about.' Northern, working-class and shagging men three times her age, Crystal writes candidly about her search for 'the one'; sleeping with a VIP in an attempt to become a world famous journalist; getting hired and fired by a well-known fashion magazine; being torn between losing weight and gorging on KFC; and her need for constant sexual satisfaction (and where that takes her). Charting her day-to-day adventures over the course of a year, we encounter tucks, twists and sucks, heinous overspending and endless nights spent sprinting from problem to problem in a full face of make-up. This is a place where the previously unspeakable becomes the commendable - a unique portrayal of the queer experience. (c) 2019, Crystal Rasmussen (P) 2019 Penguin Audio
I Live a Life Like Yours
'Compelling, unconventional. Genius' Michael J. Fox, New York Times 'Up-ends received wisdom about disability, testifies to an uncrushable spirit and an ordinary, extraordinary family... Revolutionary' David Mitchell, author of Cloud Atlas 'A profound, contemplative work' New Statesman 'A powerful examination... a wonderful memoir' Independent ______ Jan Grue was diagnosed with spinal muscular atrophy at the age of three, along with the assumption that his life would be narrow and limited. In I Live a Life Like Yours, he confronts this spectacular failure to anticipate the life that he lives now - as a husband, a father, a professor - and sets out to forge a radical new way to tell his story...
Sorrowland
"A wonderland of fantastical and frightening, magical and real." Marlon James "A fantastical, fierce reckoning... Sorrowland is gorgeous." Roxanne Gay "Dark, magical and incredibly satisfying." Independent "An exhilarating journey to the outer limits of science fiction." Guardian. --- Vern, a hunted woman alone in the woods, gives birth to twins and raises them away from the influence of the outside world. But something is wrong - not with them, but with her own body. It's changing, it's itching, it's stronger, it's... not normal. To understand her body's metamorphosis, Vern must investigate not just the secluded religious compound she fled but the violent history of dehumanization, medical experimentation, and genocide that produced it. In the course of reclaiming her own darkness, Vern learns that monsters aren't just individuals, but entire histories, systems, and nations. Sorrowland is a memorable work of Gothic fiction that wrestles with the tangled history of racism in America and the marginalisation of society's undesirables. It is a searing, seminal book that marks the arrival of a bold, unignorable voice in American fiction.
Infinite Detail
A LOCUS AWARD FINALIST FOR BEST FIRST NOVEL! The Guardian's Pick for Best Science Fiction Book of the Year! A timely and uncanny portrait of a world in the wake of fake news, diminished privacy, and a total shutdown of the Internet BEFORE: In Bristol’s center lies the Croft, a digital no-man’s-land cut off from the surveillance, Big Data dependence, and corporate-sponsored, globally hegemonic aspirations that have overrun the rest of the world. Ten years in, it’s become a center of creative counterculture. But it’s fraying at the edges, radicalizing from inside. How will it fare when its chief architect, Rushdi Mannan, takes off to meet his boyfriend in New York City—now the apothe...
The First Collection of Criticism by a Living Female Rock Critic
Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.
The Book of Darryl
Darryl’s friendless. Bored out of his skull. It’s the middle of summer, in the middle of the desert, in the middle of a fly-blown suburb of Roman-occupied Nazareth. Tough times for a sixteen-year-old boy in any era, never mind two millennia ago, when the only thing to look forward to is the next sandstorm, and you’re spending every waking moment worrying that the spots on your forehead are for sure signs of leprosy. But everything changes when Darryl meets his new refugee neighbor, Jay, who just so happens to be the messiah before he was *the Messiah.* Jay brings good news to Darry’s life and soaring, otherworldly vocals to his band with fellow teen Nazarenes Mary and Jude. Together,...
This Thing Between Us
"A surreal excursion into heartache and horror narrated by a man undone by grief . . . Along with allusions to Rod Serling and The Exorcist, there are shades of H. P. Lovecraft, Stephen King, zombie literature and, at least once, A Hitchhiker’s Guide to the Galaxy . . . You don't want to read this book right before bed." —Sarah Lyall, The New York Times Book Review “This intense cosmic horror with a touch of Mexican American folklore is incredibly creepy and moving.” —Margaret Kingsbury, BuzzFeed It was Vera’s idea to buy the Itza. The “world’s most advanced smart speaker!” didn’t interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange o...
Studies in Medievalism XXXIII
Essays on the post-modern reception and interpretation of the Middle Ages. Though Studies in Medievalism has hosted many essays on gender, this is the first volume devoted specifically to that theme. The first part features four short essays that directly address manifestations of sexism in postmedieval responses to the Middle Ages: gender substitutions in a Grail Quest episode of the 2023 television series Mrs. Davis, repurposed misogyny in the last two episodes of Game of Thrones (2011-19), traditional gender stereotypes in Capital One's credit card commercials from 2000 to 2013, and "shaggy" medievalism in Robert Eggers' 2022 film The Northman. The second part contains ten longer essays, ...
Multispecies Futures
In light of the dramatic growth and rapid institutionalization of human-animal studies in recent years, it is somewhat surprising that only a small number of publications have proposed practical and theoretical approaches to teaching in this inter- and transdisciplinary field. Featuring eleven original pedagogical interventions from the social sciences and the humanities as well as an epilogue from ecofeminist critic Greta Gaard, the present volume addresses this gap and responds to the demand by both educators and students for pedagogies appropriate for dealing with environmental crises. The theoretical and practical contributions collected here describe new ways of teaching human-animal st...
The Beauty Paradox
Why must beauty be seen as a binary that is either oppressive or empowering for women? The Beauty Paradox: Femininity in the Age of Selfies argues that women’s experiences of beauty as both validating and belittling is grounded in the contradictory injunctions that they receive regarding their participation in beauty culture. Piazzesi identifies the four main paradoxes of Western beauty culture: the worth paradox, the authenticity paradox, the power paradox, and the commitment paradox and examines how they trail women’s everyday experiences, choices, and reflections regarding beauty. She examines the role of beauty in women’s everyday lives and in a variety of contexts: informal social encounters, work and career settings, parenting, intergenerational relationships, self-care, and online networking practices. The author broadens the current discourse on beauty with an emphasis on the digital world, primarily the use of selfies.
