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Shifting Sands
A fresh look at the Middle East today, tomorrow, and in the past: fifteen writers, with an introduction by Raja Shehadeh, author of the Orwell Prize-winning Palestinian Walks, and Penny Johnson. At a time when the Middle East dominates media headlines more than ever—and for reasons that become ever more heartbreaking—Shifting Sands brings together fifteen impassioned and informed voices to talk about a region with unlimited potential, and yet which can feel, as one writer puts it, “as though the world around me is on fire?” This collection has as its framing event the Sykes-Picot agreement, which marks its centenary this year. The British diplomat Mark Sykes and his French counterpar...
This Is Not A Border
The Palestine Festival of Literature was established in 2008. Bringing together writers from all corners of the globe, it aims to help Palestinians break the cultural siege imposed by the Israeli military occupation, to strengthen their artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, 'the power of culture over the culture of power'. Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems and stories from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promo...
Seeking Palestine
How do Palestinians live, imagine and reflect on home and exile in this period of a stateless and transitory Palestine and a sharp escalation in Israeli state violence and accompanying Palestinian oppression? How can exile and home be written? In this volume of new writing, fifteen innovative and outstanding Palestinian writers—essayists, poets, novelists, critics, artists and memoirists—respond with their reflections, experiences, memories and polemics. Their contributions—poignant, humorous, intimate, reflective, intensely political—make for an offering that is remarkable for the candor and grace with which it explores the many individual and collective experiences of waiting, living for, and seeking Palestine. Contributors include: Lila Abu-Lughod, Susan Abulhawa, Suad Amiry, Rana Barakat, Mourid Barghouti, Beshara Doumani, Sharif S. Elmusa, Rema Hammami, Mischa Hiller, Emily Jacir, Penny Johnson, Fady Joudah, Jean Said Makdisi, Karma Nabulsi, Raeda Sa’adeh, Raja Shehadeh, Adania Shibli.
Land Expropriation in Israel
Historically, Israel's Supreme Court has failed to limit the state's powers of expropriation and to protect private property. This book argues that the Court's land expropriation jurisprudence can only be understood against the political, cultural and institutional context in which it was shaped. Security and economic pressures, the precarious status of the Court in the early years, the pervading ethos of collectivism, the cultural symbolism of public land ownership and the perceived strategic and demographic risks posed by the Israeli Arab population - all contributed to the creation of a harsh and arguably undemocratic land expropriation legal philosophy. This philosophy, the book argues, was applied by the Supreme Court to Arabs and Jews alike from the creation of the state in 1948 and until the 1980s. The book concludes with an analysis of the constitutional change of 1992 and its impact on the legal treatment of property rights under Israeli law.
Seeking Palestine
How do Palestinians live, imagine and reflect on home and exile in this period of a stateless and transitory Palestine and a sharp escalation in Israeli state violence and accompanying Palestinian oppression? How can exile and home be written? In this volume of new writing, fifteen innovative and outstanding Palestinian writers—essayists, poets, novelists, critics, artists and memoirists—respond with their reflections, experiences, memories and polemics. Their contributions—poignant, humorous, intimate, reflective, intensely political—make for an offering that is remarkable for the candor and grace with which it explores the many individual and collective experiences of waiting, living for, and seeking Palestine. Contributors include: Lila Abu-Lughod, Susan Abulhawa, Suad Amiry, Rana Barakat, Mourid Barghouti, Beshara Doumani, Sharif S. Elmusa, Rema Hammami, Mischa Hiller, Emily Jacir, Penny Johnson, Fady Joudah, Jean Said Makdisi, Karma Nabulsi, Raeda Sa’adeh, Raja Shehadeh, Adania Shibli.
Palestinian Walks
Over two decades of turmoil and change in the Middle East, steered via the history-soaked landscape of Palestine. This new edition includes a previously unpublished epigraph in the form of a walk. When Raja Shehadeh first started hill walking in Palestine, in the late 1970s, he was not aware that he was travelling through a vanishing landscape. These hills would have seemed familiar to Christ, until the day concrete was poured over the flora and irreversible changes were brought about by those who claim a superior love of the land. Six walks span a period of twenty-six years, in the hills around Ramallah, in the Jerusalem wilderness and through the ravines by the Dead Sea. Each walk takes place at a different stage of Palestinian history since 1982, the first in the empty pristine hills and the last amongst the settlements and the wall. The reader senses the changing political atmosphere as well as the physical transformation of the landscape. By recording how the land felt and looked before these calamities, Raja Shehadeh attempts to preserve, at least in words, the Palestinian natural treasures that many Palestinians will never know.
Strangers in the House
Raja Shehadeh was born into a successful Palestinian family with a beautiful house overlooking the Mediterranean. When the state of Israel was formed in 1948 the family were driven out to the provincial town of Ramallah. There Shehadeh grew up in the shadow of his father, a leading civil rights lawyer. He vowed not to become involved in politics or law but inevitably did so and became an important activist himself. In 1985 his father was stabbed to death. The Israeli police failed to investigate the murder properly and Shehadeh, by then a lawyer, set about solving the crime that destroyed his family. In Strangers in the House, Shehadeh recounts his troubled and complex relationship with his father and his experience of exile - of being a stranger in his own land. It is a remarkable memoir that combines the personal and political to devastating effect.
The Egyptian Army and the Muslim Brotherhood
This book provides an analysis of the relationship between the Egyptian army and the Muslim Brotherhood (MB). This is at times of cooperation, collaboration, rivalry, and enmity, offering a vivid perspective as to how the similarities of both political actors bring them together after decades of invisible presence in the Egyptian political field. Using ethnographic material that includes interviews, observations, and other forms of expression, both political actors’ common trajectories are analyzed in terms of power dynamics. The study allows an insight on the understanding of the differences between madani (civil), ‘askari (military), and dini (religious), how they are used and projecte...
When the Birds Stopped Singing
The Israeli army invaded Ramallah in March 2002. A tank stood at the end of Raja Shehadeh's road; Israeli soldiers patrolled from the roof toops. Four soldiers took over his brother's apartment and then used him as a human shield as they went through the building, while his wife tried to keep her composure for the sake of their frightened childred, ages four and six. This is an account of what it is like to be under seige: the terror, the frustrations, the humiliations, and the rage. How do you pass your time when you are imprisoned in your own home? What do you do when you cannot cross the neighborhood to help your sick mother? Shehadeh's recent memoir, Strangers in the House: Coming of Age...
