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The Clarinet in Spain
This book is the first monograph about clarinet and wind music in Spain, studying the professionalisation of the Spanish clarinettists from the early 19th century. The social, academic and professional environment of wind musicians are addressed here through the case study of clarinettist, teacher, composer and deputy bandmaster of the Municipal Wind Band of Madrid, Miguel Yuste Moreno (1870-1947). An analysis and study of the national and international influences on the Spanish clarinet repertoire is offered here, especially, the premiere of Brahms's chamber music for clarinet.
Symphonism in Nineteenth-century Europe
This volume deals, from multiple perspectives, with the complex world of European symphonism during the nineteenth century, a period in which it encompassed not only the creation of musical products and performances, but also significantly affected many compositional approaches, as well as aesthetic factors, such as the opposition between programme and absolute music. The emergence of the great symphony orchestras led to unprecedented types of professional interaction, and new forms of patronage. It also fostered the creation of a specific repertoire, and the construction of the first purpose-built concert halls. These developments originated in Europe at the beginning of the 19th century, i...
Musical Exoticism
The sound image of Otherness has been a significant source of inspiration for Western music, especially since the late eighteenth century. Encounters with the racial and geographical Other fomented interest in unfamiliar musical traditions, which informed exotic projections by Western composers. This volume explores aspects of musical exoticism and its staging during the long nineteenth century, with a special focus on the Mediterranean. This diverse and yet historically interconnected region was arguably the heart of the exotic enterprise during this period. The intersection of exoticism, nationalism and empire is considered, with a special focus on the situation of Spain as both source of ...
Whose Spain?
English with excerpts in Spanish and French.
Adolfo Núñez
None
TEATRO LÍRICO ESPAÑOL. ÓPERA, DRAMA LÍRICO Y ZARZUELA GRANDE ENTRE 1868 Y 1925
Se presentan en esta obra una serie de estudios sobre el teatro lírico español entre 1868 y 1925, una época enmarcada entre dos fechas significativas, no solo para la historia, sino también para la música en España, que comienza con la revolución La Gloriosa, coincidente con el establecimiento de los Bufos de Francisco Arderíus, etapa crucial en nuestro teatro lírico, y concluye con la instauración de la Dictadura de Primo de Rivera, el mismo año en que se cierra el Teatro Real por problemas estructurales en el edificio, que no volverá a utilizarse como teatro de la ópera hasta 1997. Los trabajos que aquí se reúnen proceden de dos líneas de investigación, la musicología y l...
Annual Report
None
Lais
Els Lais són un cicle de catorze cançons de Felip Pedrell que narren, amb veu de dona, el procés d’enamorament, des dels inicis fins a arribar a la unió dels enamorats. Estan escrits en català, el 1879, en una època marcada per constants canvis de residència del compositor o, si més no, de moltes estades a Itàlia, França, Lleida i Tortosa. La composició del cicle s’inscriu en un moment de recerca de creació del lied català, consistent en la combinació del gènere alemany del lied, però amb inspiracions musicals i poètiques pròpies del folklore català, especialment el de la seva terra natal.
