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Galicia
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Iberian Modalities
Of late the term Iberian Studies has been gaining academic currency, but its semantic scope still fluctuates. For some it is a convenient way of combining the official cultures of two states, Portugal and Spain; yet for others the term opens up disciplinary space, altering established routines. A relational approach to Iberian Studies shatters the state’s epistemological frame and complexifies the field through the emergence of lines of inquiry and bodies of knowledge hitherto written off as irrelevant. This timely volume brings together contributions from leading international scholars who demonstrate the cultural and linguistic complexity of the field by reflecting on the institutional challenges to the practice of Iberian Studies. As such, the book will be required reading for all those working in the field.
Culture and Society in Medieval Galicia
In Culture and Society in Medieval Galicia, twenty-three international authors examine Galicia’s changing place in Iberia, Europe, and the Mediterranean and Atlantic worlds from late antiquity through the thirteenth century. With articles on art and architecture; religion and the church; law and society; politics and historiography; language and literature; and learning and textual culture, the authors introduce medieval Galicia and current research on the region to medievalists, Hispanists, and students of regional culture and society. The cult of St. James, Santiago Cathedral, and the pilgrimage to Compostela are highlighted and contextualized to show how Galicia’s remoteness became th...
Migration and New International Actors
Recent studies on migration have been given a new focus and theoretical framework. The so-called “political dimension” of Diasporas, and their action at the international level as agents of para-diplomacy, as well as the introduction of analysis of the trans-national character of the migratory phenomenon, allow us to dig deeply into the field of our investigations, taking us out of the narrow frame of the Nation State.
A historia
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Galiza, Terra Irmã de Portugal
Sabia que atravessar a fronteira com a Galiza, mais do que entrar em Espanha, significa estar numa “terra irmã”? Que o espaço da antiga Galécia romana, com capital em Braga, constituiu uma unidade até ao século xii e esteve na origem do reino e da língua de Portugal. Desde então, mantiveram-se a continuidade das paisagens, a proximidade linguística, a intermitência dos diálogos culturais e a importância das relações transfronteiriças. O presente ensaio aborda a história e a cultura da Galiza, em diálogo com a evolução histórica de Portugal e, em especial, da Região Norte. Foi escrito desde a história, mas também como uma aposta de futuro que permita entender que as identidades comúns da Galiza com Portugal poderão alcançar uma nova dimensão institucional e um importante peso regional no quadro da União Europeia. Veja o vídeo de apresentação da obra em youtu.be/-dCjJfnv8mo
Estrella Galicia
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The Aesthetics of the Ephemeral
Analyzes theatrical texts and performances while providing political and historical mappings. In The Aesthetics of the Ephemeral, Jennifer Duprey examines five contemporary plays from Barcelona: Olors and Testament by Josep Maria Benet i Jornet, Antígona by Jordi Coca, Forasters by Sergi Belbel, and Temptació by Carles Batlle. She argues that in both the theatrical text and its performance an aesthetics of the ephemeral materializes that is related to specific manifestations of cultural and historical memory in Spain and Catalonia. These manifestations of memory include historical concerns such as the possibility of another form of justice in predicaments of violence after the Civil War, a...
The Representation of External Threats
In The Representation of External Threats, Eberhard Crailsheim and María Dolores Elizalde present a collection of articles that trace the phenomenon of external threats over three continents and four oceans, offering new perspectives on their development, social construction, and representation.
Madrid's Forgotten Avant-Garde
This book explores the role played by artists and intellectuals who constructed and disseminated various competing images of national identity which polarized Spanish society prior to the Civil War. The convergence of modern and essentialist discourses and practices, especially in literature and poetry, in what is conventionally called in Spanish letters "The Generation of '27", created fissures between competing views of aesthetics and ideology that cut across political affiliation. Silvina Schammah exposes the paradoxes facing Madrid's cultural vanguards, as they were torn by their ambition for universality, cosmopolitanism and transcendence on the one hand and by the centripetal forces of nationalistic ideologies on the other. Taking upon themselves roles to become the disseminators and populizers of radical positions and world-views first elaborated and conducted by the young urban intelligentsia, their proposed aim of incorporating diverse identities embedded in different cultural constructions and discourse was to have very real and tragic consequences as political and intellectual lines polarized in the years prior to the Spanish Civil War.
