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Renée Green
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Renée Green
Über zwei Jahrzehnte hinweg hat sich Renée Green in ihrer außergewöhnlichen multimedialen Kunstpraxis fortlaufend mit der Beziehung zwischen Ästhetik und Macht auseinandergesetzt. Ihre Filme, Skulpturen, Schriften, Fotografien, Druckgrafiken und Soundarbeiten untersuchen und beleuchten unterrepräsentierte Geschichten von Migration, Vertreibung, Ethnografie und kultureller Repräsentation. Dieser außergewöhnliche Künstlerkatalog zeigt Greens Werk in seinen vielen Facetten und kombiniert frühe und undokumentierte Kunstwerke mit neueren Arbeiten, begleitet von einer Vielzahl von Texten neuer Autoren, die ihr Kunstwerk für ein zeitgenössisches Publikum rekontextualisieren. Das Buch erlaubt die einzigartige Einsicht in einen Prozess, in dem Sehen und Wissen in neue Konstellationen gebracht werden.
WORLD TOUR.
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Other Planes of There
For more than two decades, the artist Renée Green has created an impressive body of work in which language is an essential element. Green is also a prolific writer and a major voice in the international art world. Other Planes of There gathers for the first time a substantial collection of the work she wrote between 1981 and 2010. The selected essays initially appeared in publications in different countries and languages, making their availability in this volume a boon to those wanting to follow Green's artistic and intellectual trajectory. Charting this cosmopolitan artist’s thinking through the decades, Other Planes of There brings essays, film scripts, reviews, and polemics together wi...
Other Planes of There
For more than two decades, the artist Renée Green has created an impressive body of work in which language is an essential element. Green is also a prolific writer and a major voice in the international art world. Other Planes of There gathers for the first time a substantial collection of the work she wrote between 1981 and 2010. The selected essays initially appeared in publications in different countries and languages, making their availability in this volume a boon to those wanting to follow Green's artistic and intellectual trajectory. Charting this cosmopolitan artist’s thinking through the decades, Other Planes of There brings essays, film scripts, reviews, and polemics together wi...
World Tour
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Pacing
Renée Green: Pacing explores the artist's two-year engagement with the Carpenter Center for the Visual Arts at Harvard University, including her major exhibition Within Living Memory, and chronicles a series of Green's interlinked exhibitions and events that took place during that time period in Cambridge, US (Pacing); Toronto, Canada (Facing); Como, Italy (Tracing); Berlin, Germany (Placing); and Lisbon, Portugal (Spacing). Renée Green: Pacing puts these projects into dialog with extensive documentation of and critical responses to her exhibitions and public programs staged at the Carpenter Center between 2016 - 2018. In doing so, the publication focuses on questions of process across a n...
Lost Illusions
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Contact
"Invited by FRONT International 2022 to produce a project for moCa Cleveland, artist Renée Green conceived 'Contact', a sprawling exhibition occupying all of moCa’s public spaces, radiating into the city as a series of public programs involving workshops and lectures, as well as a cinematic screening series at the Case Western Reserve University Film Society. A contrapuntal exhibition, 'Contact' interweaves and places in conversation Green’s own works with a vast array of invited participants with whom she’s been in conversation through the years, spanning many locations and times."--http://act.mit.edu/works/renee-green-contact/
Endless Dreams and Time-based Streams
The term "time-based art" is ostensibly a well-known construct by this point, encompassing video, audio and performance work but not textiles or other objects. Yet Renée Green, whose complex installation art has long troubled easy oppositions such as public/ private, center/margin, and history/ fiction, complicates the idea of time-based art as well, recycling the otherwise "static" elements in her vibrant multimedia environments from year to year, thus mobilizing a more expansive notion of the "time-based" to situate her practice in history. Conceived for Green's 2010 exhibition at Yerba Buena Center for the Arts, this volume appraises the intellectual complexity of Green's ever-evolving art.
