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Renée Green
Über zwei Jahrzehnte hinweg hat sich Renée Green in ihrer außergewöhnlichen multimedialen Kunstpraxis fortlaufend mit der Beziehung zwischen Ästhetik und Macht auseinandergesetzt. Ihre Filme, Skulpturen, Schriften, Fotografien, Druckgrafiken und Soundarbeiten untersuchen und beleuchten unterrepräsentierte Geschichten von Migration, Vertreibung, Ethnografie und kultureller Repräsentation. Dieser außergewöhnliche Künstlerkatalog zeigt Greens Werk in seinen vielen Facetten und kombiniert frühe und undokumentierte Kunstwerke mit neueren Arbeiten, begleitet von einer Vielzahl von Texten neuer Autoren, die ihr Kunstwerk für ein zeitgenössisches Publikum rekontextualisieren. Das Buch erlaubt die einzigartige Einsicht in einen Prozess, in dem Sehen und Wissen in neue Konstellationen gebracht werden.
Other Planes of There
For more than two decades, the artist Renée Green has created an impressive body of work in which language is an essential element. Green is also a prolific writer and a major voice in the international art world. Other Planes of There gathers for the first time a substantial collection of the work she wrote between 1981 and 2010. The selected essays initially appeared in publications in different countries and languages, making their availability in this volume a boon to those wanting to follow Green's artistic and intellectual trajectory. Charting this cosmopolitan artist’s thinking through the decades, Other Planes of There brings essays, film scripts, reviews, and polemics together wi...
Renée Green
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Pacing
Renée Green: Pacing explores the artist's two-year engagement with the Carpenter Center for the Visual Arts at Harvard University, including her major exhibition Within Living Memory, and chronicles a series of Green's interlinked exhibitions and events that took place during that time period in Cambridge, US (Pacing); Toronto, Canada (Facing); Como, Italy (Tracing); Berlin, Germany (Placing); and Lisbon, Portugal (Spacing). Renée Green: Pacing puts these projects into dialog with extensive documentation of and critical responses to her exhibitions and public programs staged at the Carpenter Center between 2016 - 2018. In doing so, the publication focuses on questions of process across a n...
Bound to Appear
At the close of the twentieth century, black artists began to figure prominently in the mainstream American art world for the first time. Thanks to the social advances of the civil rights movement and the rise of multiculturalism, African American artists in the late 1980s and early ’90s enjoyed unprecedented access to established institutions of publicity and display. Yet in this moment of ostensible freedom, black cultural practitioners found themselves turning to the history of slavery. Bound to Appear focuses on four of these artists—Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson—who have dominated and shaped the field of American art over the past two decades through la...
Renée Green
This is the first comprehensive monograph devoted to New York and San Francisco-based artist Renée Green. Over the past 20 years, through film, video, sound art, photographs, prints, banners, texts, websites and ephemera, Green's work has comprised complex, multi-layered archive-like installations, employing a vast array of sources, which always urge viewers to become active participants. Included in this superbly illustrated volume are newly commissioned essays by a host of esteemed media scholars, art historians, critics and curators--Nora Alter, Diedrich Diederichsen, Kobena Mercer, Catherine Quéloz, Gloria Sutton and Elvan Zabunyan--who engage issues central to Green's oeuvre, such as genealogy, archives and their reworkings, movements and displacements, site specificity and location.
Endless Dreams and Time-based Streams
The term "time-based art" is ostensibly a well-known construct by this point, encompassing video, audio and performance work but not textiles or other objects. Yet Renée Green, whose complex installation art has long troubled easy oppositions such as public/ private, center/margin, and history/ fiction, complicates the idea of time-based art as well, recycling the otherwise "static" elements in her vibrant multimedia environments from year to year, thus mobilizing a more expansive notion of the "time-based" to situate her practice in history. Conceived for Green's 2010 exhibition at Yerba Buena Center for the Arts, this volume appraises the intellectual complexity of Green's ever-evolving art.
In Conversation
Booklet of the virtual conversation between artist Renée Green and art historian Gloria Sutton to celebrate the publication of Renée Green: Pacing, held at the Carpenter Center on February 18, 2021.
Talking Visions
This multivoiced collection of essays and images presents a "relational" feminism of diverse communities, affiliations, and practices.
