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Italian American Poetics of Place
This volume examines the significance of place in contemporary Italian American literature from an ecocritical perspective. It fills a gap in the theoretical discourse on Italian American culture, whose concerns about environmental justice have been mostly overlooked. From mid-twentieth-century poets such as John Ciardi and Diane di Prima to late twentieth- and twenty-first-century fiction writers such as Carole Maso and Salvatore Scibona, the study combines Italian American literary criticism with the spatial turn that, over the last decades, has asserted the interpretive significance of place and the environment in literary texts. Questioning the prejudice that sees Italian American cultur...
Performing Gender and Violence in Contemporary Transnational Contexts
Acknowledgements — Preface by Maria Anita Stefanelli — 1. Making Visible. Theatrical Form as Metaphor: Marina Carr and Caryl Churchill by Cathy Leeney — 2. Obscene Transformations: Violence, Women and Theatre in Sarah Kane and Marina Carr by Melissa Sihra — 3. Can the Subaltern Dream? Epistemic Violence, Oneiric Awakenings and the Quest for Subjective Duality in Marina Carr’s Marble - Interview with Marina Carr - Excerpt from Marble by Marina Carr by Valentina Rapetti — 4. “The house is a battlefield now”: War of the Sexes and Domestic Violence in Van Badham’s Kitchen and Warren Adler’s The War of the Roses - Interview with Van Badham - Excerpt from Kitchen by Van Badham ...
Transnational Italian Studies
Transnational Italian Studies is specifically targeted at a student audience and is designed to be used as a key text when approaching the disciplinary field of Italian studies. It allows the study of Italian culture to be construed and practised not simply as the inquiry into a national tradition but as the study of the interaction of cultural practices both within Italy itself and in those parts of the world that have witnessed the extent of Italian mobility. The text argues that Italian culture needs to be considered in a transnational/transcultural perspective and that an understanding of linguistic and cultural translation underlies all approaches to the study of Italian culture in a gl...
Constitutional Innovation and Same-Sex Desire in D’Annunzio’s Fiume, 1919–1920
Drawing on novel archival evidence that sheds light on Anglo-Italian diplomatic relations and the French-Italian contest for power in the Adriatic, this book recounts the story of decadent poet Gabriele D’Annunzio’s occupation of Fiume. Determining the fate of this Italian enclave in coastal Croatia had proved impossible at the Paris Peace Conference. In September 1919, D’Annunzio and his ‘legionnaires’ installed themselves in Fiume in a bid to embarrass Italy into declaring its annexation. In the months that followed, the poet did his best to fashion Fiume into his ideal political community, culminating in the proclamation of a Constitution known as the Carnaro Charter. The Charte...
A Critical Companion to Julie Taymor
A Critical Companion to Julie Taymor is the most updated and holistic volume on the director currently published. Situating Taymor’s work within the intersections of story and spectacle, contributors to this collection examine issues of creativity, gender, sexuality, and adaptation by focusing on themes from Taymor’s oeuvre including martyrdom, musicality, fidelity, postmodern representations, feminism and queerness, identity, desire, trauma, revenge, hybridity, and obscenity. The result reveals Julie Taymor to be a globally-influenced American director who exhibits and exemplifies the authentic artistry of ingenious storytelling and deserves scholarly attention. This work will be of particular interest to scholars of film, philosophy, popular culture, gender, feminisms, and queer identities.
Precarity in Culture
The present state of research in precarity demands meta-questions and hence we need to probe both philosophy and practice in light of precarity’s different manifestations. The plural perspectives by which this phenomenon can be addressed also suggest potential for further theorization alongside that of Butler and her critics. By inviting scholars and experts from different fields and disciplines, and by applying multiple frameworks, methodological approaches, and critical lenses, this volume seeks to explore the different facets of our precarious world, while providing insights into the challenges of our possible futures.
Managing Migration in Italy and the United States
Managing Migration in Italy and the United States shows how the development of gatekeeping in the United States and Italy laid the groundwork for immigration restriction worldwide at the turn of the twentieth century. The volume brings together European and American scholars, many for the first time, effectively crossing national and disciplinary boundaries. Using archives on both sides of the Atlantic, the authors explore the rise of immigration restriction and the attendant growth of the bureaucracy to regulate migration through the lens of migration studies, transnational history, and diplomatic and international history. The essays contribute to recent scholarship on the global repercussions of immigration restriction and the complex web of interactions created by limits on mobility. Managing Migration brings to light Italy’s important role in the establishment of international border controls promoted by the United States and expands the chronology of restriction from its origins to the present.
Inventing Modern Adolescence
In Inventing Modern Adolescence Sarah E. Chinn follows the roots of American teenage identity further back, to the end of the nineteenth and beginning of the twentieth centuries. Addressing the intersecting issues of urban life, race, gender, sexuality, and class consciousness, Inventing Modern Adolescence is an authoritative and engaging look at a pivotal point in American history and the intriguing, complicated, and still very pertinent teenage identity that emerged from it.
The Afterlife of "Little Women"
Written in an accessible narrative style, The Afterlife of Little Women speaks to scholars, librarians, and devoted Alcott fans.
Grazia Deledda’s Painterly Aesthetic
Central to Grazia Deledda’s narrative worlds are the relationships between her characters and the vast landscapes they inhabit. Deledda decodes, translates, and represents her characters, her characters’ emotions, and her natural and urban landscapes in a language that shares a vocabulary with the visual arts. However, despite the fact that her descriptions contain the gradation of Modernist painting, beginning with Impressionism, no book-length study has been dedicated to investigating Deledda’s relationship with the visual arts and the resulting painterly aesthetic of her colorful and nuanced narratives. Grazia Deledda’s Painterly Aesthetic seeks to present an articulated and color...
