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Irene Brin
A well-known figure in the world of culture between the wars, Irene Brin started out in the early 30's as a reporter of society news, writing articles on fashion chiefly for the magazine "Bellezza" from 1945 to the early 60's. Caratozzolo's portrait depicts Brin as an extraordinarily effective promoter of Italian culture abroad, thanks to her unprecedented role as Rome editor for "Harper's Bazaar." She helped to build the image of Italian fashion, and made Italian designers fully aware of the value of their creations. While celebrating the unique and traditional qualities of Italian fashion, Brin was also far ahead of her time in understanding and embracing the international, even global directions that fashion was beginning to take, and that would prove to be its future.
Simonetta: Italian's Fashion First Lady. Catalogo Della Mostra (Firenze, 9 Gennaio-17 Febbraio 2008). Ediz. Illustrata
Simonetta, a living legend as beautiful as any of her models, is an aristocrat by birth and has spent her youth amidst the international celebrities for whom she designed her sophisticated clothes; among them: Lauren Bacall, Dorothy McGuire, and Silvana Mangano. From the forties to the seventies, from the Rome atelier in her family's Palazzo to her Paris boutique on Rue Francois, the innovative lines of her daring creative fashion had a deep effect on the taste of the tight circle of aristocrats she was part of as well as on the lifestyles of consumers in the great international market.
Irene Brin
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Writers' Houses and the Making of Memory
This innovative new book examines the ways in which writers’ houses contribute to the making of memory. It shows that houses built or inhabited by poets and novelists both reflect and construct the author’s private and artistic persona; it also demonstrates how this materialized process of self-fashioning is subsequently appropriated within various strategies and policies of cultural memory.
Accessorizing the Body
What the smallest detail of dress reveals about gender, sexuality, race, politics, and aesthetics.
Made in Italy
Goods made or designed in Italy enjoy a profile which far outstrips the country's modest manufacturing output. Italy's glorious design heritage and reputation for style and innovation has 'added value' to products made in Italy. Since 1945, Italian design has commanded an increasing amount of attention from design journalists, critics and consumers. But is Italian design a victim of its own celebrity? Made in Italy brings together leading design historians to explore this question, discussing both the history and significance of design from Italy and its international influence. Addressing a wide range of Italian design fields, including car design, graphic design, industrial and interior design and ceramics, well-known designers such as Alberto Rosselli and Ettore Sottsass, Jr. and iconic brands such as Olivetti, Vespa and Alessi, the book explores the historical, cultural and social influences that shaped Italian design, and how these iconic designs have contributed to the modern canon of Italian-inspired goods.
Teaching fashion. An introduction
This collection of contributions was created to prove both the complexity of the contemporary fashion system as well as the richness and openness of an interdisciplinary approach to the field, that is the same that inspires the Master programme in Fashion Studies at Sapienza, University of Rome. All the authors – either scholars or professionals in their fields – are deeply involved in this educational project and they have conceived each contribution as a pedagogic tool for supporting students in better understanding the social, cultural, economic, technological, creative, environmental aspects of fashion. Therefore, this collection aimed at providing readers with a kaleidoscopic approach, a multitude of voices and perspectives; a set of blended methodologies as well as theories that try to address the challenges of the permanent and accelerating transformations of the fashion system. To understand the future of fashion we have to foster creative as well as critical thinking, working on the knowledge we got from the past and identifying changes in advance, in order to be ready – and prepared – for the challenges that are in front of us.
The Oxford Handbook of Communist Visual Cultures
Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals a...
Britain and Italy in the Long Eighteenth Century
The essays in this collection range across literature, aesthetics, music and art, and explore such themes as the dynamics of change in eighteenth-century aesthetics; time, modernity and the picturesque; the function of graphic ornaments in eighteenth-century texts; imaginary voyages as a literary genre; the genesis of children’s literature; the Italian opera and musical theory in Frances Burney’s novels; Italian and British art theories; and patterns of cultural transfers and of book circulation between Britain and Italy in the eighteenth century. Collectively they epitomise the concerns and approaches of scholars working on the long eighteenth century at this challenging and exciting ti...
Fashion Narrative and Translation
Fashion Narrative and Translation explores fashion in narrative and translation featuring a corpus of descriptions in comparative literature. The book is divided into themes introducing crucial issues in fashion discourse and translation studies, including cinematic adaptation ‘from page to screen’ and costume design.
