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Looking at a work of art, like listening to music, becomes a rewarding experience only if the senses are alert to the qualities of the work and to the artist's purpose that brought them into being. The language of sculpture must be learned. In this in-depth study, readers examine the materials, tools, methods, styles, and practices that are involved in sculpting and many of the techniques that have been used by accomplished artists who have contributed to sculpture as a fine art, from the marble gods of Phidias to the mobiles by Alexander Calder.
"The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century ... The birthplaces of these works range from Sicily to Venice; some typify local styles, others illustrate the intense artistic exchanges taking place within Italy and between Italy and the wider world ... Technological advances of the last decades have made it possible to determine more precisely the materials and techniques from which works of art are made, the history of their alteration, and the mechanisms of their...
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The fourth edition of this well established text brings the subject up-to-date with environmental legislation and provides a thorough understanding of the surface technologies of all materials used for finishes. It also aims to minimise the use of finishes which have shorter lives and hence need renewing more frequently. As the variety of materials used for finishes is so large, they have been grouped into their engineering categories of ceramics, polymers, metals and composites to aid understanding of their structure, behaviour and ability to resist degradation. Finishes is an essential textbook for Materials units on building, architecture, surveying and related degree and postgraduate courses, and for students of BTEC HNC/D building and surveying.
This book analyses the principle of equality from three perspectives: public international law, private international law and EU law. It is the first book in English providing a comprehensive overview of this principle in these areas of law and showing the current trends and issues concerning its application. Its main goal is to understand whether and to what extent the principle of equality has been affirmed in public and private international law, as well as EU law, and what – if any – the common core of this principle is. The analysis carried out in this contributed volume starts from general analyses of the principle of equality in the areas of the law covered by the book and then di...
The 2019 AIDAA Congress is the biennial Congress of the Italian Association of Aeronautics and Astronautics, the Italian no-profit cultural association dedicated to the aerospace community. AIDAA was formed in 1969 through a merging of the former Societies AIDA (Associazione Italiana di Aerotecnica formed in 1920) and AIR (Associazione Italiana Razzi).In 1951, AIDA was among the founders of the International Astronautical Federation (IAF) and in 1957 of the International Council of Aeronautical Sciences (ICAS). In 1992 AIDAA joined the Confederation of European Aerospace Societies (CEAS).The Congress is jointly hosted by AIDAA Rome Section, the Departments of Astronautic, Electric and Energetic Engineering (DIAEE) and of Mechanical and Aerospace Engineering (DIMA) of Civil and Industrial Engineering Faculty and the School of Aerospace Engineering (SIA) of Sapienza University of Rome. The degree courses in Aerospace Engineering are attended by almost 1500 students.