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Realização: Grupo de Pesquisa, Cidadania e Arte (UFRGS) e Laboratório de Arte e Subjetividades (UFSM) Coordenação Geral: Cláudia Zanatta (UFRGS) e Rosa Blanca (UFSM) Na primavera austral de 2018 e no verão de 2019 realizamos o I e o II Simpósio de Investigação em Arte: Intervindo, Migrando e (Se) Deslocalizando, com a participação de artistas e pesquisadoras(es) do Brasil, Colômbia, Cuba, Equador, México e Espanha. Os simpósios foram organizados conjuntamente pela Universidade Federal do Rio Grande do Sul, Universidade Federal de Santa Maria, Universidad Autónoma de Baja California (México) y Universidad Autónoma de Hidalgo (México). É a partir destes dois encontros que s...
Este libro recoge muchas de las reflexiones y discusiones que se plantearon en el marco del "II Encuentro de Arte, Educación, Interculturalidad: Reflexiones desde la práctica artística y docente", que se llevó a cabo en octubre de 2018. Ha tomado tiempo la publicación de estas reflexiones, por varios motivos, además de las complicaciones burocráticas de la universidad en donde trabajo, los requerimientos de lectura y arbitraje del campo académico y una serie de imprevistos personales que desbordan la vida académica y que precisaban de mi tiempo y atención. Es importante recalcar esto último porque en gran parte de los textos aquí presentados se aborda lo humano como componente primordial de la construcción del conocimiento y de los procesos de pensamiento en el arte y la educación, sobre las exigencias de una academia cada vez más rigurosa, pero que muchas veces olvida que uno de los principales objetivos de la educación, es la emancipación del pensamiento y la dignidad humana.
Poetics of the Iconotext makes available for the first time in English the theories of the respected French text/image specialist, Professor Liliane Louvel. A consolidation of the most significant theoretical materials of Louvel's two acclaimed books, L'Oeil du Texte: Texte et image dans la littérature anglophone and Texte/Image: Images à lire, textes à voir, this newly conceived work introduces English readers to the most current thinking in French text/image theory and visual studies. Focusing on the full spectrum of text/image relations, from medieval illuminated manuscripts to digital books, Louvel begins by introducing key terms and situating her work in the context of significant de...
Enamelling is the art of fusing glass onto metal to create colourful designs and is one of the most ancient art methods. This guide covers basic instructions in the technique, how to set up a studio and what equipment is needed and finishes with 12 projects to try.
Arranged alphabetically from abstraction to x-height and blackletter to widow, each term is explained and contextualised with illustrations.
These essays by eminent European intellectual and cultural historian Anson Rabinbach address the writings of key figures in twentieth-century German philosophy. Rabinbach explores their ideas in relation to the two world wars and the horrors facing Europe at that time. Analyzing the work of Benjamin and Bloch, he suggests their indebtedness to the traditions of Jewish messianism. In a discussion of Hugo Ball's little-known Critique of the German Intelligentsia, Rabinbach reveals the curious intellectual career of the Dadaist and antiwar activist turned-nationalist and anti-Semite. His examination of Heidegger's "Letter on Humanism" and Jaspers's The Question of German Guilt illuminates the c...
Over 70 brilliant artworks by the legendary William Spratling—adventurer, celebrity, and world-renowned silver artisan—are presented in this stunning centennial edition of the acclaimed Spratling Silver. An eagle's profile carved gracefully into the rosewood handle of a 1930s pitcher; the subtle essence of a sea animal in a classic brooch: the exquisite detail and splendor of such unique creations are showcased here in all their lustrous glory. Included are commentaries from Spratling's friends and contemporaries (the likes of Georgia O'Keeffe, who was photographed wearing one of his pins on her austere black dress), which paint an intimate portrait of the man instrumental in reviving Mexico's silver industry in the late 1920s. With 26 additional photographs, an expanded text, and a new hallmarks section with information for collectors, Spratling Silver is the only comprehensive volume to portray the full scope and beauty of William Spratling's treasures.
Silent reading is now universally accepted as normal; indeed reading aloud to oneself may be interpreted as showing a lack of ability or understanding. Yet reading aloud was usual, indeed unavoidable, throughout antiquity and most of the middle ages. Saenger investigates the origins of the gradual separation of words within a continuous written text and the consequent development of silent reading. He then explores the spread of these practices throughout western Europe, and the eventual domination of silent reading in the late medieval period. A detailed work with substantial notes and appendices for reference.
The Aardman Studio in Bristol is one of the biggest successes in the new wave of British animation. This book sets Aardman's achievements and the history of the studio within the context of the tradition of 3-D animation. The studio's initial success with Morph was followed with an Oscar for Creature Comforts and nominations for Adam and A Grand Day Out. Nick Park at Aardman has received two Oscars for his Wallace and Gromit stories, The Wrong Trousers and A Close Shave.