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"Explore the many ways in which we connect to the world around us through our senses in speechless: different by design, an exhibition of multisensory, interactive, and immersive experiences for visitors of all backgrounds and abilities. Created in collaboration with designers, scholars, and scientists, speechless presents unique opportunities for discovering new perspectives through communications beyond speech and words. Co-organized by the Dallas Museum of Art and the High Museum of Art, speechless: different by design will debut site-specific installations and new commissions by six leading and emerging international designers and design teams--Ini Archibong, Matt Checkowski, Misha Kahn, Steven and William Ladd, Laurie Haycock Makela, and Yuri Suzuki. Their new works will create participatory environments in which senses are merged or substituted for one another--for instance, sound will become visible and language will become tactile--so that visitors can engage with their surroundings in new and unconventional ways."--
A powerful story of three women and their love for one man. It's the 1970s and a young black boy dances the shuffle better than anyone but that isn't going to fill his belly. Teenager Hazel gives him what he wants. Older woman Leonora gives him what he needs. His mum Queenie won't give him anything more than a catering tin of beans. The fight is on... Black Crows opens at the Arcola Theatre in March 2007 in a production by Clean Break Theatre Co.
New York Times best-selling author presents a radical alternative to psychotropic meds: discerning the meaning in your symptoms and your struggle as a way to reclaim your health and your self. For years, we've been telling ourselves that our difficult feelings-sadness, rage, shame, intensity, worry-are somehow "not okay." And, all too often, we've relied on the promise of pharmaceuticals to tamp them down. The fact is, though, that these feelings are a vital part of our experience. They are real. And those of us who feel them most strongly are the canaries in the coalmine-sensitive to things that are seriously wrong in the world today. In a book that's both provocative and promising, holisti...
The astounding true story behind the major new motion picture starring Letitia Wright and Tamara Lawrance, with a new epilogue from the author 'A compelling and tragic story' Mail on Sunday When identical twins, June and Jennifer Gibbons were three they began to reject communication with anyone but each other, and so began a childhood bound together in a strange and secret world. As they grew up, love and hate united to push them to the extreme margins of society and, following a five week spree of vandalism and arson, the silent twins were sentenced to a gruelling twelve-year detention in Broadmoor. Award-winning investigative journalist Marjorie Wallace delves into the twins' silent world, revealing their genius, alienation and the mystic bond by which the extremes of good and evil ended in possession and death. 'Breathtaking' Independent 'Extraordinary' Oliver Sacks, New York Times Review of Books
Paris Sweeny is a moderately successful artist whose popularity is surging. Sweeney loves her work and is content with life, until she begins to notice odd changes. The changes are unnoticeable at first, but she can't ignore her dreams - lush, vivid and drenched in vibrant hues - which are influencing her artwork. And she can't deny her growing restlessness... Suddenly, impulsively, Sweeney finds herself unable to resist a night of intense passion with millionaire Richard Worth, estranged husband of her gallery-owner. But the true dangers of her all-consuming urges are about to be revealed where Sweeney least expects it: in her paintings. After a creative frenzy she discovers she has painted a graphic murder scene. And then a shattering, real-life murder mirrors her creation and puts her at the top of the list of suspects.
Dr. Brogan Corkie is happily semi-retired from medicine and now has time for other hobbies. Her passion for food is second only to her skill at matchmaking! Ross Skye, owner of BabyCare, a high-end line of baby merchandise, is injured in an accident, and Brogan uses her cooking, medical - and matchmaking - skills to help him out. Dr. Lauren Kane is taking care of her nephew for two weeks, and Brogan agrees to babysit while Lauren is at work. Two years ago, Ross and Lauren dated. At that time, Lauren wanted kids, but Ross wasn't keen. Now the tables have turned, and Ross is trying to convince Lauren that they'd make an awesome parenting team. Brogan suggests they test drive parenthood by looking after a simulated baby for a week - a computerized version that eats, sleeps, wets, and cries. Ross and Lauren experience the "joy" of having a newborn firsthand, and the bar is set pretty low. Their first goal is: don't drop the baby. The second goal is to find out if their love for each other will survive the test of...parenting.
"I mean, what is a woman? I assure you, I do not know. I do not believe that you know. I do not believe that anybody can know until she has expressed herself in all the arts and professions open to human skill."—Virginia Woolf, Professions for Women Writing The Woman Artist is a collection of essays that explores the ways in which women writers portray women painters, sculptors, writers, and performers. Surveying the works of a variety of women writers—from the nineteenth and twentieth centuries, from different ethnic, national , racial, and economic backgrounds—this book treats their revisions of the Künstlerroman and their perceptions of the relationships between muse, artist, and a...
Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.
Bad English, as George Orwell argued so eloquently over 60 years ago, is a sign of laziness, sloppy thought or insincerity. Yet why is it then that so many of us remain in thrall to cliches, stale idioms and empty phrases when it comes to expressing ourselves.