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La lengua es un extenso y diverso territorio por donde atraviesa la cultura toda y en el que se manifiesta casi cualquier faceta de la vida cotidiana. La lengua es patrimonio intangible de los seres humanos y de ella los hablantes somos los únicos dueños y cuidadores y, por eso, con ella, y gracias a ella, los hablantes podemos jugar, crear, recrear e inventar palabras, jugar a escribirlas de muchos modos, mencionarlas o situarlas en nuevas y distintas dimensiones, para encontrarnos con ellas y reconocernos en ellas. En ese juego, la lengua nos permite regocijarnos e identificarnos en lo que compartimos con otros hablantes y en lo que nos hace únicos y distintos del otro. El Jergario lati...
Estas notas han sido elaboradas con el fin de que los estudiantes puedan acceder y contar con una herramienta pedagógica que contribuya al mejoramiento de la enseñanza-aprendizaje de la física moderna. El enseñar física moderna ha mostrado que, en muchos de los casos, hay dificultad a la hora de comprender sus conceptos básicos, de ahí que se haga necesaria la utilización de varias herramientas pedagógicas que contribuyan y faciliten dicho proceso de enseñanza-aprendizaje. También, se muestran ejercicios resueltos y propuestos y varios laboratorios virtuales y presenciales. Además de este texto, se diseñó una página donde se suben vídeos, talleres o ensayos que se generan durante el desarrollo del curso, lo que convierte esta publicación en una guía para el estudiante.
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This is the first textbook on pattern recognition to present the Bayesian viewpoint. The book presents approximate inference algorithms that permit fast approximate answers in situations where exact answers are not feasible. It uses graphical models to describe probability distributions when no other books apply graphical models to machine learning. No previous knowledge of pattern recognition or machine learning concepts is assumed. Familiarity with multivariate calculus and basic linear algebra is required, and some experience in the use of probabilities would be helpful though not essential as the book includes a self-contained introduction to basic probability theory.
Longlisted for the 2020 Andrew Carnegie Medals for Excellence A provocative, exuberant novel about time, memory, desire, and the imagination from the internationally bestselling and prizewinning author of The Blazing World, Memories of the Future tells the story of a young Midwestern woman’s first year in New York City in the late 1970s and her obsession with her mysterious neighbor, Lucy Brite. As she listens to Lucy through the thin walls of her dilapidated building, S.H., aka “Minnesota,” transcribes her neighbor’s bizarre and increasingly ominous monologues in a notebook, along with sundry other adventures, until one frightening night when Lucy bursts into her apartment on a resc...
FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF WHAT I LOVED 'An astoundingly joyful read . . . a book that shines with intellectual curiosity and emotional integrity' Guardian 'By turns funny, moving and erudite, playfully reminding us of a contemporary Jane Austen' Daily Mail After Mia Fredricksen's husband of thirty years asks for a pause - so he can indulge his infatuation with a young French colleague - she cracks up (briefly), rages (deeply), then decamps to her prairie childhood home. There, gradually, she is drawn into the lives of those around her: her mother's circle of feisty widows; the young woman next door; and the diabolical teenage girls in her poetry class. By the end of the ...
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Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.